Buchberg karl (101 risultati)

Paperback. Condizione: Good.

Hardback. Condizione: Good. Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing. Richly illustrated to present the cut-outs in all of their vibrancy and luminosity, the book includes an introduction and a conservation essay that consider the cut-outs from new theoretical and technical perspectives, and five thematic essays, each focusing on a different moment in the development of the cut-out practice, that provide a chronicle of this radical medium's unfolding, and period photographs that show the works in process in Matisse's studio. One of modern art's towering figures, Henri Matisse (1869-1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. From the clashing hues of his Fauvist works made in the South of France in 1904-05, to the harmonies of his Nice interiors from the 1920s, to this brilliant final chapter, Matisse followed a career-long path that he described as "construction by means of color.".…

Condizione: good. All pages and cover are intact. Dust jacket included if applicable, though it may be missing on hardcover editions. Spine and cover may show minor signs of wear including scuff marks, curls or bends to corners as well as cosmetic blemishes including stickers. Pages may contain limited notes or highlighting. "From the library of" labels may be present. Shrink wrap, dust covers, or boxed set packaging may be missing. Bundled media e.g., CDs, DVDs, access codes may not be included.…

Hardcover. Condizione: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condizione: Acceptable. May have a broken spine. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardback. Condizione: Good. Published in conjunction with the most comprehensive exhibition ever devoted to Henri Matisse's paper cut-outs, made from the early 1940s until the artist's death in 1954, this publication presents approximately 150 works in a groundbreaking reassessment of Matisse's colorful and innovative final chapter. The result of research conducted on two fronts--conservation and curatorial--the catalogue offers a reconsideration of the cut-outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing. Richly illustrated to present the cut-outs in all of their vibrancy and luminosity, the book includes an introduction and a conservation essay that consider the cut-outs from new theoretical and technical perspectives, and five thematic essays, each focusing on a different moment in the development of the cut-out practice, that provide a chronicle of this radical medium's unfolding, and period photographs that show the works in process in Matisse's studio. One of modern art's towering figures, Henri Matisse (1869-1954) was a painter, draftsman, sculptor and printmaker before turning to paper cut-outs in the 1940s. From the clashing hues of his Fauvist works made in the South of France in 1904-05, to the harmonies of his Nice interiors from the 1920s, to this brilliant final chapter, Matisse followed a career-long path that he described as "construction by means of color.".…

Condizione: Very Good. Very Good Condition. Five star seller - Buy with confidence.

paperback. Condizione: Very Good. Paperback. Large gift inscription on first page. Otherwise clean and unmarked. Binding strong. Light rubbing to cover. This copy is from the library of Ernesto Mayans, who owned and operated Ernesto Mayans Gallery in Santa Fe, New Mexico.

Condizione: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

hardcover. Condizione: Very Good. Illustrated. Used - Very Good.

paperback. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Paperback. Condizione: Very Good. Henri Matisse (18691954) is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artists late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a studio diary, the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; fine art and decoration; contemplation and utility; and drawing and colour. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.…

paperback. Condizione: Very Good. Pages clean, crisp, unmarked. Cover has light wear, with small smudge inside back. Shipped promptly with tracking. Asst34.

hardcover. Condizione: New. This is a new book. All orders ship by next business day! We are a small company and very thankful for your business.

Hardcover with dustjacket, 298 pages; very good condition; except light brown spotting to top edge of dj; no internal marks. Foreign shipping may be extra.

Paperback. Condizione: Near Fine. No Dust Jacket. A nice, bright copy.; Color Illustrations; 8.9 X 1.2 X 10.6 inches; 298 pages.

Paperback. Condizione: Used - Very Good.

Hardcover. Condizione: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

paperback. Condizione: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Hardcover. Condizione: VG+/VG+. Black casebound book with a dust jacket that has the title in white down a blue spine. The free and pasted end pages are color illustrated. Pages: (5), 6-298. Profusely illustrated with color images. Contains several foldout displays. Contents are as follows: Introduction : The studio as site and subject / Karl Buchberg, Nicholas Cullinan, Jodi Hauptman, and Nicholas Serota ; Inventing a new operation / Jodi Hauptman ; 'An agreeable distraction' / Nicholas Cullinan -- In the studio: a photo essay -- Chronicle : Avant la lettre / Samantha Friedman ; Game and endgame / Samantha Friedman ; Chapel factory / Flavia Frigeri ; Bodies and waves / Jodi Hauptman ; Chromatic composition / Nicholas Cullinan -- Materials and techniques / Karl Buchberg, Markus Gross, and Stephan Lohrengel. …

Stiff Wrappers. Condizione: Near Fine. 300 pages with 314 illustrations in color. Minor rubbing and wear to the paper covers. Paperback edition. Edited by Karl Buchberg, Nicholas Cullinan, and Jodi Hauptman. October 25, 2014-February 9, 2015. List of Exhibited Works. Selected Bibliography. Book.

Paperback. Condizione: New. **PAPERBACK**.

Soft cover. Condizione: Very Good. 1st Edition. 294 pp colour and bw illustrations throughout including folding plates. Clean sound large format paperback. minor wear. 1.4Kg Outside UK will need extra postage.

Condizione: New.

Paperback. Condizione: new. Paperback. Henri Matisse (1869-1954) is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artist's late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a 'studio diary', the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; fine art and decoration; contemplation and utility; and drawing and colour. A groundbreaking reassessment of the colourful and innovative final works of a Modern Master. Focusing on the studio, this book re-examines the cut-outs in terms of methods and materials that Matisse used, and looks at the tensions in the works between finish and process; fine art and decoration; contemplation and utility; and drawing and colour. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condizione: New. Henri Matisse (1869-1954) is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artist's late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a 'studio diary', the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; fine art and decoration; contemplation and utility; and drawing and colour.…

Paperback. Condizione: New. Henri Matisse (1869-1954) is one of the leading figures of modern art. His unparalleled cut-outs are among the most significant of any artist's late works. When ill health first prevented Matisse from painting, he began to cut into painted paper with scissors as his primary technique to make maquettes for a number of commissions, from books and stained glass window designs to tapestries and ceramics. Taking the form of a 'studio diary', the catalogue re-examines the cut-outs in terms of the methods and materials that Matisse used, and looks at the tensions in the works between finish and process; fine art and decoration; contemplation and utility; and drawing and colour.…

Condizione: New.