bruce silverstein (25 risultati)

Paperback. Condizione: Very Good. Color & b&w; cover Art: Rev. Martin Luther KIng, Jr. Photo By Mark Harris & Bruce Davidson (illustratore). 1st. stapled pictorial wraps; 50 clean, unmarked pages: includes:Rev. Martin Luther KIng, Jr. David Marcchese (Jeremy Strog); Nikole Hannah-Jones (Whitewash, Civil Rights After 50 years); Phoebe Zerwick (Exit Signs: Deathbed Vision); Sam Apple (dogs and Creature Comforts(; Etc.

Hardcover. Condizione: As New. Condizione sovraccoperta: Very Good. 1st Edition. Navy Blue cloth boards with yellow lettering on spine and front cover, .pasted dpwn photograph on front cover. This collection is known as the Hungarian Contacts. These were created over a 13 year period in Hungary (1912 - 1925). 5 X 5 1/4".

Hardcover. Condizione: Fine. Condizione sovraccoperta: Good. 1st Edition. First Edition. 5 x 5.25 inches. 159 pp. Blue cloth lettered in white with pasted-down illustration at front board. Glassine dust jacket. Tear along bottom edge of front panel. Fine in Good jacket.

Paperback. Condizione: Very Good. 1st Edition. A very good copy with mild shelfwear and pervious owner's name on half title page.

Hardcover. First edition, first printing. A monograph focusing for the first time exclusively on Kertesz's early Hungarian prints; selected from more than 1,000 contact prints in the artist's estate and reproduced actual size. Photographs by Andre Kertesz; introduction by Bruce Silverstein; essay by Robert Gurbo. 160 pages; 66 duo-toned b&w plates + 11 text illustrations; 5.25 x 5.25 inches. Condition: Fine clothbound hardcover with a light bump to one tip in a Near Fine vellum dust jacket with a tiny chip to two tips; appears to be new and unread. Ships the next business day, wrapped in padding, in a box.

Soft cover. Condizione: Very Good. 1st Edition. 1st edition. Paperback. Catalog published on the occasion of an exhibit October 2- November 13, 2004.

Softcover. Condizione: Very Good. Vol. 11, No. 2. Small quarto. Stapled wrappers. Small owner signature on the front cover, wraps lightly worn, sunning along the spine, very good or better. Includes contributions by Shel Silverstein, Lenny Bruce, P.G. Wodehouse, Pat Frank, and others.

Softcover. Black wraps, French flaps, unpaginated, BW & few color illus. Issued in conjunction with a 2013 exhibition that paired sculptor Louise Nevelson with photographer Aaron Siskind. With essays by Laurie Wilson and Shelley Rice. VG. Ex-lib with minimal markings. Stickers on cover and inside rear board paste down.

Soft cover. Condizione: Near Fine. Sommer, Frederick (illustratore). Softcover, 215 pgs. Essay, chronology, color illus. Minimal wear, near fine.

Softcover. Condizione: Near Fine. Vol. 11, No. 3. Small quarto. Stapled wrappers. Covers with a bit of wear, light sunning along the spine, small owner signature on the first page, near fine. Includes an interview with Ayn Rand, as well as contributions by Shel Silverstein, Lenny Bruce, Romain Gary, and others.

Paperback. First edition. The catalogue for an exhibition of modern landscape/human environmental encroachment photography held at Bruce Silverstein Photography, NYC, October 2 - November 13, 2004. Includes work by Berenice Abbott, Brassai, Walker Evans, Dorothea Lange, Man Ray, Arthur Siegel, Joseph Sudek, Mario Giacomelli, William Eggleston, Andreas Gursky, Andre Kertesz, Aaron Siskind, Stephen Shore, and others. Edited with a foreword by Bruce Silverstein. Unpaginated [approx. 140 pages]; 63 full-page color and duo-toned b&w plates; 11 x 9.5 inches. Condition: Fine paperback with French flaps with a tiny tap to one tip. LAID IN is the illustrated exhibition announcement card, the gallery's press release, and a "with compliments" card. Ships the next business day, wrapped in padding, in a box.

Softcover. Condizione: VG. Black wraps, French flaps, unpaginated, BW & few color illus. Issued in conjunction with a 2013 exhibition that paired sculptor Louise Nevelson with photographer Aaron Siskind. With essays by Laurie Wilson and Shelley Rice.

Soft cover. Condizione: Very Good. Soft cover catalogue bound in stiff wraps (50 pages) illustrated with mostly black and white photographs by Aaron Siskin featuring the work of sculptor Louise Nevelson. To accompany an exhibit held September 19-November 2,2013. Light rubbing on covers. Bookseller since 1995 (LL-Art-1-TS-R-Flat) rareviewbooks.

Sommer, Frederick (illustratore). Softcover, very good with light wear, illustrated.

