paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!
Paperback. Condizione: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Prima edizione
Paperback. Condizione: Very Good. First Edition, first printing . Text and images unmarked. Gift inscription inside front cover, small bump at the bottom corner of the back panel. 4to. 162pp.
Paperback. Condizione: Very Good. Very light wear to edges and corners. Faint rubbing to wrapper; small scratch on cover. Binding is tight. Text and images unmarked. 143pp.
Condizione: Used: Like New.
Softcover. Condizione: Very Good+. First Edition. Faint rubbing, slight lean, a few tiny corner creases.; 4to 11" - 13" tall; 144 pages.
EUR 23,75
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. Light scuffing on cover. Faint age toning on page edge.
Lingua: Inglese
Editore: Douglas & McIntyre March 2010, 2010
ISBN 10: 1553655621 ISBN 13: 9781553655626
EUR 17,75
Quantità: 1 disponibili
Aggiungi al carrelloTrade Paperback. Condizione: Near Fine. Condition: 'NF. Light shelfwear' Notes: Colour photos. Signature bound.
EUR 20,20
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Very Good. Bumped edges. Appears unread, may have minor damage from transit/storage. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.
EUR 20,20
Quantità: 1 disponibili
Aggiungi al carrelloPaperback. Condizione: Good. Bumped edges. Scratches to the cover. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.
Editore: Banff, Canada: Walter Phillips Gallery. 1991, 1991
Da: DR Fine Arts, New York, NY, U.S.A.
Prima edizione
Soft Cover. Condizione: As New. First Edition. Essays and projects on the representation of nature; softcovers; 139pp [4] p.; size: 10x 8-1/4in (26 x 21 cm.); offset printing; unsigned and unnumbered; in EXCELLENT COND.
Lingua: Inglese
Editore: Vancouer Art Gallery / Black Dog Publishing, 2017
ISBN 10: 1911164279 ISBN 13: 9781911164272
Da: Pistil Books Online, IOBA, Seattle, WA, U.S.A.
Membro dell'associazione: IOBA
Trade Paperback. Condizione: Near Fine. A clean, unmarked book with a tight binding. 144 pages.
Editore: Vancouver Art Gallery, Vancouver, BC, 2018
Da: Karol Krysik Books ABAC/ILAB, IOBA, PBFA, Toronto, ON, Canada
EUR 25,69
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. Soft cover. 2016 edition. Minor wear to the top corner of the binding. Otherwise as new copy.
paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
EUR 128,66
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good.
EUR 155,27
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good.
Lingua: Inglese
Editore: Vancouver Art Gallery/ Black Dog Press, 2013
ISBN 10: 1908966203 ISBN 13: 9781908966209
Da: Ethan Daniel Books, Toronto, ON, Canada
EUR 155,27
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Very Good. Publication accompanying major retrospective of the West Coast Haida artist. Profusely illustrated with beautifully printed colour reproductions. Includes several essays on the tradition of Haida art and Edenshaw's specific achievements within it. Issued with illustrated covers and no dust jacket. Light wear to corners and a tiny 1cm abrasion front flyleaf. Otherwise no marks, inscriptions or fading to inside pages. Not ex-library. Not a remainder. 256 pages. s209.
EUR 177,41
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: As New. First edition, First printing, hardback issued without dust jacket." This is the first survey of the iconic figure in Northwest Coast art- Charles Edenshaw. Bringing together the largest number of works by Charles Edenshaw ever assembled, offering a rare opportunity to view his legacy. Working in the late nineteenth and early twentieth centuries, he was an exceptional carver of wood, silver, and argillite, imbuing traditional Haida design with an innovative and elegant personal style. Recognized in his time as an outstanding carver, his work continues to be a great inspiration to those who visit the many prominent museums around the world that hold his acclaimed artworks in their collections. Not only do these remarkable objects tell us much about Haida culture, but they are truly sophisticated in their aesthetic achievement. In collaboration with the Vancouver Art Gallery and the largest retrospective of Edenshaw's work to date. The book sets up the Haida tradition and explains Edenshaw's Haida roots, including interviews with descendants from the region. Edenshaw's distinct style and the issues surrounding attribution with the Haida artworks are addressed. Charles Edenshaw was carved into wood, argillite, and precious metals. Anthropologists and curators have collected his work in an attempt to record Haida's art and culture before it died. Other Haida artists in the tradition include Charles F. Newcombe, Franz Boas, and John R. Swanton. Much attention is given to the legacy of Charles Edenshaw and the contemporary artists that he influenced, the book includes an interview with contemporary artists Raymond Boisjoly, Neil Campbell, Robert Linsley, and Isabel Rorick. Edenshaw's work is photographed here in this first major monograph on the important Haida artist, ideal for anyone interested in Northwest Coast art.- Kathleen Bartels is the Director of the Vancouver Art Gallery. Jim Hart: is a Haida artist working in Canada.".