brock charles illustrator (29 risultati)

Hardcover. Condizione: As New. GIFT QUALITY 1979 U.K. hardcover with dust jacket protected by a Brodart jacket cover. UNREAD COPY is clean and bright inside and out with sharp edges and corners and no tears. This is NOT an ex-library book. NOT corner-clipped (retains the original UK cover price on the front jacket flap). A very nice copy! 1979 facsimile reprint of the 1929 Macmillan original. W.S. Gilbert's stage play, interspersed with both black-and-white and colour illustrations by W. Russell Flint and Charles E. Brock.

Condizione: Good. Good condition. No Dust Jacket No. 32 - Kings Treasuries of Literature series. Owner's name on endpage. (Ebenezer Scrooge).

Paperback. Condizione: Good. Creasing to spine. Tanning to page margins. Same day dispatch (Mon- Fri) from the UK if ordered by 1pm.

Hardcover. Condizione: Very Good+. 254pp illus b/w sm 8vo dec red cloth, gilt Minor rubbing. This is the 1934 printing.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. First edition thus. 514 Pages. 4 Sepia Plates. No Date, H.M. Brock D/W. Book.

Paperback. Condizione: Brand New. Brock, Charles (illustratore). visual edition. 160 pages. 7.00x6.00x0.75 inches. In Stock.

Hardback. This is a reproduction of the original artefact. Generally these books are created from careful scans of the original. This allows us to preserve the book accurately and present it in the way the author intended. Since the original versions are generally quite old, there may occasionally be certain imperfections within these reproductions. We're happy to make these classics available again for future generations to enjoy 1980, First thus. A fine, unmarked copy in a near fine, unclipped d/w with only superficial shelf rubbing.

Leather Bound. Condizione: New.

First Edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Some light foxing to prelims. Remains well-preserved overall. Physical description: xx, 687 pages, 16 unnumbered leaves of plates : color plates ; 24 cm. Genres: Fiction. Illustrated text. 3 Kg.

Condizione: Very Good. Hard back binding in publisher's original illustrated russet cloth covers, orange title and author lettering to the spine and to the front cover. 8vo. 7½'' x 5¼''. Contains [xvi] 251 printed pages of text + 16 page catalogue with colour frontispiece. Prize plate dated 1924, sporadic foxing and in Very Good condition, no dust wrapper. Member of the P.B.F.A. STORIES FOR GIRLS.

First Edition. Very good copy in the original gilt-blocked cloth. Slight suggestion only of dust-dulling to the spine bands and panel edges. Some light foxing to prelims. Remains well-preserved overall. Physical description: xx, 687 pages, 16 unnumbered leaves of plates : color plates ; 24 cm. Genres: Fiction. Illustrated text. 1 Kg.

Original Cloth Boards. Condizione: Very Good. Condizione sovraccoperta: No Dust Jacket. Second Edition; Second Impression. Some fading to front cover. Corners mildly scuffed with head & tail of spine gently bumped. Small tear on hinge-side end-papers. Some foxing & browning. Crease on page 15. Small hinge crack (3.5 cm) on page 81. Some crease & presaure on stitched hinges. ; [Association Copy] Signed by author with dedication to Robert Loraine reading "To Rpobert Loraine, Wishing that he might like my work half as much as I like his! Kate Douglas Wiggin (Mrs George Riggs) London, After "Cyrano" Tuesday Sept. 2nd 1919" (Gifted by the author to Robert Loraine after his performace as Cyrano in Cyrano de Bergerac a few years before her death) Dedication & signature verified by noted scholar on the subject Dr. Rowena Edlin-White. Originalgreen cloth boards with ornate blind-stamped cover depicting elaborate floral & scroll work bordered by Scottish thistles. Blind-stamped design continues on spine, with gilt lettering. Back cover has blind-stamped floral design. Illustrations throughout including frontispiece, chapter head-pieces & ; 301 pages.

Condizione: Very Good. Hard back binding in publisher's original rich scarlet cloth covers, black title, author lettering and small illustrations to the spine and to the upper panel, illustrated end papers. 8vo. 8'' x 6''. Contains [xvi] 310 printed pages of text with colour plates, monochrome illustrations, and headers and tailpieces throughout. Neat ink name to the front free end paper dated 1937, very light foxing to the closed page edges, spin not faded, corners sharp and pointed and in very Good clean and fresh condition, no dust wrapper. Member of the P.B.F.A. NINETEENTH CENTURY.

