bloom stanley (30 risultati)

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Cloth. Condizione: VG. Condizione sovraccoperta: G+. 158 pp, book and contents are clean and tight, the dust jacket has some wear and soil and a nickel-sized spot, else a clean and solid copy of this book.

Softcover. Condizione: Near Fine. The NIU Art Museum (DeKalb IL), copyright 1992, no printing statement, blue gray wraps, Near Fine (minor cover scuffing), 204 pages, based on the symposium held June 22nd 1991 at the NIU Art Museum Gallery in Chicago, MEMORIAL EDUCATION ART; A4999 G1G.

Pamphlet. Condizione: Very Good. Vol 34, No 2, pp. 356-363, Illus, 4to, Extracted from orig vol, begins with title page, trimmed & stapled, thus is like a pamphlet, last page in facsimile, else VG.

Softcover. Condizione: Very Good. First. A very good unread copy without any marking or highlighting. Pages are clean and bright. The perfect binding is square. Some gentle scuffing to covers and a 3-inch gentle crease. Bumped corners. Bottom edge has a few marks of unknown origin. 358 pages. Essays include Milton's Minor Poems; Heaven; Milton; The Transcendental Masque; Echo Schematic; Milton: "Lycidas"; The Majesty of Darkness; THe Genesis of Gendered Subjectivity in the Divorce Tracts and in Paradise Lost; The Father's House: Samson Agonistes in its Historical Moment; Milton's Prose; The Adjustment of Idealism; Aristotle on the Pinnacle: Paradise Regained; The Birth of the Author: Milton's Poetic Self-Construction; Gently Raised; and "Something . Written to Aftertimes.".

Soft Cover. Condizione: Very Good. Volume 26, No. 2, Spring/Summer 1990. 106 pp. Vol. 26, Number 2, Spring/Summer 1990 only! Solidly bound copy with moderate external wear, crisp pages and clean text.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Light soiling to covers, otherwise very good. 95pp.

Condizione: Fine.

Paperback. Condizione: Very Good. Paperback; BNA's Environmental Management Series; light fading and shelf wear to exterior; otherwise in very good condition with clean text, tight binding.

Condizione: Very Good. The books dust jacket is in very good condition with minor shelf ware such as scuffs and scratches, otherwise the content is in very good condition.

Condizione: New. In.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Softcover. Condizione: Near Fine. First edition. Octavo. 68pp. Stapled wrappers. Wrappers lightly age-toned, near fine. Stories and poetry with contributions by Howard Nemerov, John Gardner, Alice Bloom, Tom Garst, Constance Urdang, Donald Finkel, Stanley Elkin, Terrence Des Pres, Pamela White Hadas, Albert Lebowitz, William Gass, John Morris, Ruby Cohn, Jacqueline Hoefer, and Charles O. Harman.

Paper Back. Condizione: Very Good. No Jacket. 1st. 240pp.+survey&advert; SC lt.blue w/white; some rub; inked-out label,ft.cover; clean,tight pgs. "The development of numerical methods relevant to fluid flow computations, and novel applications to flow systems and to design. " charts&graphs.

Hardcover. Condizione: Excellent condition. Condizione sovraccoperta: dj. 335 pp. Catalogue of the exhibition held at the Los Angeles County Museum of Art, 5 June to 5 September 2011, and at the Museum of Fine Arts, Houston, 23 October 2011 to 15 January 2012. Dustjacket. LCC: 2010053435.

Soft cover. Condizione: New. 31 pages : illustrations (black and white, and colour) ; 28 cm. Published to accompany an exhibition held at The Stanley & Audrey Burton Gallery, University of Leeds, 9th Mar.-9th July, 2016.

Soft cover. Condizione: New. 99 pages. illustrations (black and white, and colour), portraits (black and white, and colour) ; 27 cm. Published to accompany an exhibition held The Stanley & Audrey Burton Gallery, University of Leeds, Leeds, 17th March-11th July, 2015.

Soft cover. Condizione: New. 55 pages : illustrations (colour) ; 27 cm. Published to accompany an exhibition held at The Stanley & Audrey Burton Gallery, University of Leeds, Leeds, November 17, 2021 - April 2, 2022. This exhibition celebrates the work of British artists in the second half of the 20th century. Discover a crucial moment in the history of British art, a period where the influence of Abstract Expressionism in America was filtering across the Atlantic. The inspired British artists produced works on a new scale that embraced the possibilities of abstraction. They also developed new signature mark-making techniques. Explore the shared dialogue and formal concerns of these artists and trace their significant contribution to the development and history of British post-war art. The exhibition highlights paintings from the University of Leeds own outstanding collection. Alongside these examples of British abstract art are loans from across the country. Artists on display include Peter Lanyon, Roger Hilton, Gillian Ayres and Albert Irvin. The Expressive Mark is guest-curated by independent curator Anne Goodchild.

Condizione: New.

