auguste text (36 risultati)

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Book shows moderate rubbing with some light scuffs at corners. Copy belonged to women's resource center with a stamp to front endpaper indicating it as such, removed pocket to inside back cover. Stamp to front endpaper has been inked out by previous owner. Dustjacket has rubbing with a few scuffs, light wrinkles at corners. Used Book.

Paperback. Condizione: Good. [48] pages, illustrations; 28 cm. Metropolitan Museum of Art Bulletin, XXXVIII, Number 4 (Spring, 1981). A good copy with a previous owner's blind stamp, otherwise unmarked. Moderate edgewear to wraps. A good reading copy for the thrifty scholar. Size: 4to.

Paperback. Condizione: Very Good. 1st. 19 pages, illustrations; 23 cm. Firm binding, clean inside copy. Wraps lightly foxed. Size: 8vo.

Paperback. Condizione: Good. 1st. 119 pages, illustrations (some colour), portraits; 28 cm. Translated from the French. Good+. Firm binding, with one spine crease. Clean inside copy. Richly illustrated with colour plates. *** The French Neo-Classical/Romantic painter Jean-Auguste-Dominique Ingres (1780-1867) is mostly identified with the era of Napoleon Bonaparte (1769-1821). Size: 4to.

Paperback. Condizione: Fine. 242 pages, illustrations; 30 cm. Reprint 1990. Translated from the French by David Macey. Catalogue of a large exhibition on Rodin staged by the Arts Council of Great Britain in London, 1 November 1986 to 25 January 1987. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. *** "Traces the development of the artistic techniques and subjects of Auguste Rodin and examines the cross-fertilization between his drawing and sculpture." - Publisher. *** CONTENTS: The early years and the drawings from Dante; The Gates of Hell; The monuments; The late years. Size: 4to.

Paperback. Condizione: Near Fine. 224 pages, illustrations (some colour); 30 cm. English Edition. Firm binding, clean inside copy. Light edgewear to wraps, age toning. OVERSIZE! Additional shipping charges may be requested for international & priority orders. *** "This book reveals, through its masterly text and over 180 colour illustrations, to what extent Rodin's masterpieces were constantly being made and remade, and through a multiplicity of sketches and fragments--which became artworks in their own right--shows how Rodin was involved in an open creative process which ranks him among the pioneers of Modernism." - Publisher. *** CONTENTS: The Burghers of Calais; Forty years of oblivion; The gates of hell; The gates, a reservoir of forms; The sculptor of woman and love; Sculptures in public places; Rodin's modernity; The hand of God, or the artist's hand. Size: 4to.

paperback. Condizione: Very Good. Pages are crisp and clean, no marking. Cover is verygood. Binding is tight/good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fine. 2nd. Cloth, 96 pages, illustrations (some colour); 29 cm. Firm binding, clean text. Endpapers lightly soiled. Fine DJ. Richly illustrated with colour plates. Size: 4to.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fine. 1st. Cloth, 96 pages, illustrations (some colour); 28 cm. Translated from the French by Anne Ross and A. Clarke. Firm binding, clean text. Edges and endpapers lightly soiled, age toning. Fine DJ. Size: 4to.

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Oversized.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. Renoir, Auguste (illustratore). 126pp.+illus.; HB gray w/gilt; slight rub w/clean,tight pgs. DJ white w/blk.-pic.cover; slight rub w/sml.chip/tear,bk.cover. 50 rproductions in full color.

Paperback. Condizione: Good. 1st. 214 pages, illustrations (some colour); 25 cm. Good+. Firm binding, unmarked. Age toning, light foxing. Size: 4to.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. Cloth, [7] pages, [40] pages, illustrations; 33 cm. Firm binding, clean inside copy. Expected browning. Price-clipped dust jacket worn at extremities, with an inch-long chunk missing at the crown of the spine. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Profusely illustrated. Size: Folio.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st. Cloth, 96 pages, illustrations (some colour); 28 cm. Translated from the French by Anne Ross and A. Clarke. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket, toned, protected in a mylar cover. Size: 4to.

