C h herford editor (15 risultati)

Hardcover. Condizione: Good. No Jacket. Hardcover first printing in embossed orange boards has modest rubbing to edges, slightly discolored spine, three rubbed spots on spine edges, some discreet pencil markings in introduction, tight and unmarked. Not ex-library.

Hardcover. Condizione: Good. No Jacket. First Edition First Printing. 12mo. 257, 8 pages. Hardcover bound in blue cloth with cover designs in white and gilt. The binding shows moderate rubbing and wear and has some light spotting. A sound copy with secure inner hinges. Text shows some foxing towards the rear, and there are some pencil markings in the Table of Contents as well as some notations in the text. There is a 1902 UNC student's name and date written on the page facing the title page.…

Hard Cover. Condizione: Good. No Jacket. Text clean; binding tight; moderate wear to covers; many pages unopened. 266 pages. University of Manchester Historical Series, No. XXV.

Hardcover. Condizione: Good. No Jacket. Good condition hardback red boards showing title of book etc on front cover and on spine in black lettering, no DJ. There are a couple of small whitish stain on the front cover. 236 pages good with clear print, indexed. No foxing, no previous names. Previous owner has made a few pencil notes inside the back cover. Ex library, stamp sheet retained.…

Hardcover. First published in English 1927: 96p., presswork on laid-lined paperstock, small hardbound book in 7.5x5 inch tan cloth boards lettered black. No jacket. Case-binding is slightly rolled, front cover has a disfiguring bump to low corner (affecting adjacent text-leaves), find a neat small ownership and two dealership numerals to front free endpaper, textblock fore-edge has a small smudge. A fair-to-good copy, handleable and legible throughout. Mussolini figures throughout the text.…

Hardcover. Condizione: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condizione: Very Good. No Jacket. A very good copy in the original brown cloth over grey boards, spine and front cover stamped in gilt, top edge gilt, other edges uncut. A very good- copy with some darkening and wear; inner hinges tender; previous owner's neat ink name on front free endpaper. A nice copy of the attractively printed 1924 Florence edition.…

Hardcover. Condizione: Very Good. No Jacket. First Thus. A Very Good copy in the original brown cloth over grey boards, spine and front cover stamped in gilt, top edge gilt, other edges uncut. A Very Good- copy with some darkening and wear; inner hinges tender; previous owner's neat ink name on front free endpaper. A nice copy of the attractively printed 1922 Florence edition.…

Hardcover. Condizione: Fair. Reprint. 141 pages. No dj. Cover worn. Underlining and annotations throughout. Text tanned.

Hardcover. Condizione: Good. The present volume is an attempt to put on record the career of a man who, little known to the English public, filled a large space in the affection and reverence of the religious body in which, throughout the latter half of a long life, he was a leading figure; and whose work as a scholar, in the three vast fields of the Old and New Testament, Buddhism, and Comparative Religion, left a deep and definite impress upon each. (Preface)The chapters in the book include: Memoir by C.H. Herford, Recollections of an Oxford Student at Manchester College by J.H. Weatherall, Denominational and International Activities, The Scholar and Theologian: Work on the Old and New Testament by A.S. Peake, and C.…

Half Leather. Condizione: Good. Shakespeare's KING HENRY V translated to German by August Wilhelm Schegel. Worn leather corners and spine which is decorated with title plate missing but wording still discernible. Marbled covers and endpapers. Clean internally with no marking, foxing or inscription. Original binding sound. All profits to Amnesty International. …