Softcover, unpaginated with 63 images; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

28 x 24 cm quer ; kart.; Condizione: Gut. Großformatige englischsprachige Paperbackausgabe, Querformat, Seiten ohne Paginierung, einleitender Text nebst 63 eindrucksvollen Fotos. Gutes Exemplar (good Condition). pwR.-L.-1449.

First Edition. Large square softcover, Fine in shrinkwrap.

Hardcover. Condizione: Brand New. illustrated edition. 160 pages. 5.00x5.00x0.25 inches. In Stock.

Couverture rigide. Condizione: Neuf. Condizione sovraccoperta: Neuf. Edition originale. New York, 2005. 1 volume/1. -- NEUF/NEW -- Reliure éditeur cartonnée pleine toile sous jaquette transparente . Format "carré" 13,2 x 13,5 cm ( 256 gr ). ------- 160 pages. *************" When Hungarian photographer André Kertész did not have access to an enlarger early in his career, he made contact prints instead. And he became quite adept with this size, creating miniature images with incredible depth and sophistication. A real feeling of youth and artistic exploration dominates these pictures, which span from 1912 to 1925. From the very joyous experiments with his brother, Jeno, in the countryside, to his idyllic romance with Elizabeth, from his portraits of WWI soldiers, to his later hospital stay as he convalesced from a wound, we witness Kertész explore different photographic interests and subjects. In order to compose for such a small format, Kertész needed to ground his images in strong lines and geometry, forging the hallmarks of his later modernist vision. Thus, the Hungarian Contacts, as they are called, chronicle not only Kertész s coming of age as a man, but also his development as an artist. Before emigrating to the U.S. in 1936, Kertész left the contact prints with an agent in Paris, who was later forced to flee the city under Nazi occupation. She buried the cache of tiny works in a makeshift bomb shelter on a farm in southern France. Kertész lost contact with her, and decades passed before the agent re-discovered Kertész because of his Bibliothéque Nationale exhibition in Paris in 1963. Thankfully, she led him to the site where he recovered the still-buried treasure. Though some of the Hungarian Contacts were part of the National Gallery of Art s 2004 retrospective and though Kertész enlarged some of the images in his later years, a broad selection of them are presented together here as art objects in their own right and in the size that Kertész originally intended for them. The book commemorates an important show of the work at Silverstein Photography in New York City and includes an engaging personal essay by Robert Gurbo, the curator of the estate. This new volume presents the Hungarian Contact Prints many unpublished before now in a wonderfully small format that enchants and refreshes. "" DENISE WOLFF ***************** ref 142a.

Trade Paperback. Condizione: Used - Good. Open copy with mild scuffing/wear on front and back cover, clean pages/interiors, tight binding.

Soft cover. Condizione: Very Good. Clean Over All With No Marks Folds Or Highlights Inside. In Very Good Condition. Soft Cover.books are NOT signed. We will state signed at the description section. we confirm they are signed via email or stated in the description box. - Specializing in academic, collectiblle and historically significant, providing the utmost quality and customer service satisfaction. For any questions feel free to email us.

Paperback. Condizione: Very Good.

First Edition. Playboy Magazine Founder Hugh HefnerÕs copy with his bookplate affixed to the front pastedown and a letter of provenance from the Hugh M. Hefner Foundation laid in. Hardcover, bound in black cloth with the Playboy Bunny logo silver stamped the the front board. Fine copy in original black box. This issue includes a lengthy and candid interview with Robert De Niro, fiction by Arthur C. Clarke, John Updike, Ray Bradbury, Walter S. Tevis, Robert Coover, Vladimir Nabokov, and Joyce Carol Oates; essays, humor, art, and commentary by Jack Kerouac, Dr. Martin Luther King, Jr., Shel Silverstein, Woody Allen, Alberto Vargas, J. Paul Getty, Carl Bernstein and Bob Woodward, David Mamet, Truman Capote, Bruce Feirstein, Cameron Crowe, Buck Henry, conversations with John Wayne, Barbra Streisand, and Jimmy Carter, and more of what Playboy is known for.

First Edition. HOW TO TALK DIRTY AND INFLUENCE PEOPLE, Playboy / HMH Publishing, 1963 & 1964, first edition, 6 volumes complete, vg to near fine copies. Also contains original contributions by Jack Finney, Charles Beaumont, Fredric Brown, Aldous Huxley, Ray Bradbury, Lawrence Durrell, Robert Bloch, Ben Hecht, Philip Roth, Shel Silverstein, Ian Fleming (THE PROPERTY OF A LADY), James Baldwin, P. G. Wodehouse (BIFFEN'S MILLIONS), Ernest Hemingway, Arthur C. Clarke, et.al. (Postage guaranteed to be more than any amount noted).

Paperback. Condizione: Brand New. Sommer, Frederick (illustratore). 216 pages. 10.00x8.00x0.51 inches. In Stock. This item is printed on demand.