Breton soupault (96 risultati)

Paperback. Condizione: New.

Paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: New.

Condizione: New.

Paperback. Condizione: Very Good. In French and German. Text unmarked, modest usage wear. Authors include: Louis Aragon, André Breton, Raymond Queneau, Paul Eluard, etc.

Hard cover. Condizione: Good. No jacket. Laminated jacket. The cover is worn along the edges of the cover. Binding is secure. Ink inscription from the previous owner on the front end leaf page, otherwise all other pages are clean and unmarked.

Soft cover. Condizione: Fine. pgs.182 clean tight copy.

Condizione: New.

Paperback. Condizione: Brand New. 103 pages. 7.00x4.25x0.50 inches. In Stock.

Condizione: New. In English.

. . Col. Cuadernos Marginales, 47. 1 Vol. . 87 pp. Cuarto Menor. Rústica. . Buen estado de conservación. Cuando, en la primavera de 1919, André Breton y Philippe Soupault conciben y experimentan el método de escritura del que nacerán no sólo Los campos magnéticos, sino también los textos «automáticos» de la historia del movimiento surrealista, el primero tiene 23 años y el segundo 22. Cuenta André Breton: «La práctica cotidiana de la escritura automática a veces le dedicábamos, Soupault y yo, de ocho a diez horas consecutivas nos llevó a observaciones de gran alcance, pero que sólo se coordinarían y se aprovecharían totalmente más tarde. Aun así vivíamos en plena euforia, casi en estado de ebriedad por descubrir sin cesar (. . . ). Una euforia no exenta de angustia debida a las propiedades alucinógenas del automatismo consumido o producido en dosis intensivas.» Cuenta Aragon: «Con el tiempo, una cierta unidad se ha establecido; Los campos magnéticos pasó a ser la obra de un único autor de dos cabezas, y la mirada doble fue lo que permitió a Breton y a Soupault avanzar por el camino en el que nadie les había precedido, entre tinieblas en las que hablaban en voz alta. Así surgió ese texto incomparable al que hay que considerar hoy en día como el momento, al alba de nuestro siglo, en el que toda la historia de la escritura dio un giro total; no es libro por el que Mallarmé quería que el mundo acabara, sino aquél por el cual todo empieza.» Recordemos que, mientras Breton y Soupault, una vez desmovilizados de la guerra del 14, se unirían en la gran aventura de la escritura automática, en Zurich los dadaístas ya habían hecho las mil y una; en París, Marcel Duchamps le había colgado el bigote sacrílego a la Gioconda; en Rusia, se vivía aún la esperanza de la auténtica Revolución; en fin, el mundo conocía el período más intensamente creativo y dinámico desde el Renacimiento. El hombre que dijo «Me gusta más que me llamen Philippe Dada que Philippe Soupault. Cuestión de gustos», tiene hoy 86 años y vive en París. Es uno de los poetas más importantes de nuestro siglo y, según Breton, fue siempre el «jaimito» del grupo surrealista. De André Breton nada hay que añadir a lo que el lector o comprador de este libro ya sabe.…

Condizione: New.

Condizione: Brand New. 192 pages. German language. 5.39x0.59x8.19 inches. In Stock.

Couverture souple. Condizione: Très bon. 189 pages. Note liminaire d'Alain Jouffroy. Size: In-8.

~ Con 5 ilustraciones en negro a plena página ~ Rústica original ~ 87p+3f ~ 18x11x1cm. ~ Lomo recubierto con cinta adhesiva transparente, pequeños faltantes en cantos de la cubierta, interior en buen estado ~ LANGUAGE: Español // We accept PayPal & EU bank transfer in EUROS //.

Soft cover. Condizione: Very Good. 3rd Edition. (Ttanslated by David Gascoyne; Third, revised edition, second printing. Wrappers and spine have light edgewear; Text is clean, neat and tight).

Paperback. Condizione: New.

Third Revised Edition, Second Printing. Softback with illustrated card covers. 115pp. A clean copy with no markings or inscriptions. Slight tanning to page edges. Faint crease to lower outer corner of rear cover and upper corner of front. Slight wear to spine edges. A VERY GOOD COPY (Shelf 200 OSTRICH) ISBN: 0947757031 PLEASE NOTE: Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.** Pictures available upon request.** Visit our homepage for our shop opening hours. Over 20,000 books in stock - come and browse. PayPal, credit and most debit cards welcome. Books posted worldwide. For any queries please contact us direct.…

Berlin, Edition Sirène, 1983, in-12, br., n.c., 50 p. Poèmes en français et en allemand. Un dessin en frontispice.

Condizione: New. Condizione sovraccoperta: New. Enviamos a todo el mundo. 100% garant'a. Libro nuevo.

Soft cover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. Number 62 of a limited edition run of 300. In beautiful condition throughout, only the top edge of the front dust jacket is slightly turned inward.

Condizione: New. Andr&eacute Breton (1896-1966) was a writer, poet, and co-founder of the surrealist movement. A student of psychiatry and a devout Marxist, Breton saw surrealism as the ultimate means to liberation both personal and political.Philippe Sou.

paperback. Condizione: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

220 pp.; 26 x 18 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of essays on art by noted Surrealists including Paul Eluard, Louis Aragon, Philippe Soupault, André Breton, and Tristan Tzara. Organized and with an introduction by Pontus Hulten. Translation by Michael Palmer and Norma Cole. Essays in the anthology are Eluard's "Poetic Evidence," Aragon's "The Challenge to Painting," Soupault's "Footsteps in Footsteps" and "Surrealism, Writing, and Painting," Breton's "The Automatic Message" and "Surrealist Situation of the Object," and Tzara's "Concerning a Certain Automatism of Taste" and "The Pasted Paper or the Proverb in Painting." Printed in black-and-white. NEW, as issued, in publisher's issued shrink-wrap.…

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title.

TAPA BLANDA. Condizione: Bien (portada deslucida). Literatura CONSULTE NUESTRAS CONDICIONES Y GASTOS DE ENVÍO.

Erste Auflage dieser Ausgabe. 11 x 16,5 cm. Erste Auflage, 187 S. Farbig illustrierte Originalbroschur. Sprache: Französisch, Leichte Lagerungsspuren, Deckel etwas aufgebogen, Rücken minimal gebräunt.

Soft cover. Condizione: Very Good. First Edition Thus. 223 pp bw illustrations indentation to rear cover otherwise a clean sound paperback with minor reading wear.

8° , Broschur. 191 Seiten, Das Buch ist in einem sehr guten Zustand. 9783884237151 Sprache: Französisch Gewicht in Gramm: 254.