Paperback. Condizione: Used: Good. English Text. 1969 Printing. A good copy with a tight and square binding. Text is clean. Softcovers are lightly scuffed. Careful packaging and fast shipping. We recommend EXPEDITED MAIL for even faster delivery.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st. Cloth, xi, 266 pages, illustrations (some colour); 32 cm. Published on the occasion of the exhibition held at the Frick Collection, New York, February 7 to May 13, 2012. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A massive coffee-table book. Richly illustrated with colour plates. *** "Throughout his long working life, Pierre-Auguste Renoir (1841-1919) produced large-format portraits and subject pictures. From the mid-1870s to the mid-1880s--the decade of Impressionism--his vertical, grand-scale canvases were among the artist's most daring and ambitious presentations of contemporary life and fashion. Today they rank among the masterpieces of Impressionism. This stunning book offers fresh insights into Renoir's complex ambitions as a young artist, when he submitted works to both the avant-garde impressionist exhibitions and the official Salon. While painting in the new impressionist style, Renoir remained committed to the full-length format, which was eschewed by most of his fellow impressionists as too traditional. This format afforded Renoir the opportunity to devote himself to the heroic painting of everyday life, and also to linger on the finest details of his figures' fashionable costumes and accessories. Ten iconic canvases display the rich variety of this artist's painterly technique. They reveal the sheer virtuosity of his brushwork in creating silk, lace, mink, and taffeta for shimmering ball gowns, sumptuous furs, chic Parisian day dresses, and glamorous theatrical costumes. These paintings capture the faces and fashions of Renoir's Paris. Extensively illustrated, the book draws upon contemporary criticism, literature, and archival documents to explore the motivation behind Renoir's full-length figure paintings, and technical studies of the canvases shed new light on the artist's working methods," - Publisher. *** CONTENTS: An impressionist painting large: Renoir, exhibitions, and the full-length format, 1863-1885; The Dancer; La Parisienne; Madame Henriot "en travesti" (The Page); La Promenade; Jeanne Samary; Acrobats at the Cirque Fernando (Francisca and Angelina Wartenberg); The umbrellas (Les Parapluies); Dance in the city and Dance in the country; Dance at Bougival. Size: Folio. Collectible.

Paperback. Condizione: Very Good. 1st. 15 pages, illustrations; 16 cm. Firm binding, clean inside copy. Light shelfwear to wraps, age toning. Rare. Size: 16mo.

Kart., 159 S., sehr gut erhalten.

Erstausgabe, 1. Auflage. Insgesamt 168 Seiten mit 136 Abbildungen, überwiegend in Farbe und 1 Übersichts- Karte. Zustand: Einband minimal berieben und kaum bestoßen. Innen: Buchschnitt leicht angestaubt, sonst sehr sauber und tadellos erhalten. Sprache: Deutsch Gewicht in Gramm: 1050 Kl.4°(Klein- Quart- Format bis 27,5 cm.) Rot- brauner Original- Ganzleinen- Einband mit weiß- gelb- geprägter Rückenbeschriftung und illustrierten Vor- und Nachsätzen.

Origi.Broschur, kl.8°, 53 Seiten und Kalender-Anhang. Unaufgeschnittenes Exemplar mit 4 farbigen Tafeln und Abbildungen in s/w. Vorderer Umschlag fehlt, Titel etwas verfärbt, insgesamt stark gebräunt, Buchblock mehrfach gebrochen, Seiten an den Rändern mit schwachen Feuchtigkeitsflecken.

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Gut bis sehr gut. 1. Auflage. Z : 250 Seiten/pp. mit 202 Abbildungen, davon 115 in Farbe, Leinen mit Schutzumschlag - Auguste Chabaud (1882-1955) war ein französischer Künstler, der für seine Gemälde, Aquarelle, Zeichnungen und Skulpturen bekannt ist. Eine Ausstellung mit seinen Werken fand vom 15. September 1993 bis 24. Oktober 1993 statt. In dieser Wanderausstellung wurden seine farbenfrohen Gemälde und Aquarelle präsentiert.

Quer-Gr.8°, 40 S., zahlr. farb. Abb., OLwd., goldgepr. Deckelill., Kopfgoldschnitt., Einbd. berieben u. fleckig, alle S. bei Bindung jeweils verstärkt, Randriss S. 8, 10 u. 35 hinterlegt, insgesamt gutes Exemplar. Text u. Illustr. v. A. Vimar. Mit Chromolithographien. Text frz. - Nicolas Stanislas-Auguste Vimar (1851-1916, Marseille) est un peintre, sculpteur, dessinateur et illustrateur français. Il a exposé à Paris et à Marseille, notamment des sculptures d'animaux. 1200 gr. Schlagworte: Illustr. Bücher - Karikatur, AutomobilTechnik.

Hardcover. Condizione: Gut. 4°, 150 (1) S., Olnbd mit Goldprägung, ill. Oumschl., Lizenzausgabe, mont. Frontispiz, 49 mont. Farbabbildungen sowie zahlreiche s/w Abbildungen im Text, Ex-Libris am Vorsatz, Umschlag mit Randläsionen und einigen geklebten Einrissen, insgesamt guter Zust Deutsch.

4. Aufl. LIII (Einltg. u. Rezepte), 1 Bl., 173 S. (Fingerregister). Das vorliegende Kochbuch ohne namentliche Zuordnung und ohne jeglichen Eintrag! -Der Einband insgesamt leicht berieben, der Rücken etwas beschabt. Der vordere Innendeckel mit einem kleinen Firmenetikett des Herstellers mit `Produktnummer` 6732. Die hübschen Vorsätze sehr sauber, wenige Einzelblätter mit schwachen bräunlichen Flecken, ansonsten die Textseiten und die Blätter der Fingerregisters ebenfalls sehr sauber. Ein insgesamt sehr gutes Exemplar, das sich sehr gut als Haushaltsbuch, wie eigentlich vorgesehen, verschenken lässt! Anm. zur Rechnungstellung: Die Buchpreise beinhalten die reduzierte MwSt von 7 %, diese wird gesondert ausgewiesen // Rechnungen für Kunstgegenstände wie Grafiken, Gemälde weisen gem. § 25a Abs.3 Satz 1 UStG (Differenzbesteuerung) bzw. § 25a Abs.3 Satz 2 UStG (Margenbesteuerung) keine MwSt aus (brutto = netto). Sprache: Deutsch Gewicht in Gramm: 700 21x17 cm. Grüner gepolsterter (Ku?)Ldr.-Ebd. mit Ziereinfassung auf dem Vorderdeckel und rotem Buchschnitt.

