Palladino adrien (87 risultati)

Softcover/Paperback. Condizione: Sehr gut. 211 pages. Sehr guter Zustand. Minimale Lager- bzw. Gebrauchsspuren. / Very good. Minimal wear. Sprache: Englisch Gewicht in Gramm: 399.

paperback. Condizione: New. 1st.

Softcover/Paperback. Condizione: Sehr gut. 197 pages. Very good. Minimal wear. Sprache: Englisch Gewicht in Gramm: 350.

paperback. Condizione: As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear.

Hardcover. Condizione: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung. Is it possible to reconstruct the feeling of a medieval pilgrim walking towards the sacred? No, it is not. And yet, the experimental project Migrating Art Historians sought to delve into this impossibility. Journeying by foot over more than 1500km, twelve modern pilgrims - students and scholars from Masaryk University - reached some of the most impressive artistic monuments of medieval France. One year later, this book presents their intellectual, human, and art historical theoretical know-how, transformed by the experience of their bodies. In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred. Original scientific art historical research combines with personal engagement. What emerges is the subject confronted with the experience of medieval art.…

paperback. Condizione: New. 1st.

Condizione: As New. Unread book in perfect condition.

Brossura. Condizione: new. Edited by Foletti I. and Palladino A. English Text. Roma, 2020; paperback, pp. 200, b/w ill., cm 13x19,5. (Parva convivia. 6). Libro.

Condizione: New.

Brossura. Condizione: new. A cura di Foletti I., Palladino A. e Urbanová Z.Illustrazioni di Foletti M.Traduzione di Melker S. e Khakhanova M.Roma, 2022; br., pp. 208, ill.(Parva convivia. 10). In 1901 Nikodim Pavlovic Kondakov, one of the founders of art history in Russia and a specialist in medieval art, decided to undertake a surprising expedition. Driven by a desire to see firsthand the last places where devotional images - the famous icons - were produced in the traditional way, he braved the bumpy and uncertain roads of the Russian countryside. The book you hold in your hands, published for the first time in 1901 and now available to an international audience, is in fact much more than an account of this trip. The book guides the reader through the climate of pre-revolutionary Russia, as Kondakov travels in search of local pro-duction, seeking genuinely Orthodox manifestations of an art that he saw as a direct line stretching back to the medieval past. In his very personal style, Kondakov is ultimately on a mission to save the ancient art of icons, hoping to save an art form dwindling under competition from industrial production. Today, this book is more relevant than ever, questioning the roots of Russian culture, tradition, and its feeling of exclusivity. Libro.…

paperback. Condizione: New. 1st.

Condizione: NEW.

Hardcover/Pappeinband. Condizione: Gut. 466 S. Good condition. Cover mildly damaged. Text clean. Numerous ill. Sprache: Englisch Gewicht in Gramm: 1750.

Brossura. Condizione: new. Edited by Foletti I. and Lovino F. English Text. Roma, 2018; paperback, pp. 184, b/w ill., cm 16,5x24. (Studia Artium Medievalium Brunensia. 7). Libro.

Condizione: NEW.

Brossura. Condizione: new. A cura di Foletti I., Nokkala Miltová R. e Jakubec O.Roma, 2021; br., pp. 248, ill., cm 18x24,5.(I Libri di Viella. Arte. 11). Libro.

Condizione: New. 2019. paperback. . . . . .

paperback. Condizione: New.

Brossura. Condizione: new. English Text. Roma, 2022; paperback, pp. 312, 18 col. ill., cm 17x24. (Studia Artium Medievalium Brunensia. 12). The cult of saints, their relics, and devotion to their shrines is a phenomenon born in Late Antiquity that durably shaped medieval and modern practices across a broad geographical and cultural area spreading first throughout the Roman Empire and beyond. How was the creation of vessels for the holy remains of saints implemented during a culturally heterogenous period? Indeed, how could boxes of various shapes, sizes, and materials become containers to shelter sacred matter? What materials could be used in reliquaries' making, and what images should adorn them? And how did reliquaries, with their geographical and social portability, contribute to the translocation of site-bound sanctity and the spread of saints' and shrines' networks across the Late Antique world? Tracing the medieval reliquary's "pre-history", this volume examines boxes bearing Christian images and patterns made between the fourth to the sixth century ce. It investigates how vessels adorned with images acquired meaning and power, exploring the dynamics of transformation that accompany both the creation of these objects and their long history of reuse, marginalization, and rediscovery. Libro.…

Condizione: New. 2019. paperback. . . . . . Books ship from the US and Ireland.

Condizione: New.

Condizione: NEW. Roma: Viella, 2020 9788833133102 Parva convivia 3 409 197 p. : indice ; 20 cm. Is it possible to "invent" the past? Through a series of studies, this volume explores the history of how this process occurred in Czechoslovakia within the period from about the end of the First World War until the 1960s. It focuses specifically on the re-invention of the "national" Middle Ages at the background of the meeting of different linguistic and ethnic groups Czechs, Slovaks, Germans, and Russians where one group would often negate, reshape, and ignore the point of view of the other, within an increasingly fractured political geography of the country. The presented case studies show how research on medieval artworks and objects could become a fertile ground for the creation of ideological tools and narratives. In this way, understanding the historiography of art history also contributes to redefining Central Europe as a place of transcultural encounters and dialogues, beyond historical ruptures. Is it possible to "invent" the past? Through a series of studies, this volume explores the history of how this process occurred in Czechoslovakia within the period from about the end of the First World War until the 1960s. It focuses specifically on the re-invention of the "national" Middle Ages at the background of the meeting of different linguistic and ethnic groups Czechs, Slovaks, Germans, and Russians where one group would often negate, reshape, and ignore the point of view of the other, within an increasingly fractured political geography of the country. The presented case studies show how research on medieval artworks and objects could become a fertile ground for the creation of ideological tools and narratives. In this way, understanding the historiography of art history also contributes to redefining Central Europe as a place of transcultural encounters and dialogues, beyond historical ruptures. Palladino,Adrien - Foletti,Ivan.…

