beedham r john (30 risultati)

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. 2nd Edition. With an introduction and appendix by Eric Gill. Book is clean and unmarked. Jacket is bumped and rubbed at edges with small los.

Hardcover. Condizione: Acceptable. reading copy only - damaged /worn /marked. May be ex-libris Standard-sized.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. 1st Thus. pp 56 + advertisements. 5th printing.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Eric Gill (illustratore). 2nd Edition. Original cream dust-jacket with black titles, one or two little chips to the top edge, price corner clipped although price remains (6s 6d), very tidy having been kept in a clear protective cover. Book buind in green/grey cloth with title in red along the spine, clean bright and square. Hinge firm, no inscriptions, end papers darkened thereafter pages are smooth clean and clear, with illustrations throughout by Eric Gill.

Cloth. Condizione: Good Plus. Condizione sovraccoperta: Good Minus. Jacket rubbed, chipped, and tanned. Some light spotting to cloth and closed edges, but contents VG Size: 12mo.

Buckram. Condizione: Very Good. No Jacket. 2nd Edition. A very good (although ex Library) of this small treatise on wood engraving and printing originally published by the Ditchling Press in 1921, now in its second Edition published by Faber in 1946. No Dust Jacket: (as issued?). Cover: blue Buckram covered boards with gilt lettering to spine and 'Colwyn Bay Public Library' blind stamped to rear; in very good condition for its age; clean and bright, no marks, just a small amount of edge wear commensurate with age and use. InternallY; very clean and tightly bound; library 'withdrawn' stamp and some lettering to edition page, no other library stamps, marks or inscriptions; very slight darkening to page edges. Illustrated throughout in black and white. 58 pp. plus 4 pp. advertising material.

1948. Faber & Faber Limited. Hardback. Book - VG. Ex-lib.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Near Fine. 5th or later Edition. Printed on Japon vellum at the Ditchling Press; figures within the text and full-page examples of wood engravings by David Jones, Clare Leighton, etc. Grey cloth with red spine titling, yellow paper dust-jacket printed in black. Book label. A near fine copy. Evan Gill's copy with his book label and various neat pencil notations in his hand. Although all Eric Gill's engravings were supposedly removed from the this edition, he notes the presence of three and also attributes some sections of the text to Eric Gill.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 5th or later Edition. Printed on Japon vellum at the Ditchling Press; figures within the text and full-page examples of wood engravings by David Jones, Clare Leighton, etc. Grey cloth with red spine titling, yellow paper dust-jacket printed in black. Book label. A very good bright copy. Evan Gill's copy with his book label and various neat pencil notations in his hand. Although all Eric Gill's engravings were supposedly removed from the fifth edition, he notes the presence of three and also attributes some sections of the text to Eric Gill.

Pepler & Sewell, S. Dominic's Press: Sussex 1935. Illus, 7.5 x 5", cloth backed boards, 39 pp, covers a bit worn & soiled. 4th ed.

Hardcover. Condizione: Very Good. Grey paper covered boards lightly soiled, linen spine. Letterpress on watermarked paper, end papers shadowed. Handsome little book with plain spine.

Hardcover. Condizione: Very Good. Illus., 7.5 x 5", printed tan boards with green cloth spine, 39pp + three pages of samples. Covers soiled, spine tips and corners bumped and worn else very good condition. Chapters include drawing, engraving, preparing block for printer, plugging. Fourth edition. SCARCE.

Hardcover. Condizione: Good. First Edition. Hardback. No Dust Jacket. 8vo. pp viii, 40, 31 plates, including five wood engravings by Gill who also writes the eight page introduction. Original publishers grey boards, lettered black with blind decorated spine (Evan Gill gives the spine as cloth, which suggests that this is possibly a variant issue). Slight rubbing at foot of spine and starting to split with covers a little marked, otherwise about very good.

Hardcover. Condizione: Very Good. No Jacket. Hardback, quarter cloth, black paper covered boards. No dust-wrapper. 20.5cm x 14cm. viii, 33pp. With 32 illustrations. First printed 1921 on copyright page, but title page says MCMXXV (1925). Spine is somewhat foxed, boards a little marked. Small spot to title page and page opposite, otherwise clean.

