bruce xavier (36 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condizione: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback. Condizione: Brand New. Saavedra, Elisa; Bruce, Xavier (illustratore). 68 pages. 8.50x5.50x0.17 inches. In Stock.

Condizione: New. In.

Condizione: Very Good. Très bon état - L'ouvrage qui n'a jamais été lu peut présenter de légères traces de stockage mais est du reste en très bon état. envoi rapide et soigné dans un emballage adapté depuis France. 14x20x3cm. 2015. Broché. 303 pages. Very Good.

Condizione: Neuf.

Hardcover. Condizione: New.

Condizione: New.

Condizione: Neuf.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Brand New. 160 pages. 11.00x9.75x1.00 inches. In Stock.

État de NEUF / New condition B725139 9782843440908 1.

Rogers, Bruce (illustratore). 8vo. quarter vellum over paper-covered boards, rules and lettering in gilt to spine. 157 pages. First edition limited to 500 copies. Designed by Bruce Rogers. (Warde 20). Spine cracked along lower portion along the front hinge. Vellum soiled, covers toned. Pastedowns and endpapers lightly foxed. Private bookplate of Herbert H. Johnson on front pastedown. Portrait frontispiece of Maistre. Title page and decorative headings engraved by Sidney L. Smith. Set in Caslon type. The typography is by the notable American book designer Bruce Rogers (1870-1957), who "was appreciated in his lifetime. In addition to several honorary degrees, in 1948 he was awarded a gold medal from the American Academy of Arts and Letters for distinction in the graphic arts. Over decades of accomplishment in which he designed approximately 500 books. Rogers literally defined the profession of book designing in the United States" (ANB). Francis Meynell stated that Rogers was."the greatest artificer of the book who ever lived" quarter vellum over paper-covered boards, rules and lettering in gilt to spine.

Rogers, Bruce (illustratore). 8vo. original quarter parchment with green paper-covered boards, beveled boards. xi, 157 pages. Limited to 500 numbered copies and designed by Bruce Rogers (Warde 20). Lacking the dust jacket and slipcase. Small crack along the top hinge of the vellum, spine very lightly soiled. Minor shelfwear. Very minor foxing to preliminary pages. Else a fine copy. With title page engraved by Sidney L. Smith. Printed in black with red initial letters. Published for Houghton Mifflin and Company. Headpieces engraved by D. W. Spenceley. The typography is by the notable American book designer Bruce Rogers (1870-1957), who "was appreciated in his lifetime. In addition to several honorary degrees, in 1948 he was awarded a gold medal from the American Academy of Arts and Letters for distinction in the graphic arts. Over decades of accomplishment in which he designed approximately 500 books. Rogers literally defined the profession of book designing in the United States" (ANB). Francis Meynell stated that Rogers was."the greatest artificer of the book who ever lived" original quarter parchment with green paper-covered boards, beveled boards.

Hardcover. Condizione: Good. 1st Edition. [1st ed.], 1st printing ; 236 p. illus. 24 cm ; LCCN: 54-5955 ; LC: Z49A1; Dewey: 652.309 ; OCLC: 343148 ; decorative green cloth ; no dustjacket ; ex-lib, stamps, labels, date due, pocket, reinforced binding ; "the sturdy old typewriter, and this biography of a machine might just catch on. It's fun reading and conveys the vim and zest it imparts to our bustling economy and its inevitable facet, office life. It starts with a sparkling tribute to the girl secretary, as she led the invasion of the sacred portals, via the machine. Bliven has a facility in enlivening what might have been dull reportage of an invention that revolutionized communication at local level. Henry Mill of England worked on the idea in 1714; William Austin Burt of Michigan was the first American to pick it up, thought it just a byproduct but patented it in 1829. After an interim of fifty two dabblers in the invention came Sholes of Milwaukee, who put it on its keys. From then on- the histories and struggles of such household names as Remington, Underwood and Smith; of Mark Twain who thought the typewriter "too curiosity breeding"; of the novel The Typewriter Girl whose doughty heroine proved she knew more ways than one. Bliven did his research at the Royal plant, so there's more about Royals than the others, but in the main it is a tribute to all models, and may pass a speed test in unexpected sales. "--Kirkus ; Contents: Girl in the office -- The wonderful writing machine -- Burt's necessity -- By Jingo! It prints -- The 1881 Revolution -- Inventors are never satisfied -- Salesmen and thieves -- Race against time -- No longer funny -- Portables by parachute -- Adjuster at work -- Quality counts ; G. Book.

