Baron after (25 risultati)

Condizione: Very Good. First edition hard back binding in publisher's original tangerine cloth covered boards, blocked and lettered metallic blue back. 8vo. 7½'' x 5¼''. Soper was an exceptional sportsman who captained his school at football, cricket, and boxing, but he withdrew from cricket after he accidentally killed an opposing batsman with a fast delivery when bowling. Contains 158 pp. Spotting to the closed text block edges. Very Good condition book in Fine condition dust wrapper, not price clipped, 12s. 6d. SIGNED by the author to the front free end paper 'Soper of Kingsway - 15 March 1977'. Dust wrapper supplied in archive acetate film protection. Member of the P.B.F.A. THEOLOGY & RELIGION.…

Bildmaße: ca. 21 x 15 cm -- Schöner original Kupferstich von ca. 1780. -- knapprandig, alt aufmontiert, leicht fleckig, sonst gut erhalten. || Beautiful engraving from c. 1780. -- narrowly cut, mounted on thin cardboard, slightly stained, otherwise in very good condition. || Gravure originale d'environ 1780. // Wir, das Antiquariat Steffen Völkel, kaufen und verkaufen alte Bücher, Handschriften, Zeichnungen, Autographen, Grafiken und Fotografien. Wir sind stets am Ankauf von kompletten Bibliotheken, Sammlungen und Nachlässen interessiert. Sprache: Französisch Gewicht in Gramm: 10.…

Condizione: Good. Engraving on laid paper. 25 x 19 cm (sheet). Very Good, minor soiling, mostly in the margin areas.

Condizione: Good. Lithograph on chine colle. 32 x 45 cm (sheet). Very Good, light specks of foxing in the margin areas.

Condizione: Good. Lithograph. 45 x 32 cm (sheet). Very Good, tear in left and right margins, light specks of foxing.

Condizione: Good. Etching and engraving. 19 x 14 cm (sheet). Very Good, some light foxing in the margins.

Condizione: Good. Engraving. 18.5 x 13 cm (sheet). Very Good, some light foxing in the margins.

Condizione: Good. Engraving. 18.5 x 13 cm (sheet). Very Good, some light foxing in the margins.

Condizione: Good. Engraving. 43 x 60 cm (sheet). Very Good, light foxing and water staining in the margins, print chine-colled to another support sheet.Provenance: ancienne galerie Vandevoorde, 22 rue Vignon, Paris.

'NIJMEGEN.'Original antique print showing a view of the Belvedere watchtower in Nijmegen, Netherlands.Made by an anonymous engraver after Willem Hendrik Hoogkamer after Otto Baron Howen.Medium: Colour lithograph on wove paper.Sheet size: 23 x 17.4 cm (9.06 x 6.85 inch). Image size: 13.8 x 9.8 cm. (5.43 x 3.86 inch).NIJMEGEN-VIEW-BELVEDERE-NETHERLANDS | LADENKAST-SHELVE 1BACKGROUND INFORMATIONPublished in The Netherlands, c 1850.Biography engraver: Maker unknown/to be determined. Condition: good, given age. Paper partly slightly browned. Light dampstaining. General age-related toning and/or occasional minor defects from handling. Please study scan carefully. Willem Hendrik Hoogkamer after Otto Baron Howen (illustratore). …

Hardcover. Condizione: Good. 2nd Edition. London: R.H. Porter, 1891-1897, Second Edition. Seven volumes in an elegant half leather binding by Bickers & Son, with green morocco spines faded to brown, marbled paper and gilt ruled boards, marbled end papers and page top edges gilt. Portrait frontispiece of the author, and 421 chromolithographed or hand-coloured lithographed plates mostly after A. Thorburn and J.G. Keulemans, mounted on linen stubs throughout. Second edition, first published from 1885, and not completed until after Lilford's death by Osbert Salvin and including a biography by the zoologist Alfred Newton. From the front of Vol I This Worl was issued in two Editions: the First commenced October 1885, and the Second April 1891 both Editions ending simultaneously. A keen ornithologist all his life, Lilford was one of the founders of the British Ornithologists' Union in 1858, and its president from March 1867. The previous owner has numbered the plates and pages in pencil / pen. Foxing throughout the volumes, mostly restricted to the page and plate margins, some pages quite badly foxed. Silk markers present, some detached. Pagination: Vol I 51 plates as called for, frontispiece portrait of Lord Lilford, some foxing, xxxv, [112]pp. Vol II 54 plates as called for, some foxing to plates and pages, ix, [120]pp. Vol III 66 plates as called for, foxing to plates and pages, ix, [128]pp. Vol IV 66 plates, as called for, some foxing to plates and pages, ix, [154]pp. VOL V 59 plates as called for, some foxing to plates and pages, ix, [138]pp. Vol VI 65 plates as called for, foxing, mostly to the plate and page margins, some foxing to plates and pages, ix, [150]pp. Vol VII 61 plates, foxing mostly to the plate and page margins ix, 170pp. Provenance: bookplate with initials to the front of each volume (see photo). Approximately 10 ¼ inches tall (25.5cm). Condition Report Externally Spine good condition green spines faded to brown with rubbing to the raised bands and corners, gilt titles and date to the base of the spine. Joints good condition rubbed, some loss of colour. Corners good condition rubbed and worn with some loss of colour to the green leather. Boards good condition green leather and marbled boards, marks and scratches. Page edges good condition top edge gilt, others tanned and foxed. See above and photos. Internally Hinges good condition all secure. Paste downs good condition marbled. End papers good condition marbled, some foxing to subsequent end papers. Title good condition tanned, with some foxing. Pages good condition see detailed descriptions above, the plates and pages numbered in pencil, some foxing throughout the volumes, mostly to the page and plate margins, some pages quite badly foxed. Binding good condition attractive, unevenly faded, rubbed to the raised bands and joints. See photos. Publisher: see above. Publication Date: 1891-97 Binding: Hardback.…

