bos nicolas (21 risultati)

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: Neuf.

Condizione: Neuf.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.

Hardcover. Condizione: Very good condition. Condizione sovraccoperta: Very good. 208 pp. Catalogue of the exhibition held at the Art Institute of Chicago, 27 February - 30 May 2011, and under the title France 1500: Entre Moyen Age et Renaissance, at the Galeries nationales, Grand Palais, Paris, 6 October 2010 - 10 January 2011. LCC: 2010918540.

Two softcover books, new condition still sealed in shrinkwrap, . Foreign shipping may be extra.

Hardcover. Condizione: Brand New. box edition. 255 pages. 12.25x9.75x1.50 inches. In Stock.

2 vol. : 1 vol. 304 pp. ; 1 vol. 180 pp.; 2 vol. : 21 x 16.3 cm. (each); sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Two volume exhibition catalogue published in conjunction with the second Berlin Biennial held at the KW Institute for Contemporary Art, the Postfuhramt, the S-Bahn arches in the Jannowitzbrücke and the Allianz-Treptowers, April 20 - June 20, 2001. Curated and with a text by Saskia Bos. Additional texts by Annie Fletcher, Charles Esche, Daniel Birnbaum and Nicolas Bourriaud. Artists include Darren Almond, Carlos Amorales, Kutlug Ataman, Fiona Banner, Elisabetta Benassi, David Claerbout, Ayse Erkmen, Inka Essenhigh, Parastou Forouhar, Alicia Framis, Kendell Geers, Simryn Gill, Liisa Roberts, Liam Gillick, Renée Green, Joseph Grigely, Henrik Hakansson, Havas & Gálik (Little Warsaw), Heger & Dejanov, Christian Jankowski, Katarzyna Józefowski, Korpys & Löffler, Surasi Kusolwong, Claude Lévêque, Aernout Mik, Jonathan Monk, Muntean/Rosenblum, Hajnal Németh, Manuel Ocampo, Tsuyoshi Ozawa, João Penalva, Dan Peterman, Patricia Piccinini, Qiu Shi-hua, Arturas Raila, Navin Rawanchaikul, Rosângela Rennó, Daniel Roth, Anri Sala, Ann-Sofi Sidén, Superflex, Apolonija Sustersic, Fiona Tan, Xu Tan, Tatham & O'Sullivan, Pascale Marthine Tayou, Fred Tomaselli, Octavian Trauttmansdorff and Keith Tyson. Includes biographies. Texts in English and German. Very Good. Light rubbing of covers. Vol. 1: Light rubbing of covers and slight loosening of text block from glue, otherwise Fine. Vol. 2: Light rubbing of covers and bumping of upper edge at spine, otherwise Fine. Due to large size and weight additional shipping charges may be required for international orders.

Soft cover. Condizione: Very Good. Soft cover, 21 x 16 cm, 302 pp., German / English , Illustrations, book condition: Very Good.

Softcover. Condizione: Bon. Ancien livre de bibliothèque avec équipements. Edition 2004. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Edition 2004. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Soft cover. Condizione: Fine. Berlin Biennale, 2 volumes bienale 2001 Softcover, 210 x 160 mm, volume 1 : 302 pp volue 2 : 303 - 484 pp very fine condition 0.

Softcover. Condizione: Near Fine. Condizione sovraccoperta: No Dust Jacket. First Edition; First Printing. First edition. Catalogue for the exhibition October 27- 2013 through February 15- 2014. Near fine in printed decorated wrappers. (Offsetting at top and bottom of covers. ) (123pp. ) (8" X 12") Full color throughout. ; 8" x 12"; 123 pages.

Condizione: Sehr gut. 302 S. Ein gutes und sauberes Exemplar. - Text dt. und engl. - Darren Almond -- Carlos Amorales -- Kutlug Ataman -- Fiona Banner -- Elisabetta Benassi -- David Claerbout -- Ayse Erkmen -- Inka Essenhigh -- Parastou Forouhar -- Alicia Framis -- Kendell Geers -- Simryn Gill & Liisa Roberts -- Liam Gillick -- Renée Green -- Joseph Griqely -- Henrik Hâkansson -- Havas & Gâlik (Little Warsaw) -- Heger & Dejanov -- Christian Jankowski -- Katarzyna Józefowicz -- Korpys & Löffler -- Surasi Kusolwong -- Claude Leveque -- Aernout Mik -- Jonathan Monk -- Muntean / Rosenblum -- Hajnal Németh -- Manuel Ocampo -- Tsuyoshi Ozawa -- Joäo Penalva -- Dan Peterman -- Patricia Piccinini -- Qiu Shi-hua -- Arturas Raila -- Navin Rawanchaikul -- Rosângela Rennó -- Daniel Roth -- Anri Sala -- Ann-Sofi Sidén -- Superflex -- Apolonija Sustersic -- Fiona Tan -- Xu Tan -- Tatham & O'Sullivan -- Pascale Marthine Tayou -- Fred Tomaselli -- Octavian Trauttmansdorff -- Keith Tyson. Die Ausstellungsorte sind die Kunst-Werke Berlin, Institute for Contemporary Art in der Auguststraße und das ehemalige Postfuhramt in der Oranienburger Straße. Hinzu kommen die S-Bahnbögen an der Jannowitzbrücke und der Ausstellungsraum der Allianz in den Treptowers. Annähernd 50 Künstler aus 28 Ländern präsentieren ihre größtenteils für die 2. berlin biennale entwickelten Arbeiten. Kuratorin der 2. berlin biennale ist Saskia Bos, Direktorin der Stichting De Appel, Centre for contemporary art in Amsterdam. ISBN 3896110977 Sprache: Deutsch Gewicht in Gramm: 550 Mit zahlr. farb. Abb. Broschiert.