First Edition. Poor copy bound in the original gilt decorated cloth. Spine bands worn with wear and tear as with age. Text remains well preserved overall; bright and clean. Includes previous owner's inscription. Physical description; xvi, 557 pages : illustrations ; 22 cm. Subjects; Children's poetry. Genres; Anthologies - England - 1928. Children's books - England - 1928. Cloth case bindings - England - 1928. Fiction. Illustrated. 3 Kg.

Leather Bound. Condizione: New. As new.

Leather Bound. Condizione: New. In shrink wrap.

Condizione: A near fine example. Full maroon cloth boards. Pictorial pasted and free endpapers. With publisher?s dust jacket, clipped, in Mylar., Size : 8vo.(210 x 150 mm), Illustrated in colour. , 212 pp.

First Edition. Poor copy bound in the original gilt decorated cloth. Spine bands worn with wear and tear as with age. Text remains well preserved overall; bright and clean. Includes previous owner's inscription. Physical description; xvi, 557 pages : illustrations ; 22 cm. Subjects; Children's poetry. Genres; Anthologies - England - 1928. Children's books - England - 1928. Cloth case bindings - England - 1928. Fiction. Illustrated. 1 Kg.

Illustrated edition; 8vo; frontispiece and illustrations by C.E. Brock, 16pp. advertisements, some foxing to early leaves; publisher's green cloth elaborately blocked in gilt with thistles, roses, hearts and scrolls decorations, gilt edges, overall very good. An attractive edition of this charmingly illustrated insight into English life in the 19th century.

First illustrated edition; 8vo; frontispiece and illustrations by C.E. Brock, 16pp. advertisements, some foxing to early leaves; publisher's green cloth elaborately blocked in gilt with shamrocks, hearts and scrolls decorations, gilt edges, hinges pulling slightly, overall very good. An attractive edition of this charmingly illustrated insight into Irish life in the 19th century.

Three Quarters Leather. Condizione: Very Good binding. Large 8vo. three quarter burgundy morocco over burgundy cloth; xx, 687 pages, with 16 full page color plates by Brock; there is a previous owner gift inscription on the first blank leaf.~~There is minor wear to the morocco at the bottom of the spine as well as to the corners; a rubbed spot is on the upper board, near the top corner; overall, a handsome copy. Very Good binding.

Hardcover. Condizione: Good+. Various Writers(Illustrator) H. M. Brock(Illustrator) Charles Dana Gibson(Illustrator) W. Hugh Spottiswoodle(Introduction) (illustratore). First Edition. Printers' Pie 1906-1911 (Magazine) Clothbound Three-inch closed tear to bottom of three pages :illus opposite page 32, and the next two illustration pages (numbered 1, 2, 3). A very firm sound copy otherwise. Dampstain spotting to the cloth binding. A Festival Souvenir of the Printers Pension, Almshouse and Orphan Asylum Corporation, 1906 [-1911]. Full brown cloth. Gilt lettering to spine. Profusely illustrated in color and black and white. Oversize, heavy book. 11 x 9 inches. 5.5 lbs. BOOK.

First Edition. [English literature] FIRST EDITIONS THUS, Illustrations in colour by Charles Brock. Five volumes, octavo (18 x 12 x 15cm). Bound in full festive cranberry red morocco with holly green labels, raised bands, gilt rules, cloth sides, top edges gilt, marbled endpapers. Housed in a bespoke fleece-lined cloth slip-case. Internally clean, exterior unmarked. A fine set in a handsome recent leather binding. An attractive set of these classic seasonal tales, splendidly illustrated and presented.

1 S. 8vo. An den Maler, Kunstautor und Sekretär der Society of Graphic Arts Frank L. Emmanuel (18651948): I have to thank for the Provisional Committee of the Society of Graphic Art for its invitation to me to become an original member of the Society. I shall be very happy to join what seems to me to promise to be a very useful society []". Auf Briefpapier mit gepr. Adresse.

