c d narasimhaiah (50 risultati)

Condizione: New. pp. 272.

Condizione: New. pp. 272 1st Edition.

Condizione: New. pp. 272.

Condizione: New. pp. 296.

Condizione: New. pp. 296 1st Edition.

Hardcover. Condizione: Some Foxing. First Edition. Bottom edge rubbed. covers slightly darkened.

Hardcover. Condizione: New. ISBN:8185753512,272pp.

Condizione: New. pp. 296.

Soft cover. Condizione: New. 3rd Edition.

Hardcover. Condizione: New. ISBN: 9788170185994.

Condizione: Good. Ex Library with stamps/labels, etc. Light wear to boards. Content has toning. Good DJ with some chips/tears and marks.

Hard Cover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition thus. xvi, 200pp [price clipped; bookplate inside front cover] Size: 8vo - over 7¾" - 9¾" tall.

Hard Binding. Condizione: Very Good. No Jacket. First edition. Ex. lib. (Caltech) with usual remainders. Very clean/tight copy.

Hardcover. Condizione: Very Good +. No Jacket. First Printing. Book is a clean tight unmarked copy.

Hardcover. Condizione: New. ISBN:8185753342,296pp.

Condizione: New. pp. xiii + 257.

Hardcover. Condizione: Very Good. (November 1960), First Edition, Very Good/Good to Very Good dj, octavo, 174pp., tan cloth hardcover, a bit sunned on backstrip & edges of covers, unclipped (Rs 12.50) dj with strip of internal tape-repair on rear hinge & small chip top of front panel, binding tight, text unmarked, Presented & Signed on front free endpaper: "For Professor Norman H. Pearson With affection and Kind regards C.C. Narasimhaiah, 3-12-60.". Signed by Author(s).

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Text/As New. Sienna boards/NF w/slight push to lower front corner. DJ/VG; strong w/nips, chips, closed tears to edges, rubs to surface, and showing light soiling/discoloration. Anthology of 20 papers first read at a Seminar on Literary Criticism . organised by the Depart of Post-graduate Studies & Research in English, Univ of Mysore, June 1965. The participants Mulk Anand, Naresh Guha, Sisirkumar Gose, Narayan, and others, read like a Who's Who of Indian literature, poetry, translation, and linguistics of the time. Representative papers include: Varoktijivitam & Modern English Criticism (Damodar Thakur); Aristotle & Bharantha: Western & Eastern Dramatic Modes (V. Y. Kantak); The 'Dhvani' School of Criticism in Sanskrit (K. Krishnamoorthy); and Criticism and Culture (the editor). 255 (+viii) pages, with Contributors' list.

Hardcover. Condizione: Acceptable. First Edition. 1978 Hardcover with Dustjacket. First Edition stated. Ex-Library. Text is clean. Binding is strong. Blue cloth cover, upper edges are lightly faded. Blue Dustjacket with Mylar. *No shipping outside the United States available for this heavy book.*.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Reprint. Dust jacket price-clipped, written price inside front flap.

Condizione: New. pp. xiii + 257.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. Australian Edition. xvi,200 pages, original white cloth covers with water stained to bottom of cover. Lightly foxing endpapers. Plastic wrapper.

Condizione: New. pp. x + 60.

hardcover. Condizione: Good. Torn/worn dj. Good hardcover with some shelfwear; may have previous owner's name inside. Standard-sized.

xvi+200pp. 8vo. Original boards in dustwrapper, a little faded on the backstrip. A very good copy. First published in the Literary Criterion.

xvii+202pp. 8vo. Original cloth in rubbed dustwrapper. A very good copy. First Edition.

Condizione: Good. 255 pages. Pink and blue pictorial dust jacket over brown pictorial cloth. Pages are lightly tanned at the edges, with light foxing. Occasional thumb marks to pages edges. Binding has remained firm. Boards have slight shelf wear with bumping to corners. Spine ends are a little crushed. Light tanning to spine and edges. Prominent forward lean to text block. Light wear to unclipped dust jacket with tears, nicks and creases to spine, edge and corners. Moderate tanning to spine and edges.

xvi+200pp. 8vo. Original wrappers, rubbed and a little creased, otherwise a very good copy. First edition.

