Barry frydlender (19 risultati)

Paperback. The Summer 2007 issue of Aperture magazine, No. 187, with: prom night images by Mary Ellen Mark; images by Peruvian photographer Roberto Huarcaya; Barry Frydlender's composite photos; the photomontages of Grete Stern; a portfolio of digitally manipulated images by Florian Maier-Aichen; Vince Aletti on muscle magazines, 1930s-1960s; "Sixty Years of Magnum" by Gerry Badger; contributions by Francine Prose, Richard B. Woodward, Jan Tumlir, Fernando Castro R., Lyle Rexer, and much more. Edited by Melissa Harris; art directed by Yolanda Cuomo. First edition. Perfect-bound stiff card covers; 88 pages; color and b&w illustrations throughout; 9.5 x 11.5 inches. Condition: Fine. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

Hardcover. First edition, first printing. Fine clothbound hardcover in a Very Good+ dust jacket with light shelf wear, one tiny tear, and a touch of rubbing to the extremities. All dust jackets are protected by a clear mylar cover. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. The catalogue for an exhibition of work by Barry Frydlender, held at the Museum of Modern Art, NYC, May 17 - September 3, 2007. "Frydlender has been exploring the potential of digital technology for more than a decade. Each of his panoramic photographs is put together from dozens, sometimes hundreds, of shots that may have taken minutes or months to accumulate. Filled with people and things, these works reward slow, patient looking. This publication concerns only one aspect of Frydlender's work--those pictures that deal with life in contemporary Israel. Frydlender's Israeli panoramas includes Arab and Jew, Ashkenazim and Sephardim, secular and religious, rich and poor, young and old. All of his subjects are treated with equanimity, which is the hallmark of his art." Photographs by Barry Frydlender; essay by Peter Galassi. 48 pages; 30 color plates; 13 x 9.75 inches.…

Hardcover with dustjacket, unpaginated; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Très bon. Couverture différente. Edition 2008. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Edition 2008. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 30 color photographs. First edition. Fine in a fine dust jacket. ; 48 pages.

Oblong 4to, 38pp. colour illustrations. A very good hardback copy in like dust jacket.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Good. 1st Edition. Uninscribed. Dust jacket has a 5cm edge tear and crease, with no loss.

Softcover, 48 page; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 226 pages; in English and Hebrew; good condition; sticker taped around bottom of spine; no internal marks. Foreign shipping may be extra.

Hardcover. Condizione: Very Good. Hardcover book in very nice condition, text is unmarked and pages are tight.

Condizione: Bueno. : Catálogo de una exposición celebrada en el Musée d'art et d'histoire du Judaïsme, París, del 20 de febrero al 25 de mayo de 2008. El libro presenta obras pictóricas que exploran la vida social y las costumbres en Israel. Incluye referencias bibliográficas. EAN: 9782913391277 Tipo: Libros Categoría: Arte y Cultura Título: Barry Frydlender Autor: Barry Frydlender Idioma: fr Páginas: 95.…

Hardcover with dustjacket, unpaginated; very good condition; light rubbing to dj; no internal marks. Foreign shipping may be extra.

dj. First Edition. First edition. Oblong hardcover. 95 pages. Text in French with contributions by Laurence Sigal and Moshe Ninio. Includes numerous color photographs by Frydlender, biographical and bibliographical information. A near fine copy in photo-illustrated boards with some very minor wear and in a near fine dust jacket with a small tear to the base of the front panel.…

Condizione: Fine. FRENCH EDITION - LIVRE DESTOCKÉ POUVANT PRÉSENTER DE PETITS PLIS CORNES MARQUES DE STOCKAGE MAIS EN TRES BON ETAT D'ENSEMBLE. EXPEDTION SOIGNÉE SOUS BLISTER DEPUIS LA FRANCE. in4. 2008. Relié. Fine.

Softcover, 42 page; in English and Hebrew; very good condition; light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condizione: Very Good.

4°, hardcover, dustjacket. 95 pp Fine copy. Sprache: Französisch Gewicht in Gramm: 0.

Paperback. SIGNED. First edition. Fine paperback. BOOKS SHIP THE NEXT BUSINESS DAY, WRAPPED IN PADDING, IN A BOX. Aperture magazine, issue 187, Summer 2007, with: a portfolio of portraits by Mary Ellen Mark titled "Prom Night"--SIGNED BY MARK on the second page of her article, no inscription; portfolios by Roberto Huarcaya, Barry Frydlender, Grete Stern, Florian Maier-Aichen, and others; a survey of male physique magazines by Vince Aletti; sixty-year survey of the history of Magnum Photos; and much more. 88 pages; 9.5 x 11.5 inches. …

Hardcover. Condizione: New. Born in Tel Aviv in 1954, Barry Frydlender has been exploring the potential of digital technology for more than a decade, and over the past five years his experiment has gathered greater momentum. Each of his panoramic photographs is put together from dozens, sometimes hundreds, of shots that may have taken minutes or months to accumulate. Filled with people and things, these works reward slow, patient looking, and the invitation to do so is especially pertinent to the pictures reproduced in this book. This publication, which accompanies a Spring 2007 exhibition at The Museum of Modern Art, concerns only one aspect of Frydlender's work--those pictures that deal with life in contemporary Israel. Frydlender's Israeli panoramas includes Arab and Jew, Ashkenazim and Sephardim, secular and religious, rich and poor, young and old. All of his subjects are treated with equanimity, which is the hallmark of his art. Much of the most ambitious art of the past few decades has drawn its themes and its creative energy from the polemics of group identity. Frydlender's recent work is all the more remarkable against that background, for its attentiveness to each individual group is rooted in its recognition of their multiplicity.…