Bernstock judith e (24 risultati)

Condizione: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Good.

Condizione: good. Signs of wear and consistent use.

Paperback. Condizione: Good.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condizione: Fine. Condizione sovraccoperta: No jacket, as issued. 1st Edition. Quarto. Pp. 227. With over 100 color plates. Fine in illustrated stiff wrappers.

Soft cover. Condizione: Near Fine. 1st Edition. Hudson Hills Press & Herbert F. Johnson Museum of Art, Cornell University, New York, 1988. Large softcover, square format. 1st edition. 227pp. Stiff pictorial wraps. Numerous color illustrations, including 4 large fold-outs. Near fine.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Paperback. Condizione: new. New Copy. Customer Service Guaranteed.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 235 pages, 4to. Shelfwear to DJ: scuffing along edges and covers. DJ in mylar. Tight binding, no marks. Volume is in Very Good condition.

Softcover. Condizione: Very Good. First Edition. Size: 4to 9 3/4 - 12". 227 pp. Internally clean. Binding firm. Covers partially faded. Profusely illustrated. Quantity Available: 1. Shipped Weight: Under 1 kilogram. Category: Art & Design; United States; Modern; Biography & Autobiography. ISBN: 0933920822. ISBN/EAN: 9780933920828. Pictures of this item not already displayed here available upon request. Inventory No: 61693. …

Hardcover. Condizione: new. New Copy. Customer Service Guaranteed.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Hardcover with dust jacket. Condizione: Gut. XXV, 235 p.: Ill. Schutzumschlag leicht berieben und Einband etwas angeschmutzt, sonst ein sehr gutes und sauberes Exemplar ohne Anstreichungen / Dust jacket slightly rubbed and cover a bit stained, otherwise a very good and clean copy without markings. - This comprehensive view of the Orpheus myth in modern art focuses on an extremely rich artistic symbol, cutting through all the clichés to explore truly significant problems of meaning. The author takes a new approach to the iconography of major modern artists by incorporating psychological and literary analysis, as well as biography. Her study demonstrates the power and vitality of ancient myth to provide inspiration today and to reveal basic truths about the human condition and the artists conception of those truths. The psychological bonds proposed here between the ancient singer/poet Orpheus and the twentieth-century artist help to corroborate Freuds and Jungs use of myth as a key to the continuity in the unconscious from primitive to modern humanity. The three parts of this book explore the ways in which artists have identified with different aspects of the often paradoxical Orpheus myth. The first deals with artists such as Paul Klee, Carl Milles, and Barbara Hepworth, who identify with Orpheuss powers of metamorphosis, equated with the artists ability to transform a harsh and corrupt reality through powers of imagination into an ideal world of beauty, feeling, and truth. The second part shows a more critical view of Orpheus as an overly emotional, unrealistic, and helpless dreamer, reflecting the modern artists acknowledgment of feelings of inadequacy and lack of control over self and environment. Max Beckmann, Oskar Kokoschka, and Isamu Noguchi are discussed. The final part considers the significance of death and suffering in the Orpheus myth and its appeal to twentieth-century artists obsessed with death, seeking reassurance of the continuity of existence and of liberation from time and guilt. Artists examined are Pablo Picasso, Jacques Lipchitz, Ethel Schwabacher, and Cy Twombly. The text, accompanied by 61 illustrations and a select bibliography, will be of great interest to serious students of modern art, the psychology of art, or current cultural inquiry. / Contents Plates Foreword Peter Selz Preface Introduction Part One. The Fulfillment of an Ego Ideal 1. Orpheus the Pre-War Hero 2. Rainer Maria Rilke and the Artist as Transformer 3. The Lyre 4. The Orpheus of the Concert Hall Part Two. The Critical Self-Image 5. The Childish and Irrational Dreamer 6. Powerlessness and Dependence 7. The Mask of the Imagination Part Three. Death and Suffering 8. Constancy and Continuity 9. Liberation from Guilt 10. The Death of Orpheus Conclusion Notes Select Bibliography Index. ISBN 9780809316595 Sprache: Englisch Gewicht in Gramm: 788. …

Softcover exhibition catalog, 226 pages; very good condition except right edge of the pages adjacent to the fold-out illustrations have some rubbing marks; no internal markings. Foreign shipping may be extra.

Paperback. Condizione: New.

First Edition. First edition. Oblong hardcover. First printing. 227 pages. Published in conjunction with a major retrospective of Mitchell's works. Features text by Judith E. Bernstock. Includes 118 color plates along with 8 black and white illustrations, a chronology, list of previous exhibitions, a selected bibliography, and an index. A fine copy in black cloth boards and with a Gift of the Joan Mitchell Foundation bookplate to the front free endpaper and in a fine dust jacket. A very fresh copy. …

Bernstock, Judith E. JOAN MITCHELL. 227 pp. text, 118 color plates. Square 4to, cloth. New York. Hudson Hill Press, 1988.

Oversized Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. (1988). 4to. Slightest rippling and faint toning to textblock edges. Slight bumping and wear to edges, forecorners, and spine ends of barely rubbed cloth covered boards with light marking to bottom edges. Minor bumping to edges, forecorners, and spine ends of gently rubbed and faintly scratched dust jacket. VG/VG.…

Condizione: Good. 8vo. [90] pp. Soft Cover. Black and white illustrations throughout. Very Good. Minor wear.Provenance: Collection of UC Berkeley Art Professor Peter Selz.

Cloth. Condizione: Fine. Condizione sovraccoperta: Fine. First Edition. An immaculate copy of the 1988 1st edition, in its less common hardback. Clean and Fine in a crisp, Fine dustjacket. 118 lovely colorplates plus 8 black-and-white illustrations.

Condizione: Good. 8vo. 235 pp. Hard Cover with printed dusk jacket. Black and white illustrations throughout. Very Good. Minor shelf wear. Some toning to interior sheet edges.Provenance: Collection of UC Berkeley Art Professor Peter Selz.

hardcover. Condizione: Fine copy in fine dust jacket. 1st. 4to, 226 pp. Profusely illustrated (illustratore).

Hardcover. Condizione: Near Fine. Near Fine. First edition. Small quarto. 235pp. Corners lightly bumped, near fine in a near fine dust jacket with modest edgewear. Advance Review Copy with publisher's slip laid in. In this book Bernstock breaks down the Orpheus myth into three parts: The Fulfillment of an Ego Ideal, The Critical Self-Image, and Death and Suffering. The psychological and literary analysis is accompanied by 61 illustrations and a select bibliography. An important work, and of most interest to the serious student of modern art.…