brus anna (30 risultati)

Paperback. Condizione: new. Paperback. The African museum landscape is changing. A new generation of scholars and curators is setting international standards for the reappraisal and revision of colonial collections, the conception of curatorial spaces, and the integration of new groups of actors. In the face of the ghostly survival of colonial epistemologies in archives, displays, and architectures, it is a matter of breaking up institutional encrustations and infrastructures, inventing new museum practices, and bringing archives to life. Scholars and museum experts predominantly working in Africa and South America discuss the post/colonial history of museums, their political-economic entanglements, the significance of diasporic objects, as well as the prospects for restitution and its consequences. The contributions to this issue of ZfK are all presented in English.Based on the works of Waverly Duck and Anne Rawls, the debate section is devoted to forms of everyday racism and the way interaction orders of race are institutionalized. How do museum practitioners in Africa overcome the colonial heritage of their institutions? Which significance do diasporic objects and the prospect of restitution have? An issue of the ZfK on the current debate about the decolonization of museums. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Wraps. Condizione: Very Good. 107 pp., illus. In German. Light handling and edge and corner wear to wrappers, foxing to top edge.

hardcover. Condizione: New. 1st.

Condizione: As New. Unread book in perfect condition.

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condizione: Sehr gut. 264 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 508.

Condizione: New. 2017. Hardcover. . . . . .

Condizione: New.

Condizione: New.

Condizione: New. 2017. Hardcover. . . . . . Books ship from the US and Ireland.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. The African museum landscape is changing. A new generation of scholars and curators is setting international standards for the reappraisal and revision of colonial collections, the conception of curatorial spaces, and the integration of new groups of actors. In the face of the ghostly survival of colonial epistemologies in archives, displays, and architectures, it is a matter of breaking up institutional encrustations and infrastructures, inventing new museum practices, and bringing archives to life. Scholars and museum experts predominantly working in Africa and South America discuss the post/colonial history of museums, their political-economic entanglements, the significance of diasporic objects, as well as the prospects for restitution and its consequences. The contributions to this issue of ZfK are all presented in English.Based on the works of Waverly Duck and Anne Rawls, the debate section is devoted to forms of everyday racism and the way interaction orders of race are institutionalized. How do museum practitioners in Africa overcome the colonial heritage of their institutions? Which significance do diasporic objects and the prospect of restitution have? An issue of the ZfK on the current debate about the decolonization of museums. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: New. The African museum landscape is changing. A new generation of scholars and curators is setting international standards for the reappraisal and revision of colonial collections, the conception of curatorial spaces, and the integration of new groups of actors.

Condizione: New. Katalog zur Ausstellung in der Kunsthalle Bremen vom 5. August bis 19. November 2017.Mit Werken von Fritz Behn, Paul Gauguin, Katsushika Hokusai, Georg Kolbe, Hew Locke, Paula Modersohn-Becker, Emil Nolde, Max Pechstein, Amrita Sher-Gil u.v. m.

Taschenbuch. Condizione: Neu. Neuware - The African museum landscape is changing. A new generation of scholars and curators is setting international standards for the reappraisal and revision of colonial collections, the conception of curatorial spaces, and the integration of new groups of actors. In the face of the ghostly survival of colonial epistemologies in archives, displays, and architectures, it is a matter of breaking up institutional encrustations and infrastructures, inventing new museum practices, and bringing archives to life. Scholars and museum experts predominantly working in Africa and South America discuss the post/colonial history of museums, their political-economic entanglements, the significance of diasporic objects, as well as the prospects for restitution and its consequences. The contributions to this issue of ZfK are all presented in English.Based on the works of Waverly Duck and Anne Rawls, the debate section is devoted to forms of everyday racism and the way interaction orders of race are institutionalized.