Hardcover. Condizione: New. 2nd Edition. Contents: Foreword. 1. Making of Indian English : Some Reflections/C.D. Narasimhaiah. 2. Many Languages but one Literature : A Retrospective on Indian Writing/Mulk Raj Anand. 3. Ambiguous Discourse : The Novels of Krupa Satthianadhan/Meenakshi Mukherjee. 4. The 'Lost' Works of Indian English Literature and Fictional Tradition/Shyamala A. Narayan. 5. Making New Words/Worlds : Options for the Indian Novelist in English/Anjali Roy. 6. "Mantric" Potential in English Language : Sri Aurobindo's Explorations/Surendra Soni. 7. Anand's Art of Fiction : A Journey into Existential Humanism/A.S. Dasan. 8. R.K. Narayan : The Comic as a Mode of Study in Growing into Maturity/C.D. Narasimhaiah. 9. A Plea and a Cheer for Indian English : A Note on Raja Rao/Alessandro Monti. 10. Raja Rao : The Chessmaster of Indian English/Ragini Ramachandra. 11. Guru-Disciple : A Paradigm for Indianness in Raja Rao's Fiction/K. Unnikrishnan. 12. The Truth of the Body : Anantanarayanan's The Silver Pilgrimage/R. Ramachandra. 13. Sudhin Ghose and the Revitalization of Indian Folklore/Prema Srinivasan. 14. G.V. Desani's All About H. Hatterr/C.N. Srinath. 15. Fictional Technique and Rhetorical Devices in Arun Joshi's The Apprentice/Pier Paolo Piciucco. 16. Pride and Prejudice in Ezekiel's Poetry/V.M. Madge. 17. Making it Indian : Jayanta's Burden/C.P. Ravichandra.18. Gaining Innocence through Experience : Kamala Markandaya's Unique Vision/Pramod Prasad. 19. The Riddle of Life in Gita Mehta's A River Sutra/N. Eakambaram. 20. Shades of Indian Modernity in the Novels of Rohinton Mistry/Hutoxi G. Wadia. 21. "The Empire Lingers on" : A Note on the Rushdie Phenomenon/C.N. Ramachandran. 22. Representation of the Marginalized in Recent Indian English Fiction : A Note/K.C. Belliappa. 23. Is 'Chutneyfied' English a Valid Literary Idiom?/Ranita Hirji. 24. Journalists among Makers of Indian English/T.S. Satyan. 25. Indian Literary Periodicals in English/P.K. Rajan. 26. Why this Indifference? Some Neglected Areas of Research in Indian English Literature/G.S. Balarama Gupta. 27. A Footnote to Indian (English) Poetry : If You Want That Bird./H.S. Shiva Prakash. 28. Indian Drama in English : A Tentative Reflection/S. Ramaswamy. 29. The Un-Makers of "Indian" English : English Teaching Enterprise in Fifty-year Old India/Sudhakar Marathe. This comprehensive study of the 'makers' of Indian English Literature ranges from the sporadic but landmark Voices of the nineteenth century to the spurting creativity in the post-Rushdie, contemporary scenario. The contributors, unswayed by the increasing threat of publisher-media offensive to appropriate the critical function, firmly adhere to the time-tested tradition of explorations, discriminations, empathy and evaluation. They interrogate inflated reputations, underscore unnoticed achievements, and probe the much contested inadequacy of Indian English Poetry and the paucity of Indian English Drama. The literary discourse is largely focussed on tradition and avant-garde, indigenous Roots and Western influences, colonial and post-colonial perspectives, and self-identity and heterogeneity (even hybridity) in Indian English Writing. The volume also investigates the problematic of using the English language to filter an Indian experience, especially in terms of departures from Standard English constructions, semantic neologisms, nativization of the language, and cross-cultural significations. It scrutinizes the three alternatives of transcreation, etymological use and transliteration for moulding the English language into an Indian cast. Despite an increasing number of 'unmakers' of Indian English in Indian Society (as argued in the last essay), the Book paradoxically posits how the Indian English Writing has come alive as a vibrant, autonomous constituent of contemporary international English.