Hardcover. Tan paper over boards with black lettering and illustration; black cloth spine; iv, 43 pp; untrimmed pages, bw illustrations. Introduction and appendix by Eric Gill. Good+ (light shelfwear overall and foxing spots to boards, pages are clean and clear.).

Second edition. Octavo. pp viii, 36. 10 textual wood engravings and two diagrams by Eric Gill; sample engravings at rear (not in the first edition of 1920) by Desmond Chute, David Jones and Eric Gill. Linen-backed grey paper boards. Spine slightly darkened. Covers a bit rubbed at the corners. Very good. No dustwrapper.

Hardcover. First Edition, First Printing. 16mo. viii. 40pp. + 31 wood engravings, 5 of which are by Eric Gill, several by Desmond Chute and others. Bound in a quarter cloth over paper covered boards. [GILL II/77.] VERY GOOD. Shows shelf rubbing along the edges and corners with just a hint of loss, spine somewhat toned, the slightest hint of toning to the endpapers, otherwise the binding is strong and tight, the text and engravings are clean and unmarked, and the boards remain bright and distinct. As pictured.

Soft cover. Condizione: Fair. [ii], iv. 43, [3] pages. Damp staining and worming to the lower outer corner throughout. Bookbinder's ticket to the rear pastedown of Theo. B. Merrett, Guild of Glos Craftsmen, Stroud. In hessian covered boards with leather spine. Spine scuffed and worn. End papers browned and stained. The first edition was published in 1920.

Second Edition, pp.(2)viii,33(3); wood-engraved title device. initial, tail-pieces and 32 text figures including 10 wood-engravings and 2 diagrams by Gill and others by Desmond Chute & David Jones; a very good copy on Batchelor's handmade paper, uncut in original linen-backed printed boards, slightly rubbed. Bookseller's invoice dated May 25th, 1984, includes this copy for £28 and earlier pencilled price of 65/-, Fletcher 16.2.65'. First printed 1920. Taylor A76A.

First edition. Publisher's brown cloth over paper-covered boards, with black lettering and design to upper cover. A very good copy indeed. Wood-engravings by Beedham throughout.

8vo, (2), viii, 36pp, 32 wood-engraved figures to text, wood-engraved tail-pieces, orig. buckram backed boards, slightly rubbed and marked. A VG copy of this scarce title. Established early in 1916 by H. Douglas C. Pepler at Ditching, Sussex, the St. Dominic's Press was a continuation of the founder's efforts at Hampshire House Workshops, Hammersmith. His aim was to earn a living by printing by hand instead of employing others to do it for him. From the start, Eric Gill was closely associated with the press, illustrating with wood-engravings many of the press's publications. In the main the books produced were small in a simple format but well designed. In 1940, under new management, the name of the press was altered to the Ditchling Press and ceased to be a private press.

Hardcover. Condizione: Very Good. No Jacket. 1st Edition. First Edition, MCMXX (1920) on title page, A Very Good Plus or better copy of this scarce title, Book is 7.75 inches in height by 5.15 inches in width, 36 pages with 32 wood engraved figures in text, printed on unbleached Arnold handmade paper set in Caslon, 19th century feel, text and interior is Fine minus, previous owner name via rubber stamp en verso of last free page else Fine, no other markings, bound with quarter buckram spine, presumed hand made brown paper over boards with titles and press device to front board, three of four corners lightly worn through, very light rubbing, binding tight and most sound. An excellent work on the art of wood engraving: tools and technique with excellent black and white illustrations, introduction and appendix by Eric Gill who had a long association with St. Dominic Press. A most presentable and rare First Edition.

Hardcover. Condizione: Very Good. First edition. Cr. 8vo. 205 mm. Pp. [iii], viii, 40. 31 figs and a tailpiece, including five wood-engravings by Eric Gill (and two by Desmond Chute). Orig. printed boards, qtr. linen back. Corners slightly rubbed but an attractive copy, internally fresh and bright. Gill 77. S2.

hardcover. Condizione: very good(+). With an Introduction, Appendix and Illustrations by Eric Gill. 31 in-text woodcut figures. viii, 40pp. Short slim 8vo, 1/4 cloth over brown printed boards (a little edgeworn and dusty; front endpaper toned and with ghost of old inscription, otherwise quite clean). Ditchling, Sussex: S. Dominic's Press, 1920. A very good(+) copy of this scarce book.