First Edition. The Final Book in the Bastable Family Adventure Series NESBIT, Edith. Oswald Bastable and Others. Illustrated by Charles Brock and H.R. Millar. London: WellsGardner, Darton & Co., Ltd., [1905]. First edition of the final book in Nesbit's much-loved Bastable family cycle., First state with number on page 96 transposed as 69. Octavo (8 x 5 5/8 inches; 203 x 143 mm.). x, 369, [1, blank] pp. [advertisements 9+1 blank]. Frontispiece and vignette title-page included in pagination. Twenty photogravure plates and one line drawing in the text on p. 103. Publisher's maroon cloth, front cover and spine pictorially decorated and lettered in gilt, neat ink inscription on front paste-down, spine faded. A very good copy. This concluding volume finds Oswald Bastable and his siblings once again plotting schemes and adventures in their quest for fortune and glory. Like its predecessors (The Story of the Treasure Seekers, 1899, and The Wouldbegoods, 1901), the tale is narrated in Oswald's spirited first-person voice, with a mixture of comedy, mischief, and moral lessons. The Bastable stories were enormously influential on later children's literature, shaping the voice and structure of C. S. Lewis's Chronicles of Narnia and Arthur Ransome's Swallows and Amazons. Nesbit's blend of realism, imagination, and anarchic humor helped establish the modern adventure story for children, and her Bastable books remain central to her enduring reputation.

Charles Dickens' Christmas Books Illustrated by Charles Edmund Brock DICKENS, Charles. BROCK, C.E., illustrator. Christmas Books. With Illustrations by C.E. Brock. London: J.M. Dent, 1905-1909. Five small octavo volumes (7 x 4 1/2 inches; 178 x 114 mm.). With a total of forty color plates and forty-eight illustrations in the text by Charles Edmund Brock. Full vellum, covers and spine elaborately decorated and lettered in gilt, top edge gilt, others uncut. Boards slightly splayed, otherwise a fine set. Bookplate of Ernest Gould Williams on front paste-down of first volume. The titles: A Christmas Carol The Haunted Man The Battle of Life The Cricket on the Hearth The Chimes Following the overwhelming success of A Christmas Carol in 1843, Dickens embarked upon the Christmas Books project, seeking to marshal "the Carol philosophy . in order to strike a sledgehammer blow" for England's lower classes. He continued publishing the Christmas Books throughout the 40s, and the stories became mainstays of Dickens's public reading tours of the 1850s and 1860s. C[harles]. E[dmund]. Brock (1870-1938) was a widely published English line artist and book illustrator who earned his first book commission at age twenty. He became a very successful illustrator, best known for his line work, initially in the tradition of Hugh Thomson, but he was also a skilled colorist. Brock's work varied with the sort of story he was illustrating, some of it refined and described as "sensitive to the delicate, teacup-and-saucer primness and feminine outlook of the early Victorian novelists," while other work was "appreciative of the healthy, boisterous, thoroughly English characters," i.e. soldiers, rustics, and "horsey types." Other illustrations were grotesqueries drawn to amuse children looking at or reading storybooks.

