Ben ari r (38 risultati)

Hardcover. Condizione: Very Good. Dust Jacket Included. pp.xvii, 328 pages, a very good hardback in a very good dust-jacket [0710303815].

Condizione: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condizione: Very Good. No Jacket. Binding tight and square, Previous Owners name inside front cover Pages are clean and unmarked.

hardcover. Condizione: very good. Condizione sovraccoperta: poor. Lightly illustrated in b/w. 253 pages. 8vo, black cloth, tattered d.w. New York: Thomas Yoseloff, (1957). A very good copy--a touch shelfworn, staining to top outer page edge; in a poor wrapper.

Hardcover. Condizione: Very Good. No Jacket. 2nd Edition. In Yiddish. 354 pages. 245 x 165 mm. Top edge dyed red. Other edges untrimmed. Many Duotone full page photographic illustrations. Includes English title page on verso of Hebrew title page. Illustrated with a number of b/w facsimile photographs of important figures and historical casts from certain plays performed by Habimah.The book is a history of Habimah ("The Stage") which was founded in Moscow in 1917 under the Moscow Art Theatre. Habimah was the first professional group to ever perform their plays in Hebrew. Led by Nahum Zemach, the company aspired to portray the problems of the Jewish people. Habimah had a few problems of its own; many members of the Communist Party opposed the existence of Habimah. Stalin, however, allowed the group to continue to operate. In 1926, the company went abroad on tour. The following year, in the United States, Habimah split. Zemach and several additional actors remained in the U.S., while others decided to settle in the British Mandate of Palestine (Eretz Israel). Tel Aviv was the new home for Habimah. In 1945, Habimah moved into the building in which it now resides, in the heart of Tel Aviv. Thirteen years later, it became the National Theater of Israel. Each photo has Yiddish and English description.…

Hardcover. Condizione: Very Good. No Jacket. 2nd Edition. In Yiddish. 354 pages. 245 x 165 mm. Dated inscription in Yiddish by the author. Top edge gilt. Other edges untrimmed. With black silk page marker. Many Duotone full page photographic illustrations. Includes English title page on verso of Hebrew title page. Illustrated with a number of b/w facsimile photographs of important figures and historical casts from certain plays performed by Habimah.The book is a history of Habimah ("The Stage") which was founded in Moscow in 1917 under the Moscow Art Theatre. Habimah was the first professional group to ever perform their plays in Hebrew. Led by Nahum Zemach, the company aspired to portray the problems of the Jewish people. Habimah had a few problems of its own; many members of the Communist Party opposed the existence of Habimah. Stalin, however, allowed the group to continue to operate. In 1926, the company went abroad on tour. The following year, in the United States, Habimah split. Zemach and several additional actors remained in the U.S., while others decided to settle in the British Mandate of Palestine (Eretz Israel). Tel Aviv was the new home for Habimah. In 1945, Habimah moved into the building in which it now resides, in the heart of Tel Aviv. Thirteen years later, it became the National Theater of Israel. Each photo has Yiddish and English description.…

Hardcover. Condizione: Very Good. No Jacket. 2nd Edition. In Yiddish. 404 pages. 245 x 165 mm. Second, enlarged, edition. Dated inscription in Hebrew and English by the author. Top edge dyed blue. Other edges untrimmed, some pages uncut. With blue silk page marker. Many Duotone full page photographic illustrations. Includes English title page on verso of Hebrew title page. Illustrated with a number of b/w facsimile photographs of important figures and historical casts from certain plays performed by Habimah.The book is a history of Habimah ("The Stage") which was founded in Moscow in 1917 under the Moscow Art Theatre. Habimah was the first professional group to ever perform their plays in Hebrew. Led by Nahum Zemach, the company aspired to portray the problems of the Jewish people. Habimah had a few problems of its own; many members of the Communist Party opposed the existence of Habimah. Stalin, however, allowed the group to continue to operate. In 1926, the company went abroad on tour. The following year, in the United States, Habimah split. Zemach and several additional actors remained in the U.S., while others decided to settle in the British Mandate of Palestine (Eretz Israel). Tel Aviv was the new home for Habimah. In 1945, Habimah moved into the building in which it now resides, in the heart of Tel Aviv. Thirteen years later, it became the National Theater of Israel. Each photo has Yiddish and English description.…

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st Edition. EXCELLENT INSCRIPTION BY AUTHOR ON TITLE PAGE THE STORY OF A HEBREW THEATER FOUNDED AGAINST ALL ODDS IN 1919 RUSSIA , ITS HISTORY AND MOVE TO ISRAEL THE STORY OF ACTING AND PRODUCING PLAYS UNDER DIFFICULT CIRCUMSTANCES IN PURSUIT OF PRESERVING HEBREW CULTURE AND LANGUAGE SOLID CLEAN BRIGHT AND UNMARKED IN A BRIGHT UNCLIPPED JACKET SMALL CHIP AT TOP OF SPINE ORIGINAL PRICE 5.00. PHOTOS (illustratore). Inscribed by Author(s).…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Hbk, 175pp, a new and unread copy, excellent, clean, tight and unmarked in fine, unclipped and sleeve-protected dj, as new.

