Lingua: Inglese
Editore: Aldine Publishing Company, Chicago IL, 1972
ISBN 10: 0202020053 ISBN 13: 9780202020051
Da: Chequamegon Books, Washburn, WI, U.S.A.
Hardcover. Condizione: Good in Very Good dust jacket. 378 pages. contributors: Ernst Caspari, Theodosious Dobzhansky, Loren Eiseley, Ernst Mayr, Robert K. Selander, George Gaylord Simpson and others; 6 1/4 x 9 1/2 ".
Lingua: Inglese
Editore: Trustees of the British Museum ( Natural History), 1975
ISBN 10: 056500767X ISBN 13: 9780565007676
Prima edizione
EUR 29,81
Quantità: 1 disponibili
Aggiungi al carrelloSoft cover. Condizione: Near Fine. No Jacket. 1st Edition. Large 8vo, i-xiv, 217 pp, 9 maps, 5 plates. Original card covers, withdrawn stamp to the front wrapper but a near fine copy.
Editore: Humphrey Milford ( Oxford University Press ), 1932
Da: Oopalba Books, Sale, MANCH, Regno Unito
EUR 17,89
Quantità: 1 disponibili
Aggiungi al carrelloHardcover. Condizione: Good. Pictorial boards are a bit worn around edges and a bit grubby. Covers depicts "Four Merry Maids" by E. Brice. Lovely colour frontis. Some pencil inscription to half title page. Some light foxing to some pages but overall the book is in good condition for its age and type. First story is "Carry On!" by Bernard Rutley. "Oxford Books" series.
Lingua: Inglese
Editore: Harvey Miller Publishers ( Distr.Brepols Publishers ), London, 2021
ISBN 10: 1912554739 ISBN 13: 9781912554737
Da: Luigi De Bei, PREGANZIOL, TV, Italia
Prima edizione
EUR 130,00
Quantità: 1 disponibili
Aggiungi al carrelloRilegato. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. Many Antwerp Hands : Collaborations in Netherlandish Art A. D. Newman, L. Nijkamp (eds.) Editore: Harvey Miller 2021 : Distr. Brepols New -Hardback EUR 130,00 Quantità: 1 Hardcover, 242 pages, English, 280 x 220 mm, 80 colour ill., 2 b/w tables. ISBN 9781912554737. A fresh look at the phenomenon of artistic collaboration in the early modern Low Countries Artists everywhere and across all time periods have collaborated with one another. Yet in the early modern Low Countries, collaboration was particularly widespread, resulting in a number of distinctive visual forms that have become strongly associated with artistic ? and especially painterly ? practice in this region. While art historians long glossed over this phenomenon, which appeared to discomfitingly counter nineteenth-century notions of authorship and artistic genius that have long shaped the field, the past few decades have seen increased attention to this rich and complicated subject. The essays in this book together constitute a current state of the question, while at once pointing the way forward. In broadening the art historical lens on this subject, they draw upon economic and social history, current interests in immigration and mobility, print studies, and technical analysis, embracing a range of literary and archival sources along the way. Interdisciplinary in their perspectives and methodologically diverse, these essays present both theoretical reflections on artistic collaboration and in-depth studies of particular artist-partnerships and collaboratively made objects. Abigail D. Newman is a part-time professor of Art History in the History Department at the University of Antwerp and Research Adviser at the Rubenianum. Lieneke Nijkamp is Curator of Research Collections at the Rubenianu.