Buch. Condizione: Neu. Neuware - In the nineteenth and early twentieth century, the Hanseatic city of Bremen was a flourishing centre of rapidly growing international trade, profiting from colonial expansion and overseas migration. These global relations also left their traces in the Kunstverein in Bremen. Many works which were acquired by the museum during the colonial period reflect stereotypes of the foreign and exotic.The authors trace these colonial blind spots in the collection of the Kunsthalle Bremen. They examine the history of the Kunstverein in Bremen within the context of the city's trade and global connections and investigate the colonial implications of works by, amongst others, Ernst Ludwig Kirchner, Emil Nolde and Fritz Behn. These European perspectives are set in dialogue with works by modern and contemporary artists from the African and Asian continent. Thus, the book not only enables a postcolonial perspective on the collection of the Kunsthalle Bremen, but also on early modern art in general.Funded by the Program Fellowship International Museum of LOGO.

Taschenbuch. Condizione: Neu. The Post/Colonial Museum | Zeitschrift für Kulturwissenschaften, Issue 2/2021, ZfK - Zeitschrift für Kulturwissenschaften 30 | Anna Brus | Taschenbuch | 264 S. | Englisch | 2022 | Transcript Verlag | EAN 9783837653977 | Verantwortliche Person für die EU: transcript Verlag, Gero Wierichs, Hermannstr. 26, 33602 Bielefeld, live[at]transcript-verlag[dot]de | Anbieter: preigu.

Buch. Condizione: Neu. The Blind Spot | Bremen, Colonialism and Art | Anna/Greve, Anna/Mutumba, Yvette Brus | Buch | 192 S. | Englisch | 2017 | Reimer Verlag GmbH | EAN 9783496015925 | Verantwortliche Person für die EU: Reimer Verlag GmbH, Berliner Str. 53, 10713 Berlin, kkarbstein[at]reimer-verlag[dot]de | Anbieter: preigu.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Softcover. Condizione: Sehr gut. 1. Auflage. Z : 200 Seiten mit zahlreichen, teils farbigen und meist ganzseitigen Abbilungen und Fotos. Buchzeigen von Tobias Rehberger. - Mit Beiträgen von Hubertus von Allwörden, Margret von Allwörden, Curtis Anderson, Richard Artschwager, John Baldessari, Albrecht Bangert, Lothar Baumgarten, Thomas Bayrle, Bernd & Hilla Becher, Boris Becker, Jürgen Becker, Bernhard & Anna Blume, Gottfried Böhm, Claus Böhmler, Peter Bömmels, Christian Boltanski, Uta Brandes & Michael Erlhoff, George Brecht u.v.a.

Wydanie 1. Gr.-8°. 360 Pages. Original Flexible Boards. Very good Condition with only minimal Signs of Usage at the Cover. No Markings in the Text! No Underlinings! No Owner's Note! Text in Polish and Russian Language!

Condizione: Très bon. Condizione sovraccoperta: Bon. 143 pages : illustrations en noir et en couleurs, jaquette illustrée en couleurs ; 22,3 x 27,7 x 1,8 cm || Texte français || Impression 2004 || Sans aucune inscription.

Condizione: New. Mit Werken von Fritz Behn, Paul Gauguin, Katsushika Hokusai, Georg Kolbe, Hew Locke, Paula Modersohn-Becker, Emil Nolde, Max Pechstein, Amrita Sher-Gil u.v. m.Die Hansestadt Bremen war im 19. und fruehen 20. Jahrhundert ein bluehendes Zentrum des internat.

