berman avis essays (14 risultati)

Soft Cover. Condizione: New. Softcover is silver ground with black lettering on front and spine. Pages are clean and tight. This is a NEW book. A catalogue for an exhibition at the Frist Center for Visual Arts in Nashville, Tennessee that ran from 11 October 2002 -- 5 January 2003. Foreword by Chase W. Rynd; Introduction by Sandy Nairne. Illustrated with 29 b/w and 39 color pictures. Sections are: Preface; Nocturnes, Characters, and Sunlit Beaches: Whistler, Sargent, and Steer; A Window on the Nineties: W. Graham Robertson and Aesthetic London; Catalogue. Oversized, 3#. ; Exhbition Catalogue Series; Color Illustrations; 9 x 12; 117 pages; Cover has minor edge wear and slight rubbing/scuffing.

Hardcover. Condizione: Near Fine. 1st. Pictorial boards, 109 pages, illustrations (chiefly colour); 29 cm. Catalogue of an exhibition held at the Guild Hall of East Hampton, New York, United States, August 8 to October 12, 2015. Firm binding, clean inside copy. Top right corners bumped. *** "The first exhibition and catalogue focused on Lichtenstein's seascapes, it will feature a recreation of his since destroyed Super Sunset billboard commission. This monumental Pop image has not been seen since its one-time presentation outside Philadelphia in 1967. In 1964, inspired by both art history and by imagery found on printed postcards, Lichtenstein began to explore the genre of seascape, using both paint, plastic, enamel, drawings, collage, print and even film to realize his various works. Guild Hall will host an extraordinary gathering of these work beginning with his Pop-inspired explorations of setting suns along with a recreation of his since destroyed Super Sunset billboard commission (1967). Other works in the show will include his experimental optical collages and films from the mid to late 1960s to his gently calibrated brushstroke water views in paintings and prints of the 1980s culminating with his 1990s water lily series in homage to the Nymph as of Claude Monet. The publication will also include an interview between Avis Berman and Lichtenstein's assistant, James de Pasquale on his recollections of working with the artist in the 1970s on his landscapes in his studio in Southampton, New York. The catalogue will feature a biography and chronology with rarely seen photographs of the artist at work in his various studios." - Publisher. Size: 4to.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 116 pages, illustrations (chiefly colour); 32 cm. Firm binding, clean inside copy. Lower right corner bumped. Age toning. Fine DJ. Another copy available. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Presented in conjunction with the October 2002 exhibition, this volume features examples from the Tate Collections of works by Whistler, Sargent and Steer, who have been credited with bringing modern art to London near the end of the 19th century. Essays by art historians David Fraser Jenkins and Avis Berman discuss the influences that shaped the works of each artist, as well as the characteristics of British arts and letters during that period as seen through the experience of artist and writer W. Graham Robertson. Contains several color and b & w illustrations in addition to 38 color reproductions (accompanied by detailed descriptions) in the catalogue." - Publisher. Size: Folio.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. 1st. Cloth, 116 pages, illustrations (chiefly colour); 32 cm. Near fine. Firm binding, clean inside copy. Age toning. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "Arriving at their mature styles independently of one another, the renowned American expatriate painters James McNeill Whistler and John Singer Sargent and the British artist Philip Wilson Steer are often credited with bringing modern art to London near the end of the 19th century. Inspired by the lively brushwork of painters from Velazquez to Monet, each of these artists developed a distinctive approach to Impressionism, utilizing spontaneously applied strokes of paint and closely modulated colors to caputre the effects of light as it played across the fingure and landscape. This selection of masterworks by the three artists reveals the stylistic links that give evidence of their shared aesthetic lineage. Essays by Tate curator David Fraser Jenkins and art historian Avis Berman provide insight into their lives and works within the cultural milieu of fin-de-siecle London, including the experiences of the young and somewhat eccentric aesthete W. Graham Robertson." - Publisher. Size: Folio. Collectible.

Hardcover. Condizione: New. Condizione sovraccoperta: New. 1st Edition. NEW - NO REMAINDER MARKS: Hudson Hills Press hardcover in dust jacket, 2006, 1st edition, unused and carefully stored, No marks/tears or other defects; (as New/as New). We will add a custom fitted mylar cover, bubble wrap the book and ship it in a New BOX- Not a plastic bag like the zombie sellers.