Both in good condition, lightly aged. ONE: 2pp, 12mo. He 'must bear the entire blame' for 'an indiscretion', and is 'exceedingly sorry'. 'Nothing was said between us in regard to the giving or withholding of addresses, & I had not at that time considered the point. But finding that the drafter of the letter had added his address, I & the fourth signatory added ours & I ventured to add yours - putting your business address, as one is apt to do, but in this case I admit most thoughtlessly, merely because I did not know your private one.' He asks him to 'use this letter as you think fit', explaining that 'The whole thing had to be arranged in a hurry at the last'. TWO: 2pp, 12mo. He has consulted with 'Vaughan', who 'thinks it wiser to take no further notice, having made our protest'. Despite there being points on which he would have liked to reply, Herford considers this 'the more dignified course'. 'It is he, not we, who is open to the charge of knowing better than the government: as usual it has been reserved for the clergyman to make proposals at once more timid & more cruel than any which commended themselves to the lay intelligence'.…

Hardcover. Condizione: Very Good. No Dust Jacket. Reprint. An 11 volume complete set uniformly bound in the publisher's green hardback bindings with upper covers and spines all blocked in gilt; all 11 vols. very firm, square and tight with no snags or splits; contents equally clean and tight, not showing any pen-marks, just a former owner bookplate neatly affixed to the pastedowns. Not from a library so no such stamps or labels. A very presentable set of books in very uniform condition.…

hardcover. Condizione: Used, very good. Complete Eversley edition - 10 volume set edited by CH Herford plus matching biographical volume 11 by HW Mabie, compact format (7" x 4.8"), dark red covers with bird-and-shield blindstamp on front cover, gold lettering on spine, 1904 except volume 4 which is copyright 1903, cover very slightly darker, and pages are smooth-cut rather than rough-cut as are the 1904 volumes. Just about like new--no wear, clean, unmarked, with a few barely visible imperfections and no marks or writing except the following: Volume 3 has a few very faint slightly dark spatters on cover, a few small minor light brown spots on outer and upper page edges; volume 4 cover is slightly frayed at bottom and top of spine, first few pages of "Tempest" have a little faint light blue pencil underlining. Overall very nice condition. HEAVY/OVERSIZE. **We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA.…

6pp, 12mo. Paginated [1]-6. Lightly aged and a bit grubby. Folded twice. On six leaves of paper, which Herford has made up by tearing in half the 4to leaves of one of his students' essays. Complete, and signed at the end 'C H Herford'. Written in a close hand, with numerous deletions and emendations. He begins by describing how Shelley met his death, and his final writing, before dismissing the suggestion that he committed suicide: 'we may dismiss the utterly uncalled for suggestion that his own hand "lifted" the veil'. Citing Sir Arthur Quiller-Couch in support, he also dismisses 'the theory, first broached a generation after his death, on dubious & indirect evidence, that his frail skiff was deliberately run down by native fishers who mistook it for the boat of the wealthy "milord" Byron'. Having dealt with these matters, he states that: 'The hundred years which have since passed have shown how limited, beyond the desolating catastrophe of the moment, was the power of that storm'. He discusses how the years in which Shelley lived - 'obscure, lonely, maligned, derided' - point 'towards oblivion & decay', in contrast with the poet's '"rich & strange" after-fame'. He attacks at length Matthew Arnold's assessment of Shelley, and contrasts the poet's attitude to loneliness ('a symbol of his own frailty & failure') with Wordsworth's ('the source of sublime feeling'). In his view, 'the prevalence in Shelley of this cloudland of sublime abstractions must not blind us to the fine, & even genial, human qualities which were especially his'. He quotes from the poet, stating that everyone 'can enjoy the company of this very companionable Shelley', but concluding with the thought that readers need to be persuaded that 'that dream of a humanity in which not force but hope & faith & love are the determining principles of social order, was not a thin abstraction spun by a metaphysical brain, but the vision of an ardent heart. Cor Cordium, - "heart of hearts", that, & not even "great poet", was the inscription set with the verses already quoted upon his grave, by the friend [i.e. Trelawney] who had plucked its physical symbol from the flames that consumed his body on the day of that sublime romantic funeral, by the resounding shore between the dazzling marble mountains & the deep blue Mediterranean Sea'. From the J. Cumming Walters papers.…