Condizione: Near Fine. 50 copies. First Edition. 50 copies. First Edition. (iv), viii, 40p. Introduction and Appendix by Eric Gill. Illustrated with 32 wood engravings mostly by Eric Gill, 2 by Desmond Chute. Bound in original untitled quarter linen spine over printed brown boards. Gill No. 410. Linen spine darkened, boards near fine, contents fine.

Wraps. Condizione: Good +. Gill, Eric and Beedham, R. John (illustratore). First and Limited Edition. One of 240 copies, duodecimo size, 126 pp. "Woodwork" contains twenty-one wood engravings of tools by the inimitable Eric Gill (1882-1940); a highly regarded printmaker, sculptor, and typographer (as well as a complicated man), Gill provided illustrations for numerous fine press publications by the Golden Cockerel Press and the Saint Dominic's Press, as well as with Pepler under the imprint of the St. Dominic's Press. An informative look at the art of carpentry by craftsman-woodworker Arthur Romney Green (1872-1945), who, like Gill and Pepler, was influenced by William Morris and the Arts and Crafts movement. Although the book is stated as "Volume I", no further volumes were issued. ___DESCRIPTION: Brown paper wraps, black lettering on the front wrap, fore- and bottom edges uncut, title page with black-and-white wood engraving, a total of thirty-one wood engravings in the text throughout: twenty-one wood engravings of carpentry tools by Eric Gill, ten wood engravings by R. John Beedham; Caslon O. F. type, Batchelor handmade paper, duodecimo size (7.75" by 5"), pagination: [i-iv] v-xvi [1] 2-110, one of 450 copies, this number 161. ___CITATION: Better than good, with clean wraps, a strong, square text block, the interior is clean and bright, and entirely free of prior owner markings; overall minor edgewear to the wraps, some loss to the paper at the spine exposing parts of the gatherings (however, text block still solid), small loss to the bottom fore-edge corner of the title page. ___CITATIONS: Gill no. 269; Taylor and Sewell, no. A31. ___POSTAGE: International customers, please note that additional postage may apply as the standard does not always cover costs; please inquire for details. ___Swan's Fine Books is pleased to be a member of the ABAA, ILAB, and IOBA and we stand behind every book we sell. Please contact us with any questions you may have, we are here to help.

[Mediaeval Literature] LIMITED PRIVATE PRESS EDITION. Complete in two volumes. Quarto (29 x 21cm), pp.[6] xvi; 318 [6]; pp.[4] xvi; 268 [6]. With occasional woodcut illustrations produced in facsimile by Beedham and Francis. Number 64 of 325 copies thus, letter-press printed on fine hand-made paper. Publisher's blue full morocco, with gilt titles to spine. Top edges gilt, others untrimmed, with marbled endpapers. A series of old printed booksellers' descriptions loose to preliminaries. Internally crisp and clean, with some sunning and light wear to spines. Near fine. A fine private press edition of Isaac Jaggard's first complete English edition from 1625, paired with facsimiles of the woodcuts from an edition printed in Venice in 1492 by the De Gregorii brothers.

Hardcover. Sm 8vo (7.75" x 5.25"), cloth spine, printed paper over boards. [4], viii, 40 pp., emblem of S. Dominic's Press and one wood-engraving by Gill, other engravings by the author and Desmond Chute. Bookplate of "Wyman Parker" on front pastedown, also ticket on ffep reading: "This book can be supplied by the Dryad Works, Handicraft Department 42 St. Nicholas Street, Leicester." CONDITION: Good, spine slightly browned, corners slightly curled, endpapers toned, first two leaves partially detached but holding firm. First edition. Number 10 of the S. Dominic's Press publications. Gill's "introduction was revised and the book was enlargedpublished as the fifth edition by Faber & Faber in 1938" (Gill). Wyman Parker was a librarian at Wesleyan University, librarian at the Bread Loaf School of English, and a collector of fine press books. REFERENCES: Gill 77.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1921 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 86 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 86 Language: English.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1921. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 84, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 84 84.