Hardcover. Condizione: New. Condizione sovraccoperta: Mint. STATED FIRST EDITION. Dated (2011) and inscribed to Seymour. MINT UNUSED CONDITION. Signed by Author.

Soft cover. Condizione: Near Fine. (1993), Near Fine/no dj, quarto, nice 179pp. exhibition catalogue (58pp. of text plus 100 full-page color plates), large colorful glossy softcover, binding tight, text unmarked, Presentation note Signed on front endpaper: "For Bernard Bernbaum with thanks and admiration, Jacob Kainen," requires extra postage for International shipping. Signed by Author(s).

Soft cover. Condizione: Fine. No Jacket. 1st Edition. Signed by Jacob Kainen on half-title page. Quarto in stiff paper covers. Color and B&W illustrations. Fine condition. 179 pages. Signed by Illustrator(s).

Hardcover. Condizione: Near Fine. No Jacket. 1st Edition. A near fine copy of the presumed first hard cover edition (no explicit edition or printing statement) in a like (not price-clipped) dust-jacket. The text is wholly unmarked, pristine, and the binding and jacket are bright and fresh in appearance, with a couple of miniscule spots to the page edge of the volume.CD is present in front board holder and is in very good condition. A beautiful copy. [Please note: Due to the size and weight of the volume extra shipping may be required depending on the destination and speed of delivery requested. Quotations gladly provided.].

Hard Cover. Condizione: nf/nf. First edition. a very nice copy in an equally nice dust jacket.

Hardcover. Condizione: Fine in NF dust jacket. Thick oversize hardcover in bright red cloth with bright gilt stamping, very clean with no faults to note; tightly bound, clean and unmarked. Dust jacket has minor wear. 512 pages, illustrated. A beautiful copy. NOTE:This volume, published to commemorate the museum's sixty-fifth anniversary, reflects the special qualities of the Addison Gallery and the outstanding quality and breadth of its holdings. Now numbering over 12,000 works, the Addison's collection includes significant American paintings, prints, works on paper, sculpture, decorative arts, and photography by generations of artists from colonial times to the present. Addison Gallery of American Art: 65 Years is the first extensive documentation of the museum and its collection The catalogue that follows focuses on over three hundred significant works from the collection and is fully illustrated in color and duotone. Brief discussions of more than ninety specific works in the catalogue were contributed by forty-seven nationally recognized scholars as well as curatorial staff members Experienced full-time bookseller since 1994 (selling online since 1998). Images may be added by request. Questions welcome.

Hardcover. Condizione: Gut bis sehr gut. Andy Warhol (illustratore). 1. Auflage. Z/B : 22 x 28 cm, 208 Seiten mit zahlr. meist farb. Abb. u. CD im vord. Deckel ("A. Warhol from tapes: sounds of his life and work" von Steve Rowland). Illustr. OPbd. mit Klarsichtschutzumschlag.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Large square book with fine maroon cloth blind stamped with title/name to front and in gilt to spine. Book is tight, square, sharp-cornered and would be fine but for warm inscription from author to prior owner on half title page dated 12/12/06. Lavender endpapers and filled with color plates of Van Doren's classical water colors. Unclipped Dust Jacket is very close to fine, but certainly Near Fine. Laid-in are several pieces of correspondence between the prior owner and the artist. Inscribed by Author(s).

Hardcover. Condizione: Sehr gut. Condizione sovraccoperta: Sehr gut. 1. Auflage. W : Leinen mit Schutzumschlag, 23,5 x 30,5 cm, 248 Seiten - Dieses Buch umfasst nebst grundlegenden Texten amerikanischer und europäischer Autoren 70 durchgehend ganz-, bzw. doppelseitige Abbildungen der ausgestellten Werke. Ergänzt werden diese durch wichtige vergleichende Abbildungen sowie umfangreiches Bild- und Textmaterial zur Person und zum Werk. Das Buch richtet sich dabei an ein breites Publikum. Es entsteht so ein wichtiger Beitrag zum Stand der Forschung über das Werk Roy Lichtensteins, einer Schlüsselfigur der amerikanischen Pop-Art.