blau troy eve nancy (18 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condizione: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condizione: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Soft cover. Condizione: Fine. (12)264pp. Notes. Index. Photos & illustrations.

Hardcover. Condizione: Very Good+. Condizione sovraccoperta: Very Good+. 1st Edition.

Hardcover. Condizione: As New in As New dust jacket. This collection of essays, commissioned by the Canadian Centre for Architecture, takes a close look at the widely accepted belief that cubism forged a vital link between avant-garde practices in early 20th century painting and architecture. 264 pages. Dust jacket in mylar. edited and with an introduction by Eve Blau and Nancy J. Troy. ; 7 1/4 x 9 1/4 ".

paperback. Condizione: Very Good.

Hardcover. Condizione: Acceptable. Water damaged. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Standard-sized.

Hardcover. Condizione: Used - Very Good. Very nice clean, tight copy free of any marks.

paperback. Condizione: Very Good. Light shelf wear to extremities. Very slight twist to binding. T stamp to base of text block.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Octavo, xi, 266 pages, illustrated. A Very Good clean copy in a Very Good dust jacket.

Paper Back. Condizione: Very Good. 264 pages. The cover is a little worn. Books listed here are not stored at the shop. Please contact us if you want to pick up a book from Newtown.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. First Edition. 264 Pages. First edition by the full number line. This book is a collection of essays that review the modern architectural view that cubism forged a vital link between avant-garde practices in early twentieth-century painting and architecture. The book's dust jacket has bumping on the lower left quarter of the front cover, some wrinkling and a very small hole in the rear cover's upper left quarter, a bump on the right side edge of the rear cover and finally the remains of the bookstore sticker on the lower left quarter of the rear cover. The interior book, however, is in a fine to like-new condition with no visible extraneous markings, detriments or distractions and thus all of its printing and illustrations/photographs remain in a very well-preserved condition and the bindings remain tight and therefore sound. If you order this collection of interesting architectural essays from us, we will carefully wrap it up in either foam or bubble wrap, then pad and box it and ship it right away to you with both insurance and tracking on it.

XI, 264, (2) pages. With some illustrations. Black original cloth binding and an illustrated dustjacket in good condition. 33x19 cm Sprache: Englisch Gewicht in Gramm: 700.

8vo, 263pp, black and white illustrations. A near fine hardback copy in like dust jacket.

Near Fine in publishers cloth in like dustjacket. 264pp. Illustrated. 1st edition. A fundamental tenet of the historiography of modern architecture holds that cubism forged a vital link between avant-garde practices in early twentieth-century painting and architecture. This collection of essays, commissioned by the Canadian Centre for Architecture, takes a close look at that widely accepted but little scrutinized belief. In the first historically focused examination of the issue, the volume returns to the original site of cubist art in pre-World War I Europe and proceeds to examine the historical, theoretical, and socio-political relationships between avant-garde practices in painting, architecture, and other cultural forms, including poetry, landscape, and the decorative arts. The essays look at works produced in France, Germany, the Netherlands, and Czechoslovakia during the early decades of the twentieth century.Together, the essays show that although there were many points of intersection -- historical, metaphorical, theoretical, and ideological -- between cubism and architecture, there was no simple, direct link between them. Most often the connections between cubist painting and modern architecture were construed analogically, by reference to shared formal qualities such as fragmentation, spatial ambiguity, transparency, and multiplicity; or to techniques used in other media such as film, poetry, and photomontage. Cubist space itself remained two-dimensional; with the exception of Le Cobusiers work, it was never translated into the three dimensions of architecture. Cubism's significance for architecture also remained two-dimensional -- a method of representing modern spatial experience through the ordering impulses of art.Copublished with the Canadian Centre for Architecture/CentreCanadien d'Architecture ISBN 0262024225.

Soft cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Sm.8° - 264pp - b/w reproductions. A fundamental tenet of the historiography of modern architecture holds that cubism forged a vital link between avant-garde practices in early twentieth-century painting and architecture. First MIT paperback edition. Original wrappers. Very good condition (as new).