Editore: Royal Academy of Arts, 1987
Da: Anybook.com, Lincoln, Regno Unito
EUR 17,80
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2400grams, ISBN:
Editore: Weidenfeld and Nicolson, 1987
Da: Anybook.com, Lincoln, Regno Unito
EUR 18,12
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. Clean from markings. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,2400grams, ISBN:
Editore: Royal Academy of Arts, 1987
Da: PEMBERLEY NATURAL HISTORY BOOKS BA, ABA, Iver, Regno Unito
EUR 18,14
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: Very Good. 575, numerous b/w and col illus. . PB. Vg. Light crease to spine. .
Da: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Germania
EUR 399,90
Quantità: 1 disponibili
Aggiungi al carrelloCondizione: gut. Harvey Miller. The Westminster Retable. History, Technique, Conservation In englischer Sprache. pages.
Editore: Turnhout, Brepols, 2009, 2009
Da: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, Belgio
Membro dell'associazione: ILAB
EUR 148,50
Quantità: 1 disponibili
Aggiungi al carrelloHardback, 464 p., 23,8 x 28. ISBN 9781905375288. The late 13th-century Westminster Retable is rightly celebrated as one of the most beautiful and enigmatic panel paintings to have survived from medieval Europe. Its history is not without tragedy. It was made in the Westminster Abbey, one of the most prestigious Gothic churches of the thirteenth century, itself a treasure-house of medieval wall and panel painting; then, after the Dissolution of the Monasteries, it was demoted rapidly to use as part of a large cupboard; its ruination in the eighteenth century just pre-dated the Gothic Revival and its rediscovery and rescue. Since then, it has intrigued commentators because of its extraordinary technical mastery, its value as an ornamental resource for study and, more recently, as an important if fragmentary link in the history of painting in England and France in the thirteenth century. There is every reason to believe that its standing as an artwork was apparent even in the Middle Ages, and that, in short, it may be seen as one of the central monuments of Anglo-French Gothic painting. Languages : English. 0 g.