Condizione: Good. Lithograph. 49 x 35 cm (sheet). Good, light specks of foxing, minor surface soiling, tears along sheet edges.

Condizione: Good. Lithograph. 49 x 35 cm (sheet). Good, light specks of foxing, minor surface soiling, tears along sheet edges.

Condizione: Good. Engraving. 27.5 x 19.7 cm. (sheet). Sheet mounted at corner to support sheet. Very Good. Sheet trimmed. Some foxing.

Condizione: Good. Original lithograph on chine colle. 34 x 52.5 cm (sheet). Very Good, some foxing, mostly in the margins. As published in "Galerie de son Altesse Royale Madame la Duchesse de Berry. Ecole Francaise. Peintres Modernes. Ouvrage Dedie a son Altesse Royale et Lithographie par d'Habiles Artistes sous la Direction de M. Le Chevalier Bonnemaison, Membre de la Legion d'Honneur, Directeur de la Restauration des Tableaux du Musee Royal, et Conservateur de la Galerie de son Altesse Royale".Marie Caroline Ferdinande Louise de Bourbon-Sicile, Duchesse de Barry; Daughter of Francis, Duke of Calabria, later King of the two Sicilies; m. Charles Ferdinand Duc de Berry (son of Charles X) in 1816. Mother of Henri Duc de Bordeaux, exiled with the rest of the court in 1830, came back clandestinely in April 1832 in an attempt to place her son on the throne with her as a regent. Arrested and imprisoned in November 1832, freed in 1833 and sent to Palermo; she settled in Austria where she died.She commissioned a series of 250 lithographs reproducing paintings from the collection of the Duc de Berry. The plates were published from 1822, and two volumes binding the plates together were issued in 1824 and 1826.…

Condizione: Good. Handcolored engraving. 42.3 x 35cm. sheet size.Marginal tears and foxing.Bibliographic references:Phildelphia Museum fo Art, 985-52-7482; Taubert, Sigfred; Bibliopola; Hamburg : Hauswedell; 1966; Bd. 2; S. 23.

Both items in very good condition, on lightly-aged paper. ONE: Copy letter. 2pp., folio. On paper with watermark 'JOHN HOWARD | 1804'. Ends: 'To | Sir J. T. Duckworth K.B. | Vice Admiral of the White | &ca. &ca. &ca. | Given on board the Ocean off Cadiz | 12th. August 1806 | (signed) Collingwood | By Command of the Vice Admiral | (signed) W R Cosway | A Copy'. Headed: 'By the Right Honble Cuthbert Lord Collingwood, Vice Admiral of the Red, and Commander in Chief of His Majesty's Ships and Vessels employed and to be employed in the Mediterranean &c.' Requiring and strictly enjoining abstention from derogatory acts, following 'repeated Complaints [.] by the Ministers of Her most faithful Majesty of Acts being committed by certain Commanders of His Majesty's Ships, derogatory to the respect due to the Portuguese Flag, and in violation of the neutrality of that Nation - by seizing on Ships, delaying them on their Lawful Voyages, - and committing Hostility on their Coast within the bounds which are prescribed to neutrality'. TWO: Headed 'Extract from the Treaty of Westminster, with Portugal, 10th. July 1654.' 1p., 4to. On leaf with 1802 watermark.…

