bertemes roger (14 risultati)

Condizione: good. Bertemes, Roger (illustratore). Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Guter bis sehr guter Zustand. Softcover / Original kartoniert. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.

Couverture souple. Condizione: Très bon. environ 50pages.

Erste Ausgabe. 20 x 21 cm. Erste Auflage, nicht paginiert. Illustrierter Originalkarton. 16 ganzseitige Abbildungen. geringe Lagerspuren. 15 (abstrakte) Kreuzwegstationen.

Soft cover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. In-12, broché, couverture titrée. Edition originale des Dialogues de Guillevic, ornée d'une gravure originale hors-texte signée et numérotée par Roger BERTEMES. Tirage limité à 200 exemplaires, celui-ci un des 70 réservés à l'artiste, avec un envoi de Bertemes à Carmen et Michel Cassé, imprimeur lithographe. Bel exemplaire. Signed by Illustrator(s).

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. In-4 carré (32 x 8,5 cm), 22 ff.En feuilles, couverture blanche rempliée, étui d'éditeur. Paris, Editions André Biren, 1989. RARE LIVRE ILLUSTRE DU GRAVEUR ROGER BERTEMES. L'illustration comprend 4 sérigraphies hors-texte signées de Roger BERTEMES. L'illustration en noir et rouge fut composée sur des poèmes inédits de Arthur Praillet. Le plus important graveur contemporain luxembourgeois, Roger Bertemes (1927-2006)) découvrit la gravure dans l'atelier de Johnny Friedlander. Artiste discret et passionné, il s'engagea sur la voix de l'abstraction et développa une oeuvre gravée qui se transcrit admirablement en poèmes. L'édition fut tirée à 70 exemplaires sur vélin BFK de Rives, signée par l'auteur et l'artiste. PARFAIT EXEMPLAIRE. Signed by Illustrator(s).

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. 1st Edition. In-8 (26 x 19 cm), 22 ff. n. ch. En feuilles, couverture blanche rempliée, étui d éditeur. Paris, Editions André Biren, 1979. RARE LIVRE ILLUSTRE DU GRAVEUR ROGER BERTEMES. L illustration comprend 7 gravures originales hors-texte signées par Roger BERTEME. Les gravures en noir et blanc furent composées sur des poèmes inédits du poète et critique d art Guy Marester. Le plus important graveur contemporain luxembourgeois. Roger Bertemes (1927-2006)) découvrit la gravure dans l atelier de Johnny Friedlander. Artiste discret et passionné, il s engagea sur la voix de l abstraction et développa une uvre gravée se mêle admirablement à l écriture poétique L édition fut tirée à 66 exemplaires sur vélin d Arches, tous par l artiste et le poète. Imprimé à l atelier de Alain Piroir. PARFAIT EXEMPLAIRE. Signed by Illustrator(s).

Hardcover. Condizione: New. Condizione sovraccoperta: As New. 1st Edition. In-8 (26 x 20 cm), 16 ff. n. ch. En feuilles, couverture blanche rempliée, étui d éditeur. Paris, Editions André Biren, 1982. TRES RARE LIVRE ILLUSTRE DU GRAVEUR ROGER BERTEMES. L'illustration comprend 4 gravures originales hors-texte signées de Roger BERTEMES. Les gravures furent composées sur des poèmes inédits de Arthur Praillet. Le plus important graveur contemporain luxembourgeois, Roger Bertemes (1927-2006)) découvrit la gravure dans l'atelier de Johnny Friedlander. Artiste discret et passionné, il s engagea sur la voix de l abstraction et développa une oeuvre gravée qui se transcrit admirablement en poèmes. L'édition fut tirée à 66 exemplaires sur vélin d'Arches, sur les presses de l atelier René Tazé. PARFAIT EXEMPLAIRE. Signed by Illustrator(s).

In 24° (14x10 cm) Foglio di carta blanc-créme, stampato da un solo lato e ripiegato in quattro. Edizione di 500 copie. Come nuovo. All books are in stock in fine condition or described meticulously. Very safe packaging.

In 24° (14x10 cm) Foglio di carta vergata, stampato da un solo lato e ripiegato in quattro. Edizione di 500 copie. Come nuovo. All books are in stock in fine condition or described meticulously. Very safe packaging.

Pt. in-4°, 46p. Edition originale limitée à 80 exemplaires numérotés sur Vélin d'Arches (celui-ci un des 20 exemplaires numérotés en romains réservés aux collaborateurs). Illustré de 2 gravures originales signées de Roger Bertemes. Avec un poème manuscrit en frontispice. Signé par l'auteur et par l'artiste la justification. en feuilles, sous couverture imprimée rempliée et étui.

Tiratura: 20/99. Acquatinta in sette colori ed impressioni a secco. Roger Bertemes Nacque nel 1927 a Boenvange (Ardenne,Lussemburgo). Scelse la carriera di maestro e dopo gli studi incominciò l'insegnamento nel 1947. Studia incisione nell'atelier di Johnny Friedlaender mostrando subito doti eccezionali. L'artista vuole restare pedagogo e la sua guida per l'associazione "L'arte a scuola" diventa uno strumento essenziale nell'insegnamento dell'arte ai bambini. Il suo lavoro artistico venne riconosciuto a partire dal 1961. Lavoratore accanito, umile, impegnato, discreto,Roger s'interesserà con passione a tutti gli aspetti delle tecniche artistiche: pittura, acquerello, inchiostro, incisione, serigrafia, libri illustrati (verrà chiamato il « pittore dei poeti »), scultura, arte del vetro. La sua evoluzione lo porterà naturalmente verso l'astrazione e la sua opera fu punto di riferimento per oltre cinquanta anni nell'ambito della creatività lussemburghese. Roger Bertemes ci ha lasciati nel novembre 2006.