Encuadernación de tapa blanda. Condizione: Bien. Condizione sovraccoperta: Aceptable. Issue edited by Ingrid Sischy. Essays "The Real Experiment," by Allan Kaprow; "Triumph of Representation, a project," by Giulio Paolini; "Against the Return to Order," by Nicolas Calas; "A Project," by Sigmar Polke; "Dispensable Friends, Indispensable Ideologies: Andre Bréton's Surrealism," by Donald Kuspit; "Popcorn and Canvas," by Carrie Rickey; "Books: Frederic Tuten on 'Ranxerox' (continued)," by Frederic Tuten; "Forum," by Glenn O'Brien. Reviews by Glenn O'Brien, Donald Kuspit, Jeanne Silverthorne, Lisa Liebmann, John Howell, Kate Linker, Patricia C. Phillips, Charles Hagen, Thomas Lawson, Thomas McEvilley, Richard Armstrong, Barbara Kruger, Nancy Stapen, Michael Bonesteel, Melinda Wortz, Susan C. Larsen, Suzaan Boettger, Jean Fisher, Denys Zacharopoulos, Saskia Bos, Annelie Pohlen, Max Wechsler, Barbara Maestri, Luciana Rogozinsky. Cover: Sigmar Polke.

englische Broschur, Condizione: Sehr gut. 302 S. : zahlr. Ill., graph. Darst., 21 cm Zustand: sehr gut, Knicke im Cover hinten; Bedruckter Schnitt; A-Aa3277 3896110977 Wenn das Buch einen Schutzumschlag hat, ist das ausdrücklich erwähnt. Rechnung mit ausgewiesener Mwst. Sprache: Deutsch Gewicht in Gramm: 765.

Hardcover. Condizione: Fine. A very fine example, with high contrast, of this rare print. This is the first published engraving dedicated to Michelangelo's Moses, and one of only two made in the 16th century. The funerary monument of Julius II occupied Michelangelo, in various phases, from 1505 to the 1540s. Prints of the entire monument are few. In them, the figure of Moses is necessarily reduced in size and imperfectly executed. Later prints of the statue in isolation, such as that by the Netherlandish artist Jacob Matham (1571-1631), in which the figure is shown in reverse, fail to match the standard set by this early engraving. The inscription reads: Moysis ingens ex marmore simulacrum, in Julij Secundi/ Pontificis Maximi ad petri in Exquilijs uincula sepulcro / præstanti Michaelis Angeli Bonarotae manu, fictum. [The immense marble statue of Moses in the Church of San Pietro in Vincoli on the Esquiline Hill, sculpted by the hand of Michelangelo Buonarroti for the tomb of Pope Julius II.] Michelangelo's design for the tomb of Pope Julius II, with the master's iconic figure of Moses, was originally intended for St. Peter's but was, ultimately, installed in the church of San Pietro in Vincoli in Rome. The work was commissioned by Pope Julius in 1505, at which time Michelangelo received an initial payment of 100 gold ducats, but was not completed until March 1545. Michelangelo re-worked his initial design numerous times, first in 1513 (after Julius' death), and again in 1516, 1525/1526, 1532 and 1542. The final monument includes three figures carved by Michelangelo: the aforementioned Moses, and Leah and Rachel (symbols, respectively, of the active and contemplative life). Michelangelo's sculptures of the dying and rebellious slaves (now in the Louvre) and the Genius of Victory (Palazzo Vecchio, Florence) were not used in the final design. On the second tier of the monument as it stands, is an effigy of the reclining Julius II attributed to Tommaso di Pietro Boscoli (1503-1574) but with the face possibly the work of Michelangelo, watched over by the Madonna and Child (carved by Alessandro Scherano di Settignano after a model by Michelangelo) and flanked by a sibyl and a prophet; these last two sculptures were carved by Michelangelo's pupil Raffaello da Montelupo (ca. 1504-ca. 1567). "The engraving reproduces, accurately, in the same direction and without substantial variations, the sculpture of the tomb of Julius II, identifying the light source at the top left. The work, attributed by Bottari to Beatrizet (Heinecken, 1768), was treated as anonymous by Heinecken in the Nachrichten of 1768, but later included by him in the list of Beatrizet's works (Dictionnaire, 1788). Nagler recorded it both under the monogram of Cornelis Bos and as the work of Beatrizet. Appearing in the Hollstein repertoire as Bos, it was subsequently treated among works of doubtful attribution both of Bos (Schéle, 1965) and of Beatrizet (Bianchi, 2004). "Due to the fact that copies of this print are found in volumes of Roman composition on the model of the Speculum Romanae Magnificentiae (El Escorial; Madrid, Biblioteca Nacional; both datable between the mid-1580s and the 1590s) one would be led to believe that the plate was engraved in Rome, where in the last decade of the 16th century it was acquired by Van Aelst. This does not, however, exclude Cornelis Bos as a possible author (since more than one of his plates is ??known to bear a Roman address in late editions), even if it makes it more likely -in our opinion- the identification with a Flemish engraver active in Italy. In the sparse and luminous texture and in the clean geometries one could also perceive the burin of Niccolò della Casa."(Alberti, Rovetta, and Salsi, "D'après Michelangelo"(2015), p. 219 ff.). SECOND STATE, of three, with the addition of "Romae" incised at lower right.