Brown theophilus (32 risultati)

First edition Fine and bright in like glossy illustrated (Brown) dustjacket with terrific end papers and a profuse text throughout showing the artist's work and full size page color reproductions. Attractive all around. Gift quality.

Soft cover. Condizione: Fine. 1st Edition. First edition. Oversized softcover as issued. A fine clean tight unmarked copy. Richly illustrated with full page plates in color of both men's paintings.

First edition From the library of the artist Roy Simmons with his neat small stamp name to the opening flyleaf which bothers none of the text. A lovely edition. Fine and bright gatefold wraps with crisp bright text throughout. Stunning production full flavored and uninhibited. Large size pages with great detail to the artist's work. Gift quality. Strong endorsements from Fairfield Porter, Thomas Hess, Bill Berkson. At the time the book was published the artist resided in Bolinas, California. Gift quality.…

Soft cover. Condizione: Near Fine. Tight clean catalog. 30 color plates. Measures 8" x 10". Light shelf wear.

Soft cover. Condizione: Good. No jacket. Catalog published on the occasion of an exhibition held at the Charles Campbell Gallery in San Francisco from January 5 through February 12, 1983. Good condition. Cover is lightly worn along edges. Binding is secure. Sticker from the Richard Diebenkorn Foundation inside back cover. Pages are clean and unmarked.…

Soft cover. Condizione: Very good. No jacket. Spine is lightly sunned. Cover is slightly worn, particularly along edges. Inside is clean and unmarked.

First edition. [60 pp]. Spine sunned, else near fine in printed wrappers. Exhibition announcement laid in.

Paperback. Condizione: Near fine. Square small quarto in silver-grey (champagne) glossy wraps; chiefly full-page color reproductions of the artis's erotic paintings; 23 cm. Approx. 24 pages. Striking homoerotic as well as bi-sexual & heterosexual abstract figurative color painyings. Bay Area Figurative Painters. Sex in art. Erotic painting. Erotic painting. Sex in art. Near fine+ with faint external wear.…

First edition. [36 pp]. Fine in printed wrappers. Foreword by Glenna Campbell. Straight and queer couplings, depicted.

Paperback. [34p], 9x9 inches, monograph illustrated with erotic paintings, mostly gay male and heterosexual pairings with one lesbian couple, clear glassine sheet between each painting, very good paperback in lightly worn plain silver-gray wraps.

Condizione: Good. Sq. 8vo., wraps. 28 pp. Ltd. ed. of 1000. Eng. Ill. 18 color plates / works. Exhib. Jun 8 - Jul 13, 1991. VG.

Soft cover. Condizione: New. 1st Edition, Illustrated Edition. NEW, UNCIRCULATED, my collection. Mint Condition. Rare oop out of print Catalogue 2010 San Francisco Reynolds Gallery. Richly illustrated with colour plates. 58 pages, 8.5"x10.5" William Theophilus Theo Brown (April 7, 1919 - February 8, 2012) was an American Gay artist. He became prominent as a member of the Bay Area Figurative Movement. In 1952 Brown enrolled in the graduate studio program at the University of California, Berkeley, joining a group of artists—including Richard Diebenkorn, David Park, Elmer Bischoff, James Weeks, and Nathan Oliveira. Following his WWII discharge, he began to study painting, moving between New York City and Paris, meeting an impressive range of artists that included Pablo Picasso, Braque, Giacometti, Balthus, and de Kooning, among others. While attending Berkeley, Brown also met and fell in love with his long-time partner and fellow-painter, Paul Wonner. In the early 1960s, Brown and Wonner moved to Santa Monica, where they developed a close friendship with fellow gay couple, novelist Christopher Isherwood, and portrait artist Don Bachardy. Over the years, Brown and Wonner also fostered friendships with playwright William Inge, composer and conductor André Previn, actress Eva Marie Saint and her husband, director Jeffrey Hayden, and New Zealand novelist Janet Frame. Artist couple Paul Wonner and Theophilus Brown were ahead of their time in many ways, and yet neither have had their work exhibited as often or as prominently as some of their contemporaries, nor have they received the same level of commercial appreciation. This is due to several factors, including their focus on male-to-male interactions and male nudes and misinterpretations of their important and early position within Bay Area Figuration. On a national level, it also had to do with the fact that they spent most of their working years in California rather than New York. *** "During the 1950s a few painters in the San Francisco Bay Area began to stage personal, dramatic defections from the prevailing style of Abstract Expressionism, creating what would come to be known as Bay Area Figurative Art. In 1949 David Park destroyed many of his nonobjective canvases and began a new style of consciously naive figuration. Soon Elmer Bischoff and Richard Diebenkorn joined Park and other painters such as Nathan Oliveira, Theophilus Brown, James Weeks, and Paul Wonner in the move away from abstraction and toward figurative subject matter. When artists such as Bruce McGaw, Manuel Neri, and Joan Brown emerged as a second generation of figurative artists, the momentum grew for a powerful new development in American painting. The achievement of Bay Area Figurative painters and sculptors has become directly relevant to current debates regarding abstraction and representation, as well as to discourses on modernism and postmodernism. Indeed, the historical phenomenon of the movement is an important case study in the evolution of modernism in America, serving as an early example of rupture in the formalist 'mainstream.'. Theophilus Brown (illustratore). …

First edition. 28 pp. Faint toning to spine, else very near fine in printed wrappers. Text by John Arthur. Eighteen color reproductions. SIGNED by Brown on the title page.