Condizione: NEW. Roma: Viella, 2023 9791254691786 PARVA Convivia 10 609 208 p. : ill. b/n, indice, biografia ; 20 cm. In 1901 Nikodim Pavlovic Kondakov, one of the founders of art history in Russia and a specialist in medieval art, decided to undertake a surprising expedition. Driven by a desire to see firsthand the last places where devotional images - the famous icons - were produced in the traditional way, he braved the bumpy and uncertain roads of the Russian countryside. The book you hold in your hands, published for the first time in 1901 and now available to an international audience, is in fact much more than an account of this trip. The book guides the reader through the climate of pre-revolutionary Russia, as Kondakov travels in search of local pro-duction, seeking genuinely Orthodox manifestations of an art that he saw as a direct line stretching back to the medieval past. In his very personal style, Kondakov is ultimately on a mission to save the ancient art of icons, hoping to save an art form dwindling under competition from industrial production. Today, this book is more relevant than ever, questioning the roots of Russian culture, tradition, and its feeling of exclusivity. Framed by texts from leading scholars on Russian and Byzantine art, this volume is vividly illustrated by contemporary comic book artist Michele Foletti, giving life to the stories recalled by Kondakov. In 1901 Nikodim Pavlovic Kondakov, one of the founders of art history in Russia and a specialist in medieval art, decided to undertake a surprising expedition. Driven by a desire to see firsthand the last places where devotional images - the famous icons - were produced in the traditional way, he braved the bumpy and uncertain roads of the Russian countryside. The book you hold in your hands, published for the first time in 1901 and now available to an international audience, is in fact much more than an account of this trip. The book guides the reader through the climate of pre-revolutionary Russia, as Kondakov travels in search of local pro-duction, seeking genuinely Orthodox manifestations of an art that he saw as a direct line stretching back to the medieval past. In his very personal style, Kondakov is ultimately on a mission to save the ancient art of icons, hoping to save an art form dwindling under competition from industrial production. Today, this book is more relevant than ever, questioning the roots of Russian culture, tradition, and its feeling of exclusivity. Framed by texts from leading scholars on Russian and Byzantine art, this volume is vividly illustrated by contemporary comic book artist Michele Foletti, giving life to the stories recalled by Kondakov. Foletti,Ivan - Palladino,Adrien - Urbanová,Zuzana.…

Condizione: As New. Unread book in perfect condition.

Condizione: NEW. Roma: Viella, 2019 9788833131047 Studia artium Medievalium Brunensia 7 609 184 p. : ill. col. b/n, indice, biografia ; 24 cm. Today, the question of the origins of Christian aesthetics is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the looming figure of Josef Strzygowski, who published his pivotal volume Orient oder Rom in 1901, now discredited for its racial and proto-Nazi ideas. However, the debate does not concern Strzygowski alone: the prodromes of this critical concept go back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control contested territories, and studies of the humanities mirrored these conflicts. This volume, originating in the urgency to reflect on this pivotal conundrum in our field, attempts to reconstruct the (mis)fortune of a question that, according to Alois Riegl, "is the most important and most trenchant one in the entire history of mankind to date". Today, the question of the origins of Christian aesthetics is no longer a topical issue in medieval art history, although a persuasive answer has never been formulated. One of the reasons for this oblivion deals with the looming figure of Josef Strzygowski, who published his pivotal volume Orient oder Rom in 1901, now discredited for its racial and proto-Nazi ideas. However, the debate does not concern Strzygowski alone: the prodromes of this critical concept go back to the nineteenth century, when the Russian, Austro-Hungarian and Ottoman empires fought to control contested territories, and studies of the humanities mirrored these conflicts. This volume, originating in the urgency to reflect on this pivotal conundrum in our field, attempts to reconstruct the (mis)fortune of a question that, according to Alois Riegl, "is the most important and most trenchant one in the entire history of mankind to date". Foletti,Ivan - Lovino,Francesco.…

Condizione: NEW. Roma: Viella, 2021 9788833138459 I libri di Viella. Arte 11 809 248 p. : ill. col., indice, biografia ; 24 cm. The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jirí Kroupa's pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges. The end of World War I in 1918 meant a radical transformation of Central Europe: the multicultural space of former empires became divided into individual nation-states. This altered all spheres of life, deeply impacting the discipline of art history as well. The cosmopolitan vision of art history developed by figures from the Vienna School such as Franz Wickhoff and Alois Riegl was gradually replaced by new self-referential narratives. This nationalist tendency was reinforced by the division of Europe after World War II. In the wake of Jirí Kroupa's pioneering studies, this volume takes a truly transcultural approach to art produced in the Central European region from the 12th to the 20th century. Freed from national prejudices, a region shaped by the constant movement of people, ideas, and objects emerges. Foletti,Ivan - Jakubec,Ondrej - Miltová,Radka Nokkala. …

paperback. Condizione: New. 1st.

paperback. Condizione: New. 1st.

paperback. Condizione: New. 1st.

Condizione: New. 2022. Paperback. . . . . .