Soft cover. Condizione: New. 27 pages : illustrations (chiefly colour) ; 24 cm. "First published in 2018, to mark the 10th anniversary of the Stanley & Audrey Burton Gallery refurbishment and to coincide with the exhibition: Transformation, 19 April - 28 July 2018." 2018 marks ten years since the re-opening of the University's art gallery, following a major redevelopment and expansion. Renamed in honour of its long-term benefactors, The Stanley & Audrey Burton Gallery was launched on 6 March 2008. The enlarged and enhanced spaces the incisive vision of the Gallery's Keeper, Dr Hilary Diaper, made possible through the generosity of Audrey Burton enabled displays of the University Art Collection on a scale previously impossible. Ten years on from the Gallery's major transformation, it is an opportune time to consider what the Burton family have made possible. Not only did their benefaction support the creation of the gallery, but it also opened up a space for the University to engage a wide public with its art collection. Today, the Gallery is a site for research visits, teaching sessions, workshops with school groups, public talks and events. The decades of work by its first curators, Phyllis Winning and Hilary Diaper, to assemble and catalogue the University Art Collection converged with the physical development of the Gallery space and its team, enabling a rich and lively presentation of the University Art Collection for the public.

Soft cover. Condizione: New. 28 pages ; 25 cm. Exhibition catalogue, 18 Jan. - 14 Apr. 2012 Texts by Layla Bloom, Jill Winder, Pip Dickens.

Condizione: New. Satisfaction Guaranteed or your money back.

Condizione: Good. *Price HAS BEEN REDUCED by 10% until Monday, May 18 (weekend sale item)* 276 pp., minor library markings markings else text clean & binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.

Soft cover. Condizione: Very Good. Lot of the first 7 issue - comprising all of volume 1 and the first 3 of 4 issues from volume 2 - of the estimable theory journal Critical Inquiry, founded by Wayne Booth, Arthur Heiserman, and Sheldon Sacks. These issues with contributions from Kenneth Burke, Rudolf Arnheim, Stanley Fish, Harold Rosenberg, Harold Bloom, Northrop Frye, Ricardo Gullón, Thomas Flanagan, Elder Olson, Jorge Luis Borges, Karl J. Weintraub, George Kubler, and many others. 6" x 9" softcover books in decorated card wraps with occasional black and white illustrations. From the collection of a tobacco smoker with barely discernible tanning to the colored spine lettering and a very faint aroma of smoke inside. Faint foxing to bottom of page block of 1.3 and 2.3. Wrinkling to top of spine of 1.1. Mild-moderate shelfwear and rubbing, but all pages unmarked and bright, all bindings firm. Main issue with each of these books is a slight bowing of the lower right quadrant. In overall very good condition.

[44] pp.; 27.5 x 10.5 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with joint presentation by Art Metropole and Printed Matter at Art Basel, Basel, Switerzland, June 12 - 17, 1991. Cover artwork by Richard Prince and Lawrence Weiner. Curated by AA Bronson, John Goodwin. Artists include Carl Andre, David Antin, Eleanor Antin, Ida Applebroog, John Armleder, Art & Language, John Baldessari, Robert Barry, Lothar Baumgarten, Iain Baxter, Ingrid Baxter, Joseph Beuys, Barbara Bloom, Mel Bochner, Alighiero E. Boetti, Christian Boltanski, George Brecht, Marcel Broodthaers, Stanley Brouwn, David Buchan, Chris Burden, Daniel Buren, Michael Buthe, James Lee Byars, Genevieve Cadieux, Guiseppe Chiari, Christo, Francesco Clemente, Robert Cumming, Jan Dibbets, Marcel Duchamp, Hans-Peter Feldmann, File, Robert Filliou, Ian Hamilton Finlay, Fluxus, Robert Fones, Katharina Fritsch, Hamish Fulton, General Idea, Gilbert & George, Dan Graham, Rodney Graham, Jenny Holzer, Douglas Huebler, Image Bank, International Situationist, Joe Jones, Allan Kaprow, Anselm Kiefer, Martin Kippenberger, Michael Kirby, Yves Klein, Bengt af Klintberg, Joseph Kosuth, Barbara Kruger, Louise Lawler, Sol LeWitt, George Maciunas, Allan MacKay, Jackson Mac Low, Liz Magor, Christian Marclay, Lise Melhorn-Boe, Mario Merz, Robert Morris, Multiples Inc., Ian Murray, Maurizio Nannucci, Bruce Nauman, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Meret Oppenheim, Nam June Paik, Robert Rauschenberg, Steve Reich, Dieter Rot [Dieter Roth], Jerome Rothenberg, Edward Ruscha, Carolee Schneemann, Becky Singleton, Robert Smithson, SMS [Shit Must Stop], Michael Snow, Valerie Solanis, Jesus Raphael Soto, Jana Sterbak, Rosemarie Trockel, Ben Vautier, Bernar Venet, Andy Warhol, Robert Watts, Krzysztof Wodiczko, Wolf Vostell, La Monte Young and Zaj. "An Exhibition of Artists' Books and Multiples from the Permanent Collection of Art Metropole. LEARN TO READ ART is an exhibition of 287 published works by artists from the postwar period to the present. Although the contemporary artist's book emerged early in the twentieth century, it was not until the sixties that it came into its own as a medium ideally suited to the needs of Fluxus and Conceptual artists of the period thus our exhibition picks up this thread of history in the postwar years and follows it into that period of intense evolution which was the sixties and early seventies." ?- AA Bronson, General Idea, from introduction. Reference : No. 54 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 35. Very Good. Yellowing of recto edges with 6 cm. of yellowing across top of verso. Dust soiling to covers with light wear to corners including a 2 cm. dog-ear to top left of verso. Contents clean and unmarked.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1938 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 668 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 668 Volume no.312.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1938. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume no.312, Pages:- 668, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume no.312 668 668.