Condizione: Good. Engraving. 48 x 33cm. platemark. 51.5 x 37.5cm. sheet size. Mounted on a support sheet. From "Recueil d'Estampes d'après les plus beaux Tableaux et d'après les plus beaux Desseins qui sont en France dans le Cabinet du Roy dans celuy de Monseigneur le Duc d'Orleans & dans d'autres Cabinets". Plate no. 127.…

Condizione: Good. Etching on a large sheet of light cream wove paper, 4 3/4 x 3 1/2 inches (120 x 90 mm), full margins. In good condition with minor edge wear, well outside of image area. An etching after the c1780 illustration by Fragonard, likely printed early 20th century. The British Museum offers the following biographical information regarding the artist: "Painter, draughtsman, etcher, curator and author. Worked as a diplomat in Naples (1779 - 1785), where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793, prompting his return to Paris; in 1797/98 with Napoleon on the Egyptian campaign. In these years turned his amateur etchings into a business, and published two catalogues of his work (in 1793 and in 1803). Appointed in 1803 as (first) director of the Louvre, and put in charge of the Gobelins, Sèvres and the Monnaie; for this created a Baron. In charge of deciding the works to be removed from occupied Europe for the Louvre. Resigned in 1815 and spent his retirement in writing and organising the plates of his 'Monuments des arts du dessin', which was based on his own enormous private collection. Died in 1825 and his collection subsequently was sold in a series of auctions.".…

Condizione: Good. Etching on a large sheet of light cream wove paper, 4 3/4 x 3 1/2 inches (120 x 90 mm), full margins. In good condition with minor edge wear, well outside of image area. An etching after the c1780 illustration by Fragonard, likely printed early 20th century. The British Museum offers the following biographical information regarding the artist: "Painter, draughtsman, etcher, curator and author. Worked as a diplomat in Naples (1779-85), where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793, prompting his return to Paris; in 1797/98 with Napoleon on the Egyptian campaign. In these years turned his amateur etchings into a business, and published two catalogues of his work (in 1793 and in 1803). Appointed in 1803 as (first) director of the Louvre, and put in charge of the Gobelins, Sèvres and the Monnaie; for this created a Baron. In charge of deciding the works to be removed from occupied Europe for the Louvre. Resigned in 1815 and spent his retirement in writing and organising the plates of his 'Monuments des arts du dessin', which was based on his own enormous private collection. Died in 1825 and his collection subsequently was sold in a series of auctions.".…

Condizione: Good. Etching on a large sheet of light cream wove paper, 4 3/4 x 3 1/2 inches (120 x 90 mm), full margins. In good condition with minor edge wear, well outside of image area. An etching after the c1780 illustration by Fragonard, likely printed early 20th century. The British Museum offers the following biographical information regarding the artist: "Painter, draughtsman, etcher, curator and author. Worked as a diplomat in Naples (1779-85), where he learned how to engrave; travelled through Italy in 1788/89 and settled in Venice from where he was expelled in July 1793, prompting his return to Paris; in 1797/98 with Napoleon on the Egyptian campaign. In these years turned his amateur etchings into a business, and published two catalogues of his work (in 1793 and in 1803). Appointed in 1803 as (first) director of the Louvre, and put in charge of the Gobelins, Sèvres and the Monnaie; for this created a Baron. In charge of deciding the works to be removed from occupied Europe for the Louvre. Resigned in 1815 and spent his retirement in writing and organising the plates of his 'Monuments des arts du dessin', which was based on his own enormous private collection. Died in 1825 and his collection subsequently was sold in a series of auctions.".…

Condizione: Good. Engraving. 46.5 x 46cm. plate size. 52 x 58cm. sheet size. Plate no. 122 from the Cabinet Crozat. . Mounted on a support sheet. Centerfold. At bottom center: Predication de St. (t as superscript) Jean. / d'Après le Tableau de Carle Maratte, qui est dans le Cabinet de Mr. (r sa superscript) Crozat. / Peint sur toile, haut de 3. pieds, large de 3. pieds, gravé par Charles Dupuis. Met Museum Accession Number: 60.708(125); Le Blanc II.158.2.…

N/A. Condizione: Very Good. "Franklin at the Court of France, 1778" Published by William Jay, Charles J. Hedenberg and William H. Emerson Engraved by W.O. Geller after Painting by Baron Jolly Philadelphia, 1853 Engraving with hand-coloring sheet size: 31 1/2" x 41 3/4".

Condizione: Very good. Etching with engraving on buff wove paper, 4 3/4 x 6 1/4 inches (120 x 158 mm); sheet 15 1/2 x 11 3/4 inches (394 x 299 mm), full margins. In very good condition with a minor edge tear at the top-right sheet edge, well outside of image area. Likely printed 19th century.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1805. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 408, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 408 408.…