Condizione: Very Good. Long inscription in Yiddish by Ben Ari Location:142 458 354 pp. in Yiddish 142 458.

Maps, tables, figures, appendices, notes, references, index, xviii + 328pp. Japanese Studies Series. An excellent copy in a dustjacket. This book provides a detailed ethnographic account of two modern suburban communities in Japan, an area that has had little attention in the literature. Most studies have either focussed on rural Japan or the older urban areas. Ben-Ari uses an analytical and comparative framework for examining the dynamics of these communities.…

Hardcover. Condizione: Good. Second Enlarged Edition. Yiddish language text, being the Second Enlarged Edition and a Presentation Copy by the author, who inscribes the first free endpaper in Hebrew, dated to 1942. 404 pp., bound in 1/2 leather and green cloth boards, and with silk linen ribbon bookmark. Rough-cut fore-edges. Includes English title page on verso of Hebrew-language title page. Some pages are carelessly opened but with no loss of text, bumping to and scuffing of spine head and foot, toning to endpapers, some slight torque to spine. 62 full-page duotone plates. A fine and due homage to the Habimah and to Judaica, being a scion of the Jewish-Russian theater of the 20th century. Laid in is an index card with typescript snippets from Jacob Leschinsky's review, from April of 1942. Illustrated with a number of b/w facsimile photographs of important figures and historical casts from certain plays performed by the Habimah ("The Stage") which was originally founded in Moscow in 1917 under the Moscow Art Theatre. Habimah was the first professional group to ever perform their plays in Hebrew. Reviews have it that this is a fascinating social history of a Jewish theatre group in transit to and from the former Soviet Union and the U.S. The author, R. Ben-Ari, was a well-known actor and one of the original founders of Habimah in Moscow, before that world-famous ensemble left the Soviet Union, ultimately to become the National Theater of Israel. He died in Moscow at the age of 68, visiting a brother there before dying of a heart attack. He was especially known for his role in ?The Dybbyk,? the play for which Habimah was widely hailed.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.…

First Edition. First edition. Softcover. Exhibition catalog for a show that ran January through October 2022. Text in English and Hebrew by Timna Seligman. Includes numerous color illustrations. A fine copy in French style wrappers.

Black and white illustrations, x + 276 pp, index, bibliography, paperback. This wide-ranging volume is the first to examine the characteristics, dynamics and wider implications of recently emerging regional production, dissemination, marketing and consumption systems of popular culture in East and Southeast Asia. Using tools based in a variety of disciplines - organizational analysis and sociology, cultural and media studies, and political science and history - it elucidates the underlying cultural economics and the processes of region-wide appropriation of cultural formulas and styles. Through discussions of Japanese, Chinese, Korean, Philippine and Indonesian culture industries, the authors in the book describe a major shift in Asia's popular culture markets toward arrangements that transcend autonomous national economies by organizing and locating production, distribution, and consumption of cultural goods on a regional scale. Specifically, the authors deal with patterns of co-production and collaboration in the making and marketing of cultural commodities such as movies, music, comics, and animation. The book uses case studies to explore the production and exploitation of cultural imaginaries within the context of intensive regional circulation of cultural commodities and images. Drawing on empirically-based accounts of co-production and collaboration in East and Southeast Asia's popular culture, it adopts a regional framework to analyze the complex interrelationships among cultural industries. This focus on a regional economy of transcultural production provides an important corrective to the limitations of previous studies that consider cultural products as text and use them to investigate the "meaning" of popular culture.…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. Hbk 328pp an unread copy excellent clean tight unmarked in sleeve-protected dj as new.

Hardbound. Condizione: Very Good. Octavo, red cloth with a gold emblem on the front board over a reddish brown cloth spine, 354 pp., duotone photographic illustrations. Uncut Preface by A. Mukdoni. In Yiddish.

Paperback. Condizione: Brand New. 222 pages. French language. 8.66x5.91x0.71 inches. In Stock.

Condizione: NEW. Sutta, Dore (illustratore).

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New. pp. 288.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. Bar-Han University, Tel-Aviv UniversityPublished in the year 1984, School Desegregation is a valuable contribution to the field of Education.Chapter 1 Why Integration?, Yehuda Amir, Shlomo Sharan, Rachel Ben-Ari Chapter 2 School Integrat.

Buch. Condizione: Neu. Neuware.

Condizione: NEW.

Hardcover. Condizione: Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Hardcover. Condizione: Good. Condizione sovraccoperta: Fair. 404 pages; Yiddish text; The cover is weary and stained; Has a very large dedication on title page; apart from that in good usable condition.second enlarged edition.