Bialostosky don (111 risultati)

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition.

Hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

paperback. Condizione: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

hardcover. Condizione: As New. Condizione sovraccoperta: Very Good. Unmarked, binding is tight. Dust jacket in very good condition. 1995, full number line.

Hardcover. Condizione: Very Good+. Very Good+ Dust Jacket. First Edition. Very good+ hardcover with DJ, from a personal collection (NOT ex-library). Binding is tight, sturdy, and square; boards and text also very good+; unclipped DJ looks great. Ships from Dinkytown in Minneapolis, Minnesota.

Paperback. Condizione: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

Paperback. Condizione: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.…

Soft cover. Condizione: Very Good +. Condizione sovraccoperta: Softcover Wraps. First Softcover Edition. Softcover book is a clean tight unmarked copy.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. FIRST. SOLID CLEAN AND BRIGHT COPY INSCRIBED BY MR. NEEDHAM TO MARTHA WHOSE GENIUS HAS IHNSPIRED AND SHOULD BE PATENTED LARRY NEEDHAM UNMARKED SMALL BUMP TO ONE CORNER FIRST PRINTING A VERY RARE TITLE VERY SLIGHT WEAR AT TOP AND BOTTOM OF SPINE BOUND IN PURPLE WITH STRONG COMPLETE SILVER LETTERING. N/A (illustratore). YES.…

Hardcover. Condizione: Fine. Octavo in a green DJ; xxvii, 288 p.: ill.; 22 cm. Poetry -- Literary Criticism -- Theory. A fine crisp copy; in a fine DJ First edition (presumed; no earlier dates stated).

Paperback. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

paperback. Condizione: Very Good in Wrappers. No Jacket. First Edition. Pittsburgh. 2017. March 2017. University of Pittsburgh Press. 1st American Edition. Very Good in Wrappers. 9780822964377. Pittsburgh Series in Culture, Composition, and Literacy. 216 pages. paperback. keywords: Literary Criticism Poetry. DESCRIPTION - 'Bakhtin loved poetry and could recite it for hours, but as a theorist he was somewhat lyricophobic. Dialogic potentials were better served by novels. Don Bialostosky, one of the first and most passionate Western scholars of poetry to take Bakhtin beyond his own word, addresses in this new study the classroom art of animating a poem: how to equip readers to enter the poetic utterance, participate in performing it, and co-create its wisdoms and pleasures. A smart, effective, infectious book that Bakhtin would have treasured.' - Caryl Emerson, Princeton University. Approaching poems as utterances designed and packaged for pleasurable reanimation, How to Play a Poem leads readers through a course that uses our common experience of language to bring poems to life. It mobilizes the speech genres we acquire in our everyday exchanges to identify 'signs of life' in poetic texts that can guide our co-creation of tone. How to Play a Poem draws on ideas from the Bakhtin School, usually associated with fiction rather than poetry, to construct a user-friendly practice of close reading as an alternative to the New Critical formalism that still shapes much of teaching and alienates many readers. It sets aside stock questions about connotation and symbolism to guide the playing out of dynamic relations among the human parties to poetic utterances, as we would play a dramatic script or musical score. How to Play a Poem addresses critics ready to abandon New Criticism, teachers eager to rethink poetry, readers eager to enjoy it, and students willing to give it a chance, inviting them to discover a lively and enlivening way to animate familiar and unfamiliar poems. inventory #42048.…

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. First Printing. Book is a clean tight unmarked copy.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:0253311802. …

[3], 1-97 pages plus covers. Paperback quarterly journal: H 22.75cm x L 15.25cm. Lavender paper covers; past owner's ink signature and large ink check mark on front cover; owner's mailing label still affixed to rear cover. Interior pages are clean. Binding is firm. With Editor's Note and "Notes on Contributors." Essays: "Mired in Meter" by Alan Holder, "Meditation, Impersonality, and the Voices of Modern Lyric Poetry" by William Doreski; The Postmodern Music of 'Four Quartets:' The Difficult Whole of Eliot's Middle Way" by Tim McCracken; Women and Romanticism: Reformulating Canons in the Classroom" by Harriet Kramer Linkin; "On First Looking into Norton's Wordsworth" by Don Bialostosky; "Bakhtin/Medvedev: 'Sociological Poetics'" by Maria Shevtsova; "'Beyond the Page:' Stephen Spender's Symbolic Circle" by J. Scott Bentley; "The Poet as Wife: Sylvia Plath's Marriage Poems" by Carole Stone. ISSN 00078069.…

Paperback. Condizione: New. Foregrounding language and the utterance in the work of Mikhail Bakhtin and his colleague Valentin Voloshinov, MIKHAIL BAKHTIN: RHETORIC, POETICS, DIALOGICS, RHETORICALITY examines their insights against the background of the classical, predominantly Aristotelian, verbal liberal arts of rhetoric, dialectic, and poetics. First setting Bakhtinian dialogics against a narrow rhetoric aimed at winning over others, it goes on, drawing upon the school's earlier phenomenological and sociological writings, to elaborate a Bakhtinian discourse theory that sees all utterances as rhetorical in an expanded sense and poetry as an imitation of rhetorical utterance. BIALOSTOSKY invents a Bakhtinian dialogic criticism that he situates against such figures as Todorov, Gadamer, Rorty, and Booth and explores the potentials of Bakhtin-School thought for a revitalized rhetorical criticism. He draws parallels between Bakhtin's dialogism and Michael Billig's sophistic sociology and argues the importance of language and history in Bakhtin's earliest work against Morson and Emerson's emphasis on ethics. He sets Aristotelian rhetoric against Bakhtin's discourse theory and reads Aristotle's Poetics against the grain to bring out its category of "thought" or dianoia as a site from which a Bakhtinian poetics of utterance can be recovered. A compilation and extension of more than thirty years' work on the Bakhtin School, MIKHAIL BAKHTIN: RHETORIC, POETICS, DIALOGICS, RHETORICALITY demonstrates the rich implications of Bakhtin's works for rhetorical theory, practice, and understanding. An early adopter of Bakhtin School ideas, DON BIALOSTOSKY first mobilized them to rehabilitate Wordsworth's narrative experiments in Making Tales (Chicago 1984) and extended them to rethink his lyric poetry and the critics who wrote about them in Wordsworth, Dialogics, and the Practice of Criticism (Cambridge 1992). His forthcoming book How to Play a Poem from the University of Pittsburgh Press brings Bakhtin School poetics to a pedagogy for poetry. He has taught at the Universities of Utah and Washington, at Stony Brook and Toledo and Penn State. Currently he is Professor in the Composition, Literacy, Pedagogy, and Rhetoric track and Chair of the English Department at the University of Pittsburgh. Read more Continue reading Read less.…

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

Condizione: New. Brand New.

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Hard covers in tidy condition with a similar dust jacket, some browning to the endpapers and page edges Size: 8vo - over 7¾" - 9¾" tall.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition. Book condition: VG/Fine. Jacket: VG with slight wrinkles to top edge. A bright copy.

Cambridge; Cambridge University Press, 1992. (Literature, Culture, Theory 2). 22,5x14,5 cm. xxvii, (1 blank), 288 pp. Publisher's boards with printed dustjacket. The jacket has a tear at top joint and is a bit creased at top of front panel. Head of spine is slightly bumped. "Cambridge 1993" is written on front free endpaper. Contents are fine.…

PF. Condizione: New.

Condizione: New. In English.

Condizione: New.

Condizione: As New. Unread book in perfect condition.