campini ruben (18 risultati)

paperback. Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: NEW.

Condizione: New.

paperback. Condizione: New.

Brossura. Condizione: new. Roma, 2023; br., pp. 120, ill., cm 17x24.(I Libri di Viella. Arte. 13). L'Ottocento costituì per Ravenna un periodo di profondi cambiamenti, contrassegnato da due fondamentali eventi politici di ampia portata, il Congresso di Vienna (1814-1815), in seguito al quale la città fu riassegnata allo Stato Pontificio, e l'Unità d'Italia (1861). Dall'inizio del secolo, infatti, Ravenna, ormai un'impoverita città di provincia, cercò di riappropriarsi di un ruolo di primo piano promuovendo il suo glorioso passato tardoantico, rappresentato dai suoi monumenti paleocristiani. Il libro si propone di descrivere questo processo, le sue ragioni e le sue conseguenze, per capire come abbia contribuito alla creazione di una nuova identità per Ravenna, ricostruendo il dialogo tra le immagini della città emerse dalla storiografia artistica occidentale e dai racconti di viaggio, e la promozione di iniziative locali. In ultima istanza, incrociando la storia della storia dell'arte e l'uso politico dei restauri, questo volume mostra come il "mito bizantino" di Ravenna fu inventato e plasmato tra il 1814 e il 1914. Libro.

Condizione: NEW.

Brossura. Condizione: new. A cura di Bacci M. e Foletti I.Roma, 2024; br., pp. 248, cm 19x23.(Convivia. 4). Libro.

Condizione: New.

Paperback. Condizione: new. Paperback. This book questions the place of Armenian visual and material culture in the period known as Late Antiquity, at a time when Armenia is usually presented as an in-between space defined by surrounding external entities: the Roman and the Persian, and later Arab world. The volume includes articles that confront this notion both from the perspective of art history, architecture, and archaeology, and from a historiographical point of view, which examines the reception of Armenian arts by scholars from Italy, Russia, and France. The articles in this richly illustrated volume aim to reposition Armenia as one of the forces of artistic creation and mediation to be reckoned with within the Mediterranean and Eurasian space of Late Antiquity. This project draws on the papers presented at the conference "Re-Constructing Late Antique Armenia (2nd-8th Centuries CE). Historiography, Material Culture, Immaterial Heritage" that took place in February 2022 at the Center for Early Medieval Studies in Brno, Czech Republic. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: NEW. Roma: Viella, 2024 9791254695418 Convivia 4 1409 2 v. (520 p.) : ill. col., indice, biografia ; 22 cm. This two-volume set focuses on the material and visual cultures of one of the central territories in the premodern world: the Southern Caucasus, the stretch of land joining the Caspian and Black Seas, Eastern Europe, and Western Asia. This transcontinental and transcultural region has been a land of fascination and awe due to its uncommon material and visual culture since the birth of art history. This unique place also inspired a darker response: covetousness, colonial and orientalist desires, and violent nationalism and conflict. These two volumes form the main result of a project co-funded by the Swiss National Research Foundation and the Czech Science Foundation. The regional complexity of the Southern Caucasus is here explored through two distinct but complementary perspectives. This two-volume set focuses on the material and visual cultures of one of the central territories in the premodern world: the Southern Caucasus, the stretch of land joining the Caspian and Black Seas, Eastern Europe, and Western Asia. This transcontinental and transcultural region has been a land of fascination and awe due to its uncommon material and visual culture since the birth of art history. This unique place also inspired a darker response: covetousness, colonial and orientalist desires, and violent nationalism and conflict. These two volumes form the main result of a project co-funded by the Swiss National Research Foundation and the Czech Science Foundation. The regional complexity of the Southern Caucasus is here explored through two distinct but complementary perspectives. Bacci,Michele - Foletti,Ivan.

Condizione: New. 2023. Paperback. . . . . .

