Brunelleschi ill (17 risultati)

in-12, broché, 165 pages. Parfait état. Illustré de 16 hors-texte en couleurs et de 19 dessins en noir et blanc de Brunelleschi. 1/3000 sur vélin des Papeteries Navarre. Sous couverture rempliée et papier cristal.

Couverture souple. Condizione: Très bon état. In-8 20 x 13 cm. Broché, couverture beige rempliée, auteur & titre en noir et rouge sur le dos et le premier plat de couverture orné d'un vignette, page de titre à l'identique, illustré de 16 hors-texte en couleurs et de 23 dessins en noir et blanc de Brunelleschi, table des matières. édition limitée à 3000 exemplaires, tous numérotés, sur vélin des Papeteries de Condat. Celui-ci, N 1712 en très bon état.…

En Feuilles. Condizione: Très bon. Paris, H. Piazza, 1948. 24 x 18 cm, in-8, 244 (4) pp., frontispice et 16 illustrations en couleurs dans le texte dont une en couverture, 1 vignette an noir au titre, broché sous couverture de papier vergé crème rempliée, illustrée et imprimée. Premier tirage des illustrations de Brunelleschi. Parmi le tirage de luxe à 300 exemplaires, celui-ci est l'un des 230 sur vélin de Renage contenant une SUITE en noir des illustrations (n° 117). Dos légèrement bruni, sinon un très bel exemplaire, non coupé. (MONOD, 8044). Umberto Brunelleschi (illustratore).…

broché. Condizione: Bon. Paris, Au Moulin de Pen-Mur, sd [1947]. 23,5 x 18,5 cm, grand in-8, 434 (3) pp., nombreuses illustrations en couleurs dont une en frontispice et 7 hors-texte, broché sous couverture rempliée illustrée en couleurs, chemise et étui de l'éditeur. Tirage à 1000 exemplaires, celui-ci l'un des 23 premiers exemplaires (après un exemplaire unique) comportant une AQUARELLE ORIGINALE SIGNÉE (celle de la page 53) ainsi que DEUX SUITES des 24 plus grandes illustrations, l'une en couleurs et l'autre en noir (n° 10). Emboîtage assez défraîchi et de petites traces d'adhésif à l'une des planches de la suite en couleurs, bel exemplaire pour le reste. (MONOD, 8522). Umberto Brunelleschi (illustratore). Signé par l'illustrateur. …

Reliure signée. Condizione: Parfait. Paris, Gibert Jeune, librairie d'amateurs, 1950. 26,5 x 20,5 cm (R), 2 volumes in-4, 343 (5) - 337 (6) pp. - 32 planches hors texte en couleurs dont deux en frontispice, illustrations dans le texte en deux tons, reliure de demi-chagrin à coins rouge pourpre, dos à 4 nerfs repoussés, têtes dorées, couvertures et dos conservés, étui (reliure signée Max Fonsèque). L'un des 100 exemplaires de tête comportant une SUITE en noir des 32 illustrations hors texte ainsi que les épreuves en noir de deux planches refusées (n° 40). Belles compositions à l'érotisme léger de Brunelleschi. Rare avec la suite. Très bel exemplaire agréablement relié par Max Fonsèque. (MONOD, 2323) (prévoir des frais de port pour 5 kg). Umberto Brunelleschi (illustratore).…

In-4° (cm. 36x27), pp. 240 totalmente illustrata dai più prestigiosi artisti con splendide VIGNETTE e DISEGNI perlopiù a COLORI. Cartone edit. ill. a colori In custodia muta editoriale.

Condizione: Bon état. 2 volumes. In-8 26 x 20 cm. Brochés sous couvertures rempliées et étui, 342-281 pp.,16 hors texte en couleurs, 70 dessins en noir - 16 hors texte en couleurs, 68 dessins en noir. N 1621 des 2500 exemplaires numérotés sur vélin des papeteries de Navarre. Bon exemplaire sans étui, légers plis de lecture aux dos, marges légèrement jaunies. Vol. I : Les Cinq premières journées - Vol. II : Les Cinq dernières journées. La carrière de Brunelleschi (1879-1949) est avant tout celle d'un illustrateur ayant entendu à la fois la leçon des maîtres galants du XVIIIesiècle et celle des bouffons de la Commedia dell'Arte. Près de 30 ouvrages ont été illustrés par Brunelleschi. in-8°.…

Hardcover. Limited edition. #24 of 500 copies signed by the artist. Folio textured cloth, original wraps bound in. Three plays by de Musset, 20 mounted color plates by Umberto Brunelleschi with captioned tissue guards. Brunelleschi, Umberto (illustratore).