271 pp.; 24 x 17 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with an international traveling exhibition of artists' books, 1994. Text by the editor and curator Michael Glasmeier. Cover designed by Jan Voss. Profusely illustrated with full bibliographical data for each entry. Explicitly documents 30 years and 651 artists' books published in Germany. Inclusive of international artists such as Georg Baselitz, Lothar Baumgarten, Bernd & Hilla Becher, Joseph Beuys, Anna Blume, Claus Böhmler, Christian Boltanski, Jonathan Borofsky, Mark Boyle, KP Brehmer, Marcel Broodthaers, Stanley Brouwn, Günter Brus, Daniel Buren, James Lee Byars, Henri Chopin, Francesco Clemente, William Copley, Philip Corner, Hanne Darboven, Braco Dimitrijevic, Felix Droese, Marcel Duchamp, Hans Peter Feldmann, Robert Filliou, Isa Genzken, Jochen Gerz, Nan Goldin, Dan Graham, Hans Haacke, Richard Hamilton, Al Hansen, Geoffrey Hendricks, Georg Herold, H.K. Hödicke, Hans Hollein, Roni Horn, Jörg Immendorff, Jasper Johns, Joe Jones, Allan Kaprow, On Kawara, Mike Kelley, Anselm Kiefer, Martin Kippenberger, Imi Knoebel, Alison Knowles, Jannis Kounellis, Sol LeWitt, Richard Long, George Maciunas, Piero Manzoni, Hansjörg Mayer, Max Neumann, Olaf Nicolai, Albert Oehlen, Nam June Paik, Blinky Palermo, Eduardo Paolozzi, Ben Patterson, A.R. Penck, Tom Phillips, Sigmar Polke, Markus Raetz, Arnulf Rainer, Dieter Roth, Jan J. Schoonhoven, Mieko Shiomi, Daniel Spoerri, Mayo Thompson, Rosemarie Trockel, Jan Voss, Wolf Vostell, Herman de Vries, Emmett Williams, and MANY OTHERS. Text in Germain with separate English supplement laid-in. Reference : No. 161 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 88. Good. Dust soiling to covers with 5.5 cm. faint coffee ring on recto with additional 1.7 cm. of soiling. 2.3 cm. of tearing of surface layer of dust-jacket. Light rippling of text block. Very Light bumping of page corners, contents otherwise clean and unmarked. INCLUDES THE SEPARATE ENGLISH SUPPLEMENT, with 3.3 cm. dog ear to bottom right corner of recto, otherwise Fine. Due to large size and weight of this publication additional shipping charges will be required for international orders.

192 S. Groß-8°. Mit zahlreichen Abb. Originalkartoniert. Beilage: 'Geburtstags-Ständchen' von Claus Böhmler und Lesezeichen mit Porträt König. Sauberes Exemplar ohne Stempel und Anstreichungen. Sehr gut erhalten. Sprache: deu.

Buch. Condizione: Neu. Neuware - Die Hansestadt Bremen war im 19. und frühen 20. Jahrhundert ein blühendes Zentrum des internationalen Handels. Die globalen Verflechtungen jener Zeit spiegeln sich auch in der Sammlung der Bremer Kunsthalle wider. Viele der Werke, die während der Kolonialzeit in das Museum gelangten, thematisieren damalige Klischees des Fremden und Exotischen.Die Autorinnen gehen den kolonialen Spuren in der Sammlung der Kunsthalle Bremen nach. Dabei verbinden sie zum einen die Geschichte des Hauses mit der globalen Handelsgeschichte, zum anderen zeigen sie, welche Rassismen und Exotismen Kunstwerken z. B. von Ernst Ludwig Kirchner, Emil Nolde oder Fritz Behn innewohnen. Die europäischen Perspektiven der damaligen Zeit werden mit außereuropäischen, darunter auch zeitgenössischen Positionen der Kunst in Dialog gesetzt.So ermöglicht das Buch eine postkoloniale Perspektive nicht nur auf die Sammlung der Kunsthalle Bremen, sondern auch auf die Kunst der Moderne.