Condizione: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condizione: new. Paperback. This book questions the place of Armenian visual and material culture in the period known as Late Antiquity, at a time when Armenia is usually presented as an in-between space defined by surrounding external entities: the Roman and the Persian, and later Arab world. The volume includes articles that confront this notion both from the perspective of art history, architecture, and archaeology, and from a historiographical point of view, which examines the reception of Armenian arts by scholars from Italy, Russia, and France. The articles in this richly illustrated volume aim to reposition Armenia as one of the forces of artistic creation and mediation to be reckoned with within the Mediterranean and Eurasian space of Late Antiquity. This project draws on the papers presented at the conference "Re-Constructing Late Antique Armenia (2nd-8th Centuries CE). Historiography, Material Culture, Immaterial Heritage" that took place in February 2022 at the Center for Early Medieval Studies in Brno, Czech Republic. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

paperback. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.

Condizione: NEW. Roma: Viella, 2023 9791254692103 I libri di Viella. Arte. Studia artium mediaevalium brunensia 13 609 120 p. : ill. col. b/n, indice, biografia, bibliografia ; 24 cm. L'Ottocento costituì per Ravenna un periodo di profondi cambiamenti, contrassegnato da due fondamentali eventi politici di ampia portata, il Congresso di Vienna (1814-1815) in seguito al quale la città fu riassegnata allo Stato Pontificio e l'Unità d'Italia (1861). Dall'inizio del secolo, infatti, Ravenna, ormai un'impoverita città di provincia, cercò di riappropriarsi di un ruolo di primo piano promuovendo il suo glorioso passato tardoantico, rappresentato dai suoi monumenti paleocristiani. Il libro si propone di descrivere questo processo, le sue ragioni e le sue conseguenze, per capire come abbia contribuito alla creazione di una nuova identità per Ravenna, ricostruendo il dialogo tra le immagini della città emerse dalla storiografia artistica occidentale e dai racconti di viaggio, e la promozione di iniziative locali. In ultima istanza, incrociando la storia della storia dell'arte e l'uso politico dei restauri, questo volume mostra come il "mito bizantino" di Ravenna fu inventato e plasmato tra il 1814 e il 1914.

Paperback, 191 pages, Size:210 x 270 mm, Illustrations:30 b/w, 125 col., 2 maps color, Language: English. ISBN 9788028003067. Summary This book questions the place of Armenian visual and material culture in the period known as Late Antiquity, at a time when Armenia is usually presented as an in-between space defined by surrounding external entities: the Roman and the Persian, and later Arab world. The volume includes articles that confront this notion both from the perspective of art history, architecture, and archaeology, and from a historiographical point of view, which examines the reception of Armenian arts by scholars from Italy, Russia, and France. The articles in this richly illustrated volume aim to reposition Armenia as one of the forces of artistic creation and mediation to be reckoned with within the Mediterranean and Eurasian space of Late Antiquity. This project draws on the papers presented at the conference ?Re-Constructing Late Antique Armenia (2nd-8th Centuries CE). Historiography, Material Culture, Immaterial Heritage? that took place in February 2022 at the Center for Early Medieval Studies in Brno, Czech Republic. TABLE OF CONTENTS Introduction Ivan Foletti & Adrien Palladino Late Antiquity and Armenia. From Marginalized Region to Creative Force Articles Patrtick Donab dian Culmination of a Late Antique Legacy? The Golden Age of Armenian Architecture in the Seventh Century Naz nie Garibian The First Armenian Christian Sanctuaries and Shrines. Reconsidering the Received Tradition Lilit Mikayelyan Greco-Roman Ornamental Motifs in Armenia and Iran. Commonality and Sustainability of Tradition (5th-11th Centuries) Zaruhi Hakobyan The Image of St Christopher Cynocephalus in Early Medieval Sculpture of Armenia Adrien Palladino From Desperate Solidarity to Dispassionate Eye. Shifting French Perspectives on Early Medieval Armenian Art (ca 1894-1929) Annalisa Moraschi A Mutual Presentation. Precocious Interests for Medieval Armenia in Nineteenth-Century Italy Beatrice Spampinato A Theoretical Topography of Architecture. On the Problematic Connections between Rome, Byzantium, and Armenia in Italian Historiography (1914-1945) Ruben Campini Art from the Borders? Wolfgang Fritz Volbach and the Localization of a Group of Early Christian Ivory Pyxides in the Caucasus Ivan Foletti & Pavel Rakitin Re-Inventing Late Antique and Early Medieval Armenia in World War II Soviet Union Afterword Christina Maranci Late Antique Armenia. Past, Present, and Future 0 g.