4to. Pp. 156. With twelve pochoir engraved plates by Brunelleschi, protected by tissue guards. Ninety-three colour vignettes in the text. As issued, loose in original printed wrappers. Housed in a specially made box. Limited edition of 275, of which 250 on vergé d'Arches, this is number 156. Umberto Brunelleschi, Italian-born artist who arrived in Paris in 1900. He soon became one of the leading illustrators and costume designer of that time. Hermant's novel "Phili, ou par-delà le bien et le mal" is about a prince Philippe-Egon and the beautiful young girl Sophie. The story unfolds in a flamboyant setting of luxury, dance and seduction. The novel is complemented by the exquisite images of Brunelleschi, which exemplify the emerging Art Deco style of the 1920s. Occasionally some offsetting from plates as normal and some leaves with light browning to the outer edge. Two plates with small light crease at margin but it's a great fresh copy of Brunelleschi's chef-d'oeuvre. Ercoli G. Il Pochoir Art Déco' pp. 32.Original prints: 12 engravings with added pochoir coloring, plus the 12 engravings without coloring on china paper. Reproductions: 93 line block reproductions of ink drawings in black with added pochoir coloring, plus each of the vignettes repeated in hors texte groups without the coloring on china paper. Text: letterpress in black with green (typeface: Cochin). Paper: imperial cream japan, with suite on china laid.The young Italian artist Umberto Brunelleschi arrived in Paris in 1900. Although he hoped to be a great painter, Brunelleschi took a job with an illustrated newspaper. Before long, his elegant, witty images of harlequins and coquettes helped establish him as one of the leading illustrators and costume designers of the day.Brunelleschi?s colorful pochoir (stencil-colored) designs adorned the pages of such high fashion magazines as Journal des Dames et des Modes, La Gazette du Bon Ton, and Harper?s Bazaar. He created influential costume and set designs for theaters, opera, and cabarets, including the costumes for the Folies-Bergères revues of the African-American entertainer Josephine Baker. He was in demand as a poster designer and book illustrator.His pochoir illustrations for Hermant?s novel, Phili: ou, par-delà le bien et le mal, were created in 1921 at the height of his fame and talent. The novel chronicles the highs and lows of the relationship between Philippe-Egon (Phili), Grand Duke of Silberberg and the beautiful young Sophie-Charlotte. The romantic intrigues of the story provide the perfect vehicle for Brunelleschi?s colorful, playful, and at times erotic images, and exemplify the emerging Art Deco style of the 1920s.No 273 of 275 copies, this one on Vergé D'Arches. 4to. 27.5 by 18.5 cm. Unpaginated, about 155 pages. With 12 pochoir plates, and 93 color vignettes dispersed through the text. The pochoir was done by Jean Saudé. The story concerns princes in exile hopping from one grand hostelry to another, a louche lifestyle brought on by the overturning of the old order by the First World War, and the Nouveau Riches and gold-digging Flappers they encounter in the new age of faster automobiles and the like. The illustrations glamorize the new silhouette and streamlined fashions and capture the rage for the fox trot and tango and as always. As always, Brunelleschi shows an affinity for the exotic and a kind of Orientalism. Original wraps are bound in to lovely half-morocco binding. Minor light foxing on the fore-edge. Minimal sunning of the spine. Otherwise, a clean, bright and very handsome copy.n-4° (mm. 285 x 195), 162 unnumbered pages, 88 illustrations in the text and 12 plates outside the text by Brunelleschi colored in pochoir with gold and silver enhancements by Saudè. Editorial paperback, edition of 250 copies on papier vergé d'Arches, copy no. 156. Good condition. The masterpiece of Brunelleschi's pochoir books. 'Phili's story is set in the great hotels of Europe, to the rhythm of tango and fox-trot.…

4to. Pp. (iv), 174, (1). With engraved front and twenty engraved plates protected by tissue guards and many vignettes, all illustrated by Brunelleschi and coloured by the atelier Daniel Jacomet. Original illustrated wrappers, glassine jacket. Modern slipcase. Binding slightly shaken, one querie loose. A limited edition of 464 copies, one of 375 numbered on Arches (no. 344). A wonderful clean and crisp copy. Umberto Brunelleschi, a famous Italian artist who lived and worked in Paris as a printer, book illustrator and costume designer.…

In 8°, br. edit. con alette, ill. a col., pp (4)-163 + 16 tavv. a col. f.t. e 23 disegni n.t.Testo in francese, Tiratura limitata a 3000 es. (ns. 2735).