Soft cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy. As new. 54 pps.

Hardcover. Condizione: vg. First edition. Oblong quarto. XII, 134pp. Original photo-illustrated dust-jacket over purple cloth, with blind-stamped lettering on front cover and silver lettering on spine. Frontispiece portrait of the artist. This volume features 115 examples of Paul Harris' artwork made between 1949 and 1999. They can be divided loosely into three periods which intermingle and overlap. The first is highly experimental: works done in papier mache, plaster, and fabric. Concurrently, Harris made a series of male heads, cloned from one mold in vacuum formed plexiglas. The third and final period includes works made of wood or cast in bronze - diverse in richness of ideas and pared down in form to absolute essentials. Minor shelf wear. Very minor age-toning along paper margin. Wrappers, binding and interior in overall very good condition.…

paperback. Condizione: Very Good. Very Good. Gently used with NO markings in text; binding is tight. Pasadena's finest independent new and used bookstore since 1992.

Hard Cover. Condizione: vg/vg. A very nice copy in an equally nice dust jacket. The first couple of pages have small crease near top edges.

Soft cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy. As new.

Soft cover. First edition. Illustrated in black, white and color. Important reference work. Very scarce in this condition. Fine copy. As new.

Condizione: Good. 4to. [34 pp]. Stiff, stapled pictorial color wraps. Very good with marginal sunning along back wrap. Includes 30 full-page color plates Catalog created on occasion of exhibit at the Campbell-Thiebaud Gallery in San Francisco from January 4 through February 12, 2000.

Condizione: Good. 4to. Oblong Hard Cover [ca. 130 pp.] B&W and Color Plates, Inscribed to Phyllis (Diebenkorn) and Signed by the Artist "Meme and Paul (Harris)". Very good. Dust Jacket also Very good.Provenance: Richard Diebenkorn Foundation, Berkeley, CA.

First Edition. SIGNED by the artist. Square 8vo. 28 pp. Text by John Arthur. Eighteen color plates. A fine copy of a catalog for exhibition held at the Koplin Gallery June 8 - July 13, 1991.

Condizione: Good. 4to. Oblong Soft Cover [ca. 120 pp.] B&W and Color Plates. Very Good, CreasingProvenance: Richard Diebenkorn Foundation, Berkeley, CA.

Condizione: Good. [Exhibition announcement]. 8vo. [6 pp.]. Single stiff color and white illustrated card with black lettering, folded into thirds. Very good. 5 color plates. Created to announce the exhibition "Theophilus Brown: Recent Abstract Collages", held from May 1 through June 15, 2009 at the Elins Eagles-Smith Gallery in San Francisco, CA. Scarce. From the Collection of the Art Historian Peter Selz.…

Soft cover. Condizione: Fine. No jacket. Limited edition of 130 copies printed. Signed by the poet and illustrator under colophon. Printed on archival paper. In slipcase.

paperback. Condizione: Fine. Signed. Near fine copy, limited signed edition.

Condizione: Good. Archive of transparencies of the artist's work 1962-1989. 26 images in 4 x 5 inch format. Mainly of acrylics on canvas. Provenance: former Harcourts Gallery, San Francisco.

Condizione: Good. Etching. One of the 10 handpainted impressions. Signed and dated by the artist.

First Edition. Boston: Little, Brown, and Company, 1883. 3 vols. Landmark Textbook on Contracts Parsons, Theophilus [1797-1882]. Kellen, William V. [1852-1942], Editor. The Law of Contracts. With Additions by William V. Kellen. Boston: Little, Brown, and Company, 1883. Three volumes. ccxxii, 609; xx, 945; x, 722 pp. Octavo (9" x 6"). Contemporary sheep, blind frames to boards, raised bands and red and black lettering pieces to spines, blind tooling to board edges. Negligible light rubbing and a few minor nicks and stains to boards and spines, moderate rubbing to extremities. Light toning to text, offsetting and light foxing to endleaves. $650. * Seventh edition. The first edition of this landmark textbook was published in 1853 and 1855. The final edition, the ninth, was published in 1904. Catalogue of the Library of the Harvard Law School (1909) I:302. Boston: Little, Brown, and Company, 1883. 3 vols. (illustratore). …

Condizione: Fine condition. Together three prints, a complete suite for the Peter Koch edition of "Unsought Intimacies, Poems of 1991" ; these are Artist proofs hand numbered AP #4; printed on handmade laid paper (by Brian Shure) with Peter Koch's watermark; and signed by Theophilus Brown, dated 1992. Rare.…