Tiratura: 22/99. Acquatinta in cinque colori ed acquaforte su carta Arches France. Roger Bertemes Nacque nel 1927 a Boenvange (Ardenne,Lussemburgo). Scelse la carriera di maestro e dopo gli studi incominciò l'insegnamento nel 1947. Studia incisione nell'atelier di Johnny Friedlaender mostrando subito doti eccezionali. L'artista vuole restare pedagogo e la sua guida per l'associazione "L'arte a scuola" diventa uno strumento essenziale nell'insegnamento dell'arte ai bambini. Il suo lavoro artistico venne riconosciuto a partire dal 1961. Lavoratore accanito, umile, impegnato, discreto,Roger s'interesserà con passione a tutti gli aspetti delle tecniche artistiche: pittura, acquerello, inchiostro, incisione, serigrafia, libri illustrati (verrà chiamato il « pittore dei poeti »), scultura, arte del vetro. La sua evoluzione lo porterà naturalmente verso l'astrazione e la sua opera fu punto di riferimento per oltre cinquanta anni nell'ambito della creatività lussemburghese. Roger Bertemes ci ha lasciati nel novembre 2006.

Folio in a case. Condizione: Fine. Bertenes, Roger (illustratore). Limited Edition. One of 10 copies with special art, quarto size, [18] pages, four engravings and the special wash, signed by Praillet and Bertenes at the colophon, with a notice of the special exhibit of the artwork, in slipcase. An exquisite fine press publication featuring the poetry of Arthur Praillet (1912-1992) and the artwork of Roger Bertemes (1927-2006), published by Andre Biren who was known for his livres d'artistes. Both Praillet and Bertemes came from humble familes: Praillet was the son of an electrical fitter; Bertemes father was a suit tailor. Praillet spent most of his career as a clerk and accountant; however, during that time he was associated with Franz Hellens of the journal "Le Disque Vert", "Dire" (the venture of Jean Vodaine), and "Origine", the international poetry publishing house founded by Franco Prete. Bertemes started his career as a teacher; after discovering engraving, which he studied for three months with Johnny Friedlaender, he opened his own engraving studio. While Bertemes worked in multiple art forms (including ink washes, collages, drawings, stained glass and more) it is engraving for which he is perhaps best known. His first solo exhibit was in 1959 in Luxembourg and today his work is in important collections such as the Library of Congress (Washington, D.C.); the Museum of Modern Art (Dublin), and the Bibliothèque Nationale de France (Paris). He won numerous prizes such as the Grand-Duc Adolphe (1960), the International Biennial of Graphic Art in both Buenos Aires (1969) and Lodz (1989), and was the first recipient of the Pierre Werner prize. Bertemes was described as "one of the best engravers and painters of our time" by critic Joseph Paul Schneider and "helped the engraving medium to become a recognised art form in Luxembourg". This work one of sixty published by Andre Biren using previously-unpublished poems of Praillet's and four engravings by Bertemes. Of the sixty, the first ten featured a Bertemes special wash drawing, signed by him; this copy is one of those ten. Being such a limited edition copies are scarce in the marketplace; as of this writing, we see only one copy of the standard edition available online. ___DESCRIPTION: Loose folios in a stiff cardboard wrap, the title in black lettering on the spine of the wrap, the endpapers enclosed by the folded covers of the wrap, upon opening there is, first a wallet enclosing the special wash drawing signed by Bertemes and dated 1982, this followed by six bifoliums, the first being the half-title, copyright, and title pages, the second and third each with a tissue-guarded etching on the front the verso of which is blank and text on the third page the verso also blank, the fourth and fifth each with text on the front with the verso blank and a tissue-guarded etching on the third page with the verso blank, the sixth bifolium having text on the first, third, and fourth pages, the colophon being the recto of the rear free endpaper, this identifies this copy as number 5 of 60 copies with the first ten having the special wash, the text laid out and printed by Francis Van Maele, the engravings printed by Rene Taze and each signed below the plate in pencil by Bertenes, printed on Arches wove paper, [18] pp. which measure 10" by 8", the plate size of the etchings is approximately 6" by 4". Loosely laid in is the announcement of the opening of the exhibit for the engravings in the book; the exhibit opened on November 5, 1982 and ran through November 27, the exhibit held at the gallery of the publisher, Galerie Biren. The work enclosed in a slipcase of sturdy white cardboard covered in red cloth. ___CONDITION: Fine overall, all pages clean and without wear, the interior is clean and bright, and entirely free of prior owner markings; a slight crease to the spine of the wrap the only condition issue we see. The exhibit announcement near fine, clean other than a small, light spot and without wear; the slipcase also fine, clean and without wear. ___CITATION: Pleas.