Botwick (7 risultati)
Landscapes of Industrial Labor (Historical Archaeology : Journal for the Society of Historical Archaeology; Vol. 39, No. 3, 2005)
Mark S. Cassell (ed.); Stachiw; Taksa; Paterson; Given; Behrens; Pittaway; Botwick; McClane; Brandon; Davidson
Editore: The Society, 2005
- Brossura
Da: Katsumi-san Co., Cambridge, MA, U.S.A.Katsumi-san Co.
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Molto buono
EUR 15,82
EUR 1,67 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Very Good. 151 p., illustrated [O1:5].
Hot Lead: vol. 2, #2 & 3, December 1969 & March 1970 [two issues]
Botwick, Joel S., Dotty Hafner, David Kimberly & Traci Churchill, editors, Woody Morse, Paul Kirchner, Abraham Polansky, Steve Mellor, et al.
Editore: Hot Lead, Orange, CT, 1970
- Brossura
- Rivista/periodico
Da: Bolerium Books Inc., San Francisco, CA, U.S.A.Bolerium Books Inc.
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 48,93
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloMagazine. Two issues, 16p. each, 8.5x10.75 inches, articles, poetry, fiction, politics, art, reviews & interviews, local ads, center spread detached but present on issue #2, rusty staples, light wear, magazines in stapled pictorial wraps. Material from New Haven area students. A report on the new version of Paul Sills' "Story Th…eatre" at Yale Rep with a full back page ad. Interview with filmmaker Abraham Polansky. Woody Morse decides that "Butch Cassidy and the Sundance Kid" is a failure. Who is Woody Morse again? No holdings located in OCLC as of 3/2023.
- Rilegato
Da: PBShop.store UK, Fairford, GLOS, Regno UnitoPBShop.store UK
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 99,49
EUR 4,86 spedizioneSpedito da Regno Unito a U.S.A.Quantità: Più di 20 disponibili
HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.
Altre immagini- Rilegato
- Prima edizione
Da: Frey Fine Books, Rougemont, NC, U.S.A.Frey Fine Books
Contatta il venditoreVenditore con 5 stelleCondizione: Usato - Quasi ottimo
EUR 132,22
EUR 5,95 spedizioneSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Very Good. 1st edition. 1st edition, 2008. A Near Fine book in a Very Good dust jacket. 4to., 256 pp., bound in publishers gold paper covered boards with photo illustrated glossy dust jacket, $65.00. Minor signs of wear to jacket tips and edges. Text appears unmarked. D…ust jacket now protected in mylar sleeve. Mona Botwick (illustratore).
- Rilegato
Da: AHA-BUCH GmbH, Einbeck, GermaniaAHA-BUCH GmbH
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 157,00
EUR 61,94 spedizioneSpedito da Germania a U.S.A.Quantità: 2 disponibili
Buch. Condizione: Neu. Neuware - An intellectual and literary history of the professionalization of suicidology at the turn of the 20th century which shows that fiction played a significant role in the transformation of the debates on voluntary death.In 19th-century England, the main point of contention around suicide was the pu…nishment. Should 'self-murderers' still be staked through the heart Should the crown continue to seize their assets In the 20th century, the questions shifted to motives: Why does someone commit suicide What does it feel like to be suicidal And can these questions, asked about a subject who is no longer present, be answered without their testimony As The Dead Cannot Reply shows, the emphasis shifted from effects to causes.Fiction, unbound by factual truth, offers an ideal space for these debates. Nicholas Nickleby, Jane Eyre, and Daniel Deronda illustrate the 19th-century understanding of suicide as a public event whose meaning is located in its meaning for others. The Man of Property and The Good Soldier confront the limits of our understanding on the subject. Mrs. Dalloway imagines what it feels like to take the leap, and Golden Age detective fiction, like Émile Durkheim and his contemporaries, finds the answer to suicide in the suicidal 'type.' Meanwhile, D.H. Lawrence, like Sigmund Freud, identifies a self-destructive urge, or a death drive, in modern man.The Dead Cannot Reply combines close readings of major Victorian and modernist novels alongside popular and scientific texts on suicide to examine how questions of teleology, causality, and phenomenology were answered in the English imagination.
- Rilegato
- Print on Demand
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.Grand Eagle Retail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 124,58
Spedizione gratuitaSpedito in U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. An intellectual and literary history of the professionalization of suicidology at the turn of the 20th century which shows that fiction played a significant role in the transformation of the debates on voluntary death.In 19th-century England, the main point of contention around suicide was…the punishment. Should self-murderers still be staked through the heart? Should the crown continue to seize their assets? In the 20th century, the questions shifted to motives: Why does someone commit suicide? What does it feel like to be suicidal? And can these questions, asked about a subject who is no longer present, be answered without their testimony? As The Dead Cannot Reply shows, the emphasis shifted from effects to causes.Fiction, unbound by factual truth, offers an ideal space for these debates. Nicholas Nickleby, Jane Eyre, and Daniel Deronda illustrate the 19th-century understanding of suicide as a public event whose meaning is located in its meaning for others. The Man of Property and The Good Soldier confront the limits of our understanding on the subject. Mrs. Dalloway imagines what it feels like to take the leap, and Golden Age detective fiction, like Emile Durkheim and his contemporaries, finds the answer to suicide in the suicidal type. Meanwhile, D.H. Lawrence, like Sigmund Freud, identifies a self-destructive urge, or a death drive, in modern man.The Dead Cannot Reply combines close readings of major Victorian and modernist novels alongside popular and scientific texts on suicide to examine how questions of teleology, causality, and phenomenology were answered in the English imagination. Argues that the professionalization of suicidology in the 20th century shifted the focus of suicide discourse from its effects to its causes and illustrates the influence of this shift on English literature. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
- Rilegato
- Print on Demand
Da: CitiRetail, Stevenage, Regno UnitoCitiRetail
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 105,79
EUR 43,19 spedizioneSpedito da Regno Unito a U.S.A.Quantità: 1 disponibili
Hardcover. Condizione: new. Hardcover. An intellectual and literary history of the professionalization of suicidology at the turn of the 20th century which shows that fiction played a significant role in the transformation of the debates on voluntary death.In 19th-century England, the main point of contention around suicide was…the punishment. Should self-murderers still be staked through the heart? Should the crown continue to seize their assets? In the 20th century, the questions shifted to motives: Why does someone commit suicide? What does it feel like to be suicidal? And can these questions, asked about a subject who is no longer present, be answered without their testimony? As The Dead Cannot Reply shows, the emphasis shifted from effects to causes.Fiction, unbound by factual truth, offers an ideal space for these debates. Nicholas Nickleby, Jane Eyre, and Daniel Deronda illustrate the 19th-century understanding of suicide as a public event whose meaning is located in its meaning for others. The Man of Property and The Good Soldier confront the limits of our understanding on the subject. Mrs. Dalloway imagines what it feels like to take the leap, and Golden Age detective fiction, like Emile Durkheim and his contemporaries, finds the answer to suicide in the suicidal type. Meanwhile, D.H. Lawrence, like Sigmund Freud, identifies a self-destructive urge, or a death drive, in modern man.The Dead Cannot Reply combines close readings of major Victorian and modernist novels alongside popular and scientific texts on suicide to examine how questions of teleology, causality, and phenomenology were answered in the English imagination. Argues that the professionalization of suicidology in the 20th century shifted the focus of suicide discourse from its effects to its causes and illustrates the influence of this shift on English literature. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