Hardcover/gebunden. Condizione: gut. Erste Aufl. Klammergehefteter illustrierter und glanzfolienkaschierter Pappeinband. Die Einbandecken und Kanten partiell berieben, die Seitenränder altersgemäß nachgedunkelt, ansonsten guter Erhaltungszustand. Auguste-Maurice Jean Cocagnac OP (* 20. Juni 1924 in Tarbes; ? 18. Dezember 2006 in Paris) war ein französischer Dominikanerpater, der vor allem als Autor und Sänger eigener religiöser Chansons bekannt wurde. Cocagnac studierte zunächst Architektur in Paris und nach seinem Eintritt in den Dominikanerorden Theologie in Rom. In den 1950er- und 1960er-Jahren schrieb er zahlreiche religiöse Chansons und Neue Geistliche Lieder. Er verfasste auch bebilderte Bibelausgaben für Kinder und ein Buch über seine Begegnung mit Carlos Castaneda und vollzog eine tiefe Auseinandersetzung mit der Spiritualität Indiens. Sein Hauptanliegen war, die Jugend an biblische Themen heranzuführen, sich aber auch mit den religiösen Traditionen anderer Kulturen auseinanderzusetzen. (Wikipedia) In deutscher Sprache. Ohne Seitenzählung (24) pages. 8° (166 x 202mm).

1/2 Leather. Condizione: G/NO DUSTJACKET. Small cut above the text on the first page of each volume. (illustratore). Bern, Switzerland: Beat Ludwig Walthard. G/NO DUSTJACKET. 1785. . 1/2 Leather. In German, in Fraktur script. Four volumes comprising two books. . 16mo., 268, 272, 296, 342 pp. plus introductions, Covers worn, foxing, writing on flyleaves and title page of first book. .

Erste Ausgabe. Toole-Stoot, Circus 4664. Die Abbildungen zeigen dressierte Tiere, teils auch Tiere mit menschenähnlichem Verhalten. 24 x 32,5 cm. 47(1) Seiten, durchg. u. teils ganzseitig illustriert, alle Abbildungen im Pochoirkolorit, OPappband mit montierter farbiger Deckelillustration, Tiztelschrift mit Gold gehöht. Einband etwas fingerfleckig. Rücken restauriert (unterlegt), Ecken berieben, einige Seiten finger- u. staubfleckig.

Hardcover. Condizione: Very good +. First Edition. Twenty-fourmo size, 234 pp., in French. The biblical story of Ruth and Naomi, two women who leave the land of Moab to return to Naomi's native land of Bethlehem, is a story of love, devotion, and loyalty; it is a story of strength, as the two women must make a life for themselves together after their husbands die. This little volume, printed entirely in French, has engravings of scenes from the story at the opening of each chapter, and contains remarks by the comte de Keratry Auguste Hilarion (1769-1859), a French poet, critic, and politician who offers an analysis of the characters and motifs of the story. This volume features a lovely contemporary calf binding, smooth and supple, four lovely steel-engravings, and has advertisements from the publisher at the rear of the book. ___DESCRIPTION: Full contemporary marbled calf, gilt decorative borders on the front and rear boards, gilt decorations, ornaments, and lettering on the spine, gilt decorations along the edges of the boards, all edges gilt, brown endpapers, frontispiece a black-and-white engraving, black-and-white engravings at the opening of each chapter, ten pages of advertisements for other books available from the publishers at the rear of the book, original ribbon marker is present; twenty-fourmo (5.25" by 3.5"), pagination: [1-5] 6-222 [223] 224-234. Please note the text is in French. ___CONDITION: Better than very good, with clean boards, a square text block with solid hinges, the interior is clean and bright, and entirely free of prior owner markings; some rubbing to the head, tail, and edges of the spine and to the corners, and corners are ever so gently bumped, very faint toning to the outer margins of the text block, slight fading to the margins of the endpapers; still a lovely example. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

Hardcover. large 8vo. pp. 2 p.l., 625. with half-title. 19 wood-engraved plates & numerous text illus. by Midderigh, Bertrand, Gauchard, Rouget, &c., after designs by 'Cham'. contemporary quarter chagrin, gilt back (several library stamps). First Edition.

Condizione: Good. Original wraps. With 3 original etchings.Renoir: Baigneuse debout, Delteil, 23; Morisot: Jeune fille au chat, or Fillete au chat, 1889. Wesley Johnston, "The Graphic Work of Berthe Morisot" no. 6;Guillaumin : En Hollande.