Bense max et al (14 risultati)

Soft Cover. Condizione: Very Good. Jahrgang 1, Heft 7, 1951. 192 pp. Solidly bound copy with moderate external wear, crisp pages and clean text. Text in German. Moderate foxing of pages. Pen writing on back cover. Relevant newspaper article(s)/Clipping(s) included from previous owner.

hardcover. Condizione: Very Good. First Edition. Price list laid in. Lightly read if read at all. No markings in book. Binding is fine. No DJ.

Original publisher's black spine, gray cloth hardback, lettering spine and frontcover, oblong shaped large 8vo: 264pp., 343 works chronological depicted - with notes & references, colophon.

Condizione: Good. 261 pp. Illustrated in color and black and white. Oblong 8vo. Pages loose from binding. Leather-backed cloth.

Hardcover. Condizione: Good. 1971; black cloth covered boards; tan spine and corners; edge and corner wear; spine leaning; 12mo - over 6 3/4" to 7 3/4" tall; interior clean and unmarked; paginated in sections.

Softcover. Condizione: Very Good. Previous owner's name stamp on front endpaper. Some soiling to surface. Very good.; 8vo.

Hardcover. Condizione: Very Good. First Edition. Tight clean unmarked, in German, NO age toning, NO dust jacket, undamaged and clean, oblong format approx. 9" x 7 1/2" tall.

Hardcover. Condizione: Good. No Jacket. Fully illus, several color,spine broken.

Softcover. Condizione: Gut. Objektive Kunstkritik (Exakte Ästhetik 6): Mit zwei englischen Texten von A. Michael Noll, Leslie Mezei sowie deutschen Texten von Max Bense, William E. Simmat, u.a. Der Einband hat Alters- und Gebrauchsspuren, Einbandinnenseite und Vorsatzblatt etwas fleckig, handschriftlicher Namenszug auf zweiter Seite, sonst innen gut erhalten. (computer art). …

paperback. Condizione: Good. Stolen Paper Review, SF, c.1966, 8-1/4"x6-3/4", paperbk., 65pp., front cover a little darkened with 2 small glass rings, ow G $.

Softcover. Condizione: Near fine condition. First edition. "Für mausi mit allen guten wünschen Max Bill am jahresende 1958" on front free endpaper. Octavo. 84pp. Original cream wraps with black lettering on cover and spine, in original glassine dustwrapper. Publication in appreciation of the Swiss architect, artist, painter, typographer and designer Max Bill. Contributions by Max Bense (Arguments for Max Bill), Will Grohmann (Tendency towards Synthesis), Richard P. Lohse (Unity of the Design Principle), Kurt Marti (The Second Commandment and Concrete Art), Annie Müller-Widmann (Dear Max Bill), Carlos Flexa Ribeiro (The Fiftieth; in French), Ernesto N. Rogers (The Unit of Max Bill; Italian), Ernst Scheidegger (Visual Report 1944-1958 on Max Bill) and Eugen Gomringer (Max Bill and Concrete Poetry). Illustrated with eight b/w photographs of Max Bill in professional and personal situations. Contains biographical data from 1928 to 1958 on Max Bill and short biographical sketches of the contributors at rear. Texts in German, one each in French and Italian.…

22 x 20.5 cm. Paperback, [16pp]. Catalogue of a concrete poetry exhibition held between 18 March and 13 April 1969, at the Centro de Artes Visuales del Instituto Torcuato Di Tella. Cover image is a 1924 artwork by Man Ray, 'Sound Poem'. Includes texts in Spanish by Jorge Romero Brest, Vincenzo Accame, Max Bense, Ignacio Gomez de Liano, Roland Berthos, Jacques Damase, Edgardo Antonio Vigo, Pierre Garnier, Arthur Petronio, and Luis Pazos. Edgardo Antonio Vigo organised the exhibition and brought together visual and sound poets from various countries, including the aforementioned contributors and Timm Ulrichs, Carlos Raul Ginzburg, Franz Mon, Julien Blaine, Henri Chopin, Bory, Arias-Misson, Augusto and Haroldo de Campos, Decio Pignatari, Alvaro de Sa, Wladimir Dias-Pino, Gomringer, Ken Cox, Ian Hamilton Finlay, Eugenio de Vicente, Juan Hidalgo, Walter Marchetti, Julio Plaza, Raoul Hausmann, Dick Higgins, and many others. The exhibition was presented that same year at the Provincial Museum of Fine Arts in La Plata under the title Novisima Poesia 69. Minor wear and faint pale blotch to cover, otherwise good.…

Hardcover. Condizione: Good +. 1st Edition. Paul de Vree, Poezie in Fusie, De Bladen Voor de Poezie, Lier, Belgium, 1968. 304 x 208mm, 128pp. Printed black on white stock. Printed by Sanderus in Oudenaarde, commissioned by de Bladen Voor de Poezie. Cover design by Walter Pluym. Introduction by Paul de Vree who edited this International Concrete Poetry Anthology. Illustrations of work by the editor together with Pierre Albert-Birot,Alain Arias-Mission, Ronaldo Azerido, Stephen Bann, Max Bense, Julien Blaine, J.F.Bory, Edgar Braga, Augusto de Campos, Haroldo de Campos, Ugo Carrega, Henri Chopin, Hans Clavin, Bob Cobbing, Oyvind Fahlstrom, Ian Hamilton Finlay, john Furnival, Heinz Gappmayr, Hochen Gerz,Mathias Goeritz, Eugen Gomringer, B.Grogerova, J.Hirsal, Jose Lino Grunwald, Brion Gysin, Dom Sylvester Houedard, ernst Jandl, Jiri Kolar, F.Kriwet, A.Lora-Titino, Hansjorg Mayer, Franz Mon, M.Nannucci, D.Pignatari, Diter Rot, Gerhard Ruhm, John Sharkey, Mary Ellen Solt, Adriano Spatola, Timm Ulrichs, Jiri Valoch, Edgardo Antonio Vigo, Herman de Vries, Ivo Vroom, Emmett Williams, Pedro Xisto et al. Text in Flemish. Condition: slight toning throughout, general wear to hard cover on edges and corners, Very Good +.…

Condizione: Very good +. Barnstone, Willis, ed, Artes Hispanicas / Hispanic Arts: Volume 1 Number 3 & 4, The Macmillan Company for Indiana University Press, Richmond, 1968. 254 x 216mm. 312pp with some colour illustrations and foldout. Cover by Augusto de Campos. An important survey of concrete poetry featuring Mary Ellen Solt's essay titled 'A World Look at Concrete Poetry' from pp. 7-66. Final section entitled 'English Spanish Word Gloss and Comments' gives short biographies of the poets and translations, as needed, of texts in their illustrated works. Heavy item, extra postage required. Condition: some wear and marks to cover and minor rubbing, slight ding to top right corner which faintly affects the first 125 pages, but overall a fresh clean copy. VG+.…