271 pp.; 24 x 17 cm.; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with an international traveling exhibition of artists' books, 1994. Text by the editor and curator Michael Glasmeier. Cover designed by Jan Voss. Profusely illustrated with full bibliographical data for each entry. Explicitly documents 30 years and 651 artists' books published in Germany. Inclusive of international artists such as Georg Baselitz, Lothar Baumgarten, Bernd & Hilla Becher, Joseph Beuys, Anna Blume, Claus Böhmler, Christian Boltanski, Jonathan Borofsky, Mark Boyle, KP Brehmer, Marcel Broodthaers, Stanley Brouwn, Günter Brus, Daniel Buren, James Lee Byars, Henri Chopin, Francesco Clemente, William Copley, Philip Corner, Hanne Darboven, Braco Dimitrijevic, Felix Droese, Marcel Duchamp, Hans Peter Feldmann, Robert Filliou, Isa Genzken, Jochen Gerz, Nan Goldin, Dan Graham, Hans Haacke, Richard Hamilton, Al Hansen, Geoffrey Hendricks, Georg Herold, H.K. Hödicke, Hans Hollein, Roni Horn, Jörg Immendorff, Jasper Johns, Joe Jones, Allan Kaprow, On Kawara, Mike Kelley, Anselm Kiefer, Martin Kippenberger, Imi Knoebel, Alison Knowles, Jannis Kounellis, Sol LeWitt, Richard Long, George Maciunas, Piero Manzoni, Hansjörg Mayer, Max Neumann, Olaf Nicolai, Albert Oehlen, Nam June Paik, Blinky Palermo, Eduardo Paolozzi, Ben Patterson, A.R. Penck, Tom Phillips, Sigmar Polke, Markus Raetz, Arnulf Rainer, Dieter Roth, Jan J. Schoonhoven, Mieko Shiomi, Daniel Spoerri, Mayo Thompson, Rosemarie Trockel, Jan Voss, Wolf Vostell, Herman de Vries, Emmett Williams, and MANY OTHERS. Text in Germain with separate English supplement laid-in. Reference : No. 161 in "The Book on Books on Artists' Books" by Arnaud Desjardin. London, England : The Everyday Press, 2011, pp. 88. Good / Very Good. Rubbing of edges and light yellowing along spine. 1.4 cm. yellow soiling to recto and 1.1 cm., 1.4 cm., 2.8 cm., and 2.1 cm of soiling to verso with additional dust soiling of covers. 4 mm. of tearing to top left corner of verso. 3 mm. tear and 3.3 cm. of creasing to dust-jacket flap. Recto is lightly separated from the text block, binding otherwise tight to the spine and contents are otherwise clean and unmarked. INCLUDES THE SEPARATE ENGLISH SUPPLEMENT, in Fine condition. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Buch. Condizione: Neu. Der blinde Fleck | Bremen und die Kunst in der Kolonialzeit, Kunsthalle Bremen | Anna Brus | Buch | 192 S. | Deutsch | 2017 | Reimer Verlag GmbH | EAN 9783496015901 | Verantwortliche Person für die EU: Reimer Verlag GmbH, Berliner Str. 53, 10713 Berlin, kkarbstein[at]reimer-verlag[dot]de | Anbieter: preigu.

24 cm, Fadenbindung, Hardcover. Condizione: Sehr gut. 1. Auflage. 189 Seiten. Nur wenige minimale Gebrauchsspuren. Sehr gut bis fast wie neu. 9783496015901 Sprache: Deutsch Gewicht in Gramm: 695.

Amsterdam, Joy Publications, 1969-1974, 310x440mm, 8 fascicules de 20 à 32p., broché, couvertures illustrées.Fondé et dirigé par William Cooney Lapides (William Levy) et Wilhelm Rielder (Willem de Ridder). Nombreuses illustrations photographiques (et pornographiques) dans le texte par Ed van der Elsken, Anna Beeke, Walter Hartford, Gunther Rambow, Dinah Armstrong, Bill Daley : illustrations de Gunther Brus, Frank Cieciorka, Peter Pollman, Alain Urcun, Theo van den Boogaard, Wolinski. (104386) THE VIRGIN SPERM DANCER SUCK SPECIAL ISSUE"An ecstatic journey of a boy transformed into a girl for one day only, and her erotic adventures in Amsterdam magic centrum"The Hague, Uitgeverij Bert Bakker, 1972, 385X272mm, broché, couverture photographique.Edition originale.Photographies de Ginger Gordon sur un scénario de William Levy pour ce monument de la contre culture en forme de bande dessinée photographique éditée par l'équipe du magazine Suck, que la censure française se hâta d'interdire. Homosexualité, transsexualité, sexe de groupe, pour ne citer que les thèmes principaux, sont traités tour à tour avec humour et élégance dans cette capitale de la liberté que représentait alors Amsterdam.Bertolotti 213WET DREAMSFilms & Adventures. Festival presented by Suck european sexpaper. Edited by William Levy, designed by Willem de Ridder.Amsterdam, Joy Publications, s.d ; (1973), 347x248mm, 264p., broché couverture illustrée. Compte rendu très illustré du festival de cinéma arganisé par l'équipe de Suck. (Bertolotti 213).