Condizione: Fine. Second edition. Two volumes bound in one, small octavo (6 15/16 x 4 1/16 inches; 177 x 103 mm.). xxii, 294, [1, imprint], [1, blank];, xii, 254, [1, imprint], [1, blank] pp. Two engraved frontispieces and one hundred and sixty-two black & white illustrations, including decorative head and tailpieces, all by Charles E. Brock. Bound ca. 1906 in a fine pastel "vellucent" binding by Cedric Chivers (stamp-signed in gilt on rear lower turn-in), with a delicately hand-painted 'Art Nouveau' floral design. This binding is No. LXXXV on page 34 of the Cedric Chivers catalog "Books in Beautiful Bindings." The front cover with three red flowers and a green vine design enclosing the title "The Essays And The Last Essays of Elia. Charles Lamb". Lower cover with a similar design but with just one red flower. Smooth spine similarly decorated and lettered in watercolor and gilt, gilt ruled turn-ins, mottled pale-green liners and end-papers, all edges gilt. Neat ink inscription dated "Xmas 1906" on front blank. A very fine example housed in the original fleece-lined, green cloth slipcase (missing the movable spine panel). Patented in 1898, Chivers's "vellucent" bindings departed from traditional methods of creating hand-painted vellum bindings. The usual approach was to merely bind a book in vellum and then paint on a design, but this is prone to rubbing and flaking and such examples are often now found chipped and deteriorated. In the 18th century Chivers's great predecessor, Edwards of Halifax, painted in reverse on the underside of translucent vellum, thereby providing a layer of protection for the design. His technique was not widely copied and almost vanished with his death, and it was not until the 1890s that Chivers developed his own similar method for protecting the design underneath the vellum itself - the backing sheet of the vellum was painted, which was then covered in vellum which had been shaved to transparency. The vellum was then tooled in gilt, on occasion incorporating additional mother-of-pearl and onlays. The books which Chivers thus bound have always been a favorite of collectors, and usually still present well, the vellum having served its purpose of protecting the design for many decades, as Chivers intended. Chivers was also known to have employed a great many craftswomen at his bindery in Portway: "forty women for folding, sewing, mending, and collating work, and in addition, five more women worked in a separate department, to design, illuminate, and colour vellum for book decoration, and to work on embossed leather. These five were Dorothy Carleton Smyth, Alice Shepherd, Miss J.D. Dunn, Muriel Taylor, and Agatha Gales" (Tidcombe). This book brings together Charles Lamb's Essays of Elia (first published in 1823) with the subsequent volume Last Essays of Elia (issues in 1833). The accessible and conversational essays were published under the pseudonym Elia, inspired by an Italian man that Lamb had known at the South Sea House, and had appeared serially in The London Magazine between 1820 and 1825. Despite his struggles with mental illness, Charles Lamb (1775-1834) would be celebrated for his literary contributions, producing a range of material from essays to poems. Lamb belonged to an active literary circle which included Percy Bysshe Shelley and Lord Byron. Fine.

Condizione: Near Fine. Fifth edition. Two volumes bound in one, small octavo (180 x 105 mm.). xxii, 294, [1, imprint], [1, blank];, xii, 254, [1, imprint], [1, blank] pp. Two engraved frontispieces and one hundred and sixty-two black & white illustrations, including decorative head and tailpieces, all by Charles E. Brock. Bound ca. 1905 by Cedric Chivers (stamp-signed in gilt on rear lower turn-in). Bound in handsome green morocco with decorative gilt floral patterns on the front board encircling a "vellucent" title label. Spine with gilt titles and art nouveau floral pattern. All edges gilt, pale green end papers. Spine toned, previous owner's gift inscription on the first blank, otherwise a fine copy overall. Patented in 1898, Chivers's "vellucent" bindings departed from traditional methods of creating hand-painted vellum bindings. The usual approach was to merely bind a book in vellum and then paint on a design, but this is prone to rubbing and flaking and such examples are often now found chipped and deteriorated. In the 18th century Chivers's great predecessor, Edwards of Halifax, painted in reverse on the underside of translucent vellum, thereby providing a layer of protection for the design. His technique was not widely copied and almost vanished with his death, and it was not until the 1890s that Chivers developed his own similar method for protecting the design underneath the vellum itself - the backing sheet of the vellum was painted, which was then covered in vellum which had been shaved to transparency. The vellum was then tooled in gilt, on occasion incorporating additional mother-of-pearl and onlays. The books which Chivers thus bound have always been a favorite of collectors, and usually still present well, the vellum having served its purpose of protecting the design for many decades, as Chivers intended. Chivers was also known to have employed a great many craftswomen at his bindery in Portway: "forty women for folding, sewing, mending, and collating work, and in addition, five more women worked in a separate department, to design, illuminate, and colour vellum for book decoration, and to work on embossed leather. These five were Dorothy Carleton Smyth, Alice Shepherd, Miss J.D. Dunn, Muriel Taylor, and Agatha Gales" (Tidcombe). This book brings together Charles Lamb's Essays of Elia (first published in 1823) with the subsequent volume Last Essays of Elia (issues in 1833). The accessible and conversational essays were published under the pseudonym Elia, inspired by an Italian man that Lamb had known at the South Sea House, and had appeared serially in The London Magazine between 1820 and 1825. Despite his struggles with mental illness, Charles Lamb (1775-1834) would be celebrated for his literary contributions, producing a range of material from essays to poems. Lamb belonged to an active literary circle which included Percy Bysshe Shelley and Lord Byron. Near Fine.

Leather Bound. Condizione: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1901. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume v.2, Pages:- 258, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume v.2 258 258.