b welzel (20 risultati)

4°. 288 S. mit sehr zahlreichen, teils farbigen Abbildungen im Text und auf Tafeln. Illustrierter Okart. Gutes Exemplar. Einer von zwei Katalogen dieser Ausstellung, die auch in Amsterdam und London zu sehen war, es erschien noch ein Band mit den Gemälden. Sprache: de.

Illustrated Card Cover. Condizione: Very Good. Numerous b/w Illustrations Some Full Page (illustratore). Creasing to cover. Stampred "SP" on ffep. 136 pages clean and tight. Rembrandt is an artist ho has excited exceptional interest since his own lifetime: the remarkable combination of his work, his complex personal relationships, his -financial dithculties and the relative lack of documentary evidence has generated a vast body, of scholarship. As a result, by the gri ddle of this century, innumerable paintings, drawings and etchings were. at, ributed to Rembrandt and a romantic mythology had-replaced the facts of his life. The Rembrandt Research Project, comprising the foremost Rembrandt scholars, based in Amsterdam, has undertaken the formidable task of establishing a body of works which can be securely .attributed to Rembrandt. This has resulted in the deattribution.of many works, once unquestioningly accepted as Rembrandts. Others are applying the same methods to the "attribution of drawings. New research on artists known to have studied in Rembrandt's workshop arrd the attribution of paintings. and drawings to these students has provided more information. This book serves as the catalogue of the exhibition., organised by curators . from the Berlin printroom. There is an essay on 'Rembrandt's development and technique as a graphic artist and the catalogue contains detailed study of forty outstanding etchings by Rembrandt. Size: 4to.

1991, 2x softcover, goede exemplaren, jaartal en exlibris voorin , 2x , goede exemplaren, jaartal en exlibris voorin , 2x , goede exemplaren, jaartal en exlibris voorin.

Condizione: , 2x , mooie exemplaren. 1991, 2x softcover, mooie exemplaren.

Lex.8°.396, 288 S. OBr. Einbandrücken von Band 1 mit leichten Knickspuren, sonst sehr gutes Exemplar. Der Versand erfolgt gewichtsbedingt als Paket (EUR 7,-- Inlandsporto). Bitte bestellen Sie nur, wenn Sie dieser Portoanpassung zustimmen können.

4°.396,288 S. OLn. u. OU. in OPp.Schuber. Sehr gutes Exemplar der gebundenenn Leinenausgabe. Der Versand erfolgt gewichtsbedingt als Paket (EUR 7,-- Inlandsporto). Bitte bestellen Sie nur, wenn Sie dieser Portoanpassung zustimmen können.

Condizione: New.

Condizione: New.

Hardback. Condizione: New. This reference/text addresses concepts and synthetic techniques for the preparation of polymers for state-of-the-art use in biomedicine, synthetic biology, and bionanotechnology.

Hardcover. Condizione: New.

Condizione: New. 400.

Condizione: New. Brand new! Please provide a physical shipping address.

Condizione: New. 400.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Hardback. Condizione: New. This reference/text addresses concepts and synthetic techniques for the preparation of polymers for state-of-the-art use in biomedicine, synthetic biology, and bionanotechnology.

Berlin, 1997. 235 pp. 100 ills on plts. Soft cover.

Paperback , 368 pages, English/French /SP / NL. Illustrations. Fine. ISBN 9782503507262. Dit boek, uitgegeven naar aanleiding van de succesvolle tentoonstelling in 1998, is een unieke bron van informatie voor de regeerperiode van Albrecht en Isabella in de Nederlanden (1598-1621). Zo?n 400 jaar geleden was het hof te Brussel, dankzij hun mecenaat en cosmopolitische geest, een model voor de andere Europese vorstenhuizen van die tijd. De aartshertogen leverden een belangrijke bijdrage tot de uitstraling van wat later de ?Vlaamse barok? zal genoemd worden. De eeuw van Pieter Paul Rubens lijkt nu ondenkbaar zonder de steun van dit vorstenpaar. This book is a selected collection of essays on the court of Archdukes Albert and Isabella in the Low Countries as a flourishing centre of arts, and on their great contribution towards the radiation of the style later known as Flemish Baroque. The Rule of the Archdukes Albert & Isabella over the Low Countries began in 1598, exactly 400 years ago. Their highly cosmopolitan court became a flourishing centre of the arts, a showcase for other courts throughout Europe. The archdukes made a great contribution towards the radiation of the style later known as 'Flemish Baroque'. The century of Peter Paul Rubens would never have been the same without the support of Albert and Isabella. In the Habsburg Netherlands, a region split by civil war, the protestant Northern Provinces had broken away from Catholic Spain, while Spanish rule was established in the Southern Netherlands. The confidence between sovereign and subject would be restored by the Archdukes. The Twelve Year Truce (1609-1621) brought the necessary peace for a political, economic and in particular cultural revival. Albert and Isabella surrounded themselves with a score of artists, including the architects Wenzel Coebergher and Jacques Franckaert, the composer Peter Philips and the court painters, Peter Paul Rubens in the first place, but also Jan I Brueghel, Otto Van Veen and Theodoor van Loon. The South-Netherlandish humanists, Justus Lipsius in particular, brought about an intellectual apogee. With contributions by: W. Thomas, J. Martinez-Millan, R. Valladares, T. DaCosta Kaufmann, A. Jordan, E. Stols, B.J. Garcia Garcia, P. Croft, M.A. Echevarria Bacigalupe, M. Thofner, K. Van Honacker, H. De Schepper, D. Lanoye, G. Martijn, L. Duerloo, E. Put, J. Roegiers & P. Vandermeersch, B. Welzel, C. Banz, C. Schumann, K. De Jonge, E. Janssen, P. Arblaster, J. Verberckmoes, K. Proesmans, M. Ebben, F. Van Noten. 0 g.

Bielefeld, 2004. 328 pp., ills, 4to, pap.

2 volumi, 29 cm, brossure e cofanetto illustrate; p. 396, 288. Numerose tavole a colori e illustrazioni Come nuovo.