12 x 9.5 inches. 360 pages. Cloth with image mounted on front. Contributions from Bruce Weber, Nicolas Ghesquiére, Steven Meisel, Isabelle Huppert. Collection of photos taken by Bruce Weber. A near-fine copy with corners lightly bumped, front cover with a few small scratches.

Condizione: very_good. This books is in Very good condition. There may be a few flaws like shelf wear and some light wear.

12 x 9.5 inches. 360 pages. Cloth with image mounted on front. Contributions from Bruce Weber, Nicolas Ghesquiére, Steven Meisel, Isabelle Huppert. Collection of photos taken by Bruce Weber. As-new in original shrinkwrap.

[13022].

Condizione: Bon. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback. Condizione: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

PAP. Condizione: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condizione: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9782843440908.

Portrait frontispiece of Maistre. Title page and decorative headings engraved by Sidney L. Smith. One of 500 copies. Text in French. Set in Caslon type, and designed by Bruce Rogers. 12mo., original quarter vellum over green paper covered boards, rules and lettering in gilt to spine. Slight darkening to spine and along edges, 7 cm tear to fore edge of page 25, a few spots to endpapers. With the original publisher's note in English inserted loose.

Condizione: Good. Portfolio with 34 original graphic works by Northern California artists, each signed and numbered. One of 50 cloth and board slipcases by Taurus Bookbindery, Berkeley. 12 x 9.25 inches.DANGER PORTFOLIOArtist IndexIn no particular order, this portfolio contains the following original works of art:Robilee Frederick: Ash and Bone Ash and oil on drafting tissue; Gordon Huether: Solvent Enamel on monoprint on Reeves BFK paper;Bruce Cannon: Biological Counter Timers, Document Drawing, Mixed Media and Ink on Vellum; Kurt Kemp: Big Mouth Man with Dangerous Bird Intaglio; Nora Auston: Crushed Ink on paper; Andries Fourie: Land Mine, Inkjet print on vellum; Decatur Blue: Bombs Away, Toilet seat cover in glassine; Aaron De Beers: Trained Predators, Inkjet print; Eric Sanchez: Thank Heaven for Little Boys, Inkjet print; Constance Maher: Blood Drip, Construction paper and glue; Ry Rocklen: Nuclear Winter Wonderland, Drawing and glitter on card stock; Dennis Raines: Untitled, Intaglio; Brendan Carroll: Danger, Polaroid transfer; Rob Keller: Blood Hounds, Dog blood on various media; Lucy Puls: Ictus et Macula (Kitchen Knife), Ink on paper; Dona Kopol Bonick: Don't Let Me Be Misunderstood, Inkjet print with bullet hole; Connie Walsh: Untitled, Flocking on photo Inkjet paper; Rob Ceballos: Untitled, Woodcut on Arches paper; Ray Beldner: In Case of Emergency, Inkjet print on Kozo paper; Xavier Tiernan: Untitled, Burns on Reeves BFK paper; Joel Mesler: Cutting Cocaine Lines into Love Letters, Offset print; Ed Osborn: VLF Study #1, Very low frequency spectrogram of earth's natural radio activity; Ben Diller: Danger/Peril, Double woodblock print on Reeves BFK paper; Philip Wagner: Untitled, Offset print; Karen Hill: Folding Laundry, Inkjet print;Nancy Willis: Traces, Lipstick transfer on BFK Reeves paper; John Bonick: Bare It, Magnified sunlight and worry lines on waxed paper; William F. Wilson: II Stigmata, Mixed media inkjet print; Jackie Perez Gratz: Proof C, prints in evidence bag with label; Connell Ray Little: Untitled, Ink on card stock; Riccardo Toronto: War Surplus Hero, Offset print; Mark Garrett: Entropy II, Laser print;Lenny Gonzalez: Noel & Knoller, Inkjet photo print; Zakron: The Fear of Being Held Captive, Silver gelatin print individually processed to last an unknown amount of time.Danger logo design by Lewis deSoto.Each of these portfolio boxes was hand made and assembled by the show's curators. The Danger essay by Alison Bing was letterpress printed on Arches paper. Special thanks to Diane Newel at Taurus Bookbindery and Lisa Rappaport at Littoral Press, both in Berkeley, California.- Rob Keller and John Banick, Co-CuratorsNot all the portfolios contain all the prints so custom orders can be filled.