Gibert Jeune, Librairie d'Amateurs, 1955, 2 volumes in-4 de 265x205 mm environ, 345 pages, (2) ff. de table et 337 pages, (2) ff. de table, brochés sous couvertures rempliées illustrées et étui cartonné. Exemplaire numéroté, complet des 32 illustrations en couleurs de Brunelleschi. Plis de lecture légers le dos des 2 volumes, début de fente sur l'ouverture de l'étui, sinon bon état. Giacomo Girolamo Casanova, né le 2 avril 1725 à Venise (République de Venise, actuellement en Italie) et mort le 4 juin 1798 à Dux (Royaume de Bohême, actuelle République tchèque), est un aventurier vénitien. Il est tour à tour violoniste, écrivain, magicien (dans l'unique but d'escroquer Madame d'Urfé), espion, diplomate, puis bibliothécaire, mais revendique toujours sa qualité de « Vénitien ».…

In 8°, legatura alla francese, fasc. sciolti contenuti in leg. editoriale cartonata con custodia, 4 voll. completi relativi alle opere teatrali di De Musset: pp.328; 301-(5nn); 320-(8nn). Tomo I: "Lorenzaccio", André Del Sarto" e "Les caprices de Marianne". Tomo II: "La nuit vénetienne", "On ne badine pas avec l'amour", "Barberine", "Le chandelier", "Il ne faut jurer de rien". Tomo III: "Fantasio", "Un caprice", "Il faut qu'une porte soit ouverte ou fermée", "Louison", "On ne saurait penser a tout", "Carmosine". Tomo IV: "Bettine", "Théatre complémentaire". Ogni volume è impreziosito da 13 tavv. in fotolito di Umberto Brunelleschi squisitamente col. a pochoir dall'Atelier Renson Fils (complessivamente sono 52 tavole). I 4 volumi presentati, relativi al teatro, facevano parte di una collana di 12 volumi che raccoglieva le opere complete di De Musset. I nostri es. fanno parte della tiratura da 1 a 156 (il ns. è il 52. Ne forniamo la fotocopia riproducente la giustificazione del tiraggio solitamente presente solo nel primo vol. che tuttavia non era quello riferito alle opere teatrali). I quattro volumi, appartenenti alla suddetta tiratura, sono tutti accompagnati da una suite in nero, da una a colori e da un disegno originale a matita della mano di Umberto Brunelleschi, al primo tomo, bozza di una delle tavole interne. Qualche difetto e mancanza ai cofannetti di contenimento peraltro bello stato. Pregevole insieme.…

n-4°(cm. 30,3x23,3), pp. 138, [4] + 20 TAVOLE applicate fuori testo protette da velina (inclusa l'antiporta) del periodo d'oro del raffinato BRUNELLESCHI nei celebri brillanti COLORI riprodotti fotomeccanicamente dal grande editore d'arte Henri Piazza, morto nel 1929. Ornamenti, capilettera, testatine. Cartoncino editoriale entro chemise/fodera ornata e ilustrat a e ornata in oro, blu e azzurro. Entro una robusta e bella protezione aggiunta dopo in cartone rugoso con titolo oro su tassello in pelle marron. …

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1919 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 334 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 334 Volume fasc. 5-8 Language: French.…

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1919 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 282 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 282 Volume fasc. 1-4 Language: French.…

Le Caire : Imprimerie Nationale, 1888-1896. 9 volumes : 18 x 26,5 cm. I/ 2 ff. bl., X pp. [1 f. de faux-titre, 1 f. de titre, Notice, Avis des traducteurs], 334 pp., 2 ff. bl. II/ 1 1f. bl., 309 pp., 1 f. n. ch. [Concordance du calendrier grégorien avec le calendrier de l'hégire], 1 f. bl. III/ 1 f. bl., 276 pp. 1 f. n. ch. [Concordance du calendrier (.)], 1 f. bl. IV/ 1 f. bl., 298 pp. 1 f. n. ch. [Concordance du calendrier (.)], 1 f. bl. V/ 1 f. bl., 235 pp. 1 f. n. ch. [Concordance du calendrier (.)], 2 ff. bl. VI/ 1 f. bl., 328 pp. 1 f. n. ch. [Concordance du calendrier (.)], 2 ff. bl. VII/ 1 f. bl., 429 pp. 1 f. n. ch. [Concordance du calendrier (.)], 1 f. bl. VIII/ 1 f. bl., 382 pp. 1 f. n. ch. [Concordance du calendrier (.)], 1 f. bl. IX/ 1 f. bl., 335 pp. 1 f. n. ch. [Concordance du calendrier (.)], 1 f. bl. Reliures (de Hanafy, au Caire) en demi-chagrin, dos à cinq nerfs, capitales dorées, gardes marbrées. Défaut de coupe sans gêner le tête des pages 323-328 dans le volume VI. Complet. Bon état général. …