Rosenbergova sabina (37 risultati)

Hardcover. Condizione: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung. Is it possible to reconstruct the feeling of a medieval pilgrim walking towards the sacred? No, it is not. And yet, the experimental project Migrating Art Historians sought to delve into this impossibility. Journeying by foot over more than 1500km, twelve modern pilgrims - students and scholars from Masaryk University - reached some of the most impressive artistic monuments of medieval France. One year later, this book presents their intellectual, human, and art historical theoretical know-how, transformed by the experience of their bodies. In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred. Original scientific art historical research combines with personal engagement. What emerges is the subject confronted with the experience of medieval art.…

Softcover. Condizione: Fine. Leichte Gebrauchsspuren; Leichte Verschmutzung / Farbtonveränderung. The articles published in this volume aim to contribute to the art historical debates on the role of visual culture within medieval rituals and how the latter were experienced bodily. The studies focus on the essential importance of movement within medieval religious practice and its impact on production, conception, perception, and use of artistic objects and architecture in the Middle Ages. At their core is the moving body, individual or collective, which enters into dialogue with the surrounding architectural or urban space, artefacts, and images, thus awakening their sacred potential with each and every step. Shifting attention to the movement of the worshipers and the objects themselves, this book wishes to instigate further discussion on various medieval visual cultures.…

paperback. Condizione: As New. Never read, no marks or highlighting in the book. Our copy is paperback showing light shelf-wear.

Brossura. Condizione: new. Edited by Foletti I. and Palladino A. English Text. Roma, 2020; paperback, pp. 200, b/w ill., cm 13x19,5. (Parva convivia. 6). Libro.

Hardcover/Pappeinband. Condizione: Gut. 466 S. Good condition. Cover mildly damaged. Text clean. Numerous ill. Sprache: Englisch Gewicht in Gramm: 1750.

Brossura. Condizione: new. A cura di Rosenbergová S. e Lesák M. F. Roma, 2021; br., pp. 144, cm 17x24. (Studia Artium Medievalium Brunensia. 10). (I Libri di Viella. Arte). Libro.

Condizione: New.

Paperback. Condizione: new. Paperback. The articles published in this volume aim to contribute to the art historical debates on the role of visual culture within medieval rituals and how the latter were experienced bodily. The studies focus on the essential importance of movement within medieval religious practice and its impact on production, conception, perception, and use of artistic objects and architecture in the Middle Ages. At their core is the moving body, individual or collective, which enters into dialogue with the surrounding architectural or urban space, artefacts, and images, thus awakening their sacred potential with each and every step. Shifting attention to the movement of the worshipers and the objects themselves, this book wishes to instigate further discussion on various medieval visual cultures. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2019. paperback. . . . . .

brossura. Condizione: Perfetto (Mint). 143 pagine, illustrato 24 cm. Brossura.  Lingua: inglese 9788833137018 Perfetto (Mint) .

Condizione: New. 2019. paperback. . . . . . Books ship from the US and Ireland.

Condizione: NEW. Roma: Viella, 2020 9788833133102 Parva convivia 3 409 197 p. : indice ; 20 cm. Is it possible to "invent" the past? Through a series of studies, this volume explores the history of how this process occurred in Czechoslovakia within the period from about the end of the First World War until the 1960s. It focuses specifically on the re-invention of the "national" Middle Ages at the background of the meeting of different linguistic and ethnic groups Czechs, Slovaks, Germans, and Russians where one group would often negate, reshape, and ignore the point of view of the other, within an increasingly fractured political geography of the country. The presented case studies show how research on medieval artworks and objects could become a fertile ground for the creation of ideological tools and narratives. In this way, understanding the historiography of art history also contributes to redefining Central Europe as a place of transcultural encounters and dialogues, beyond historical ruptures. Is it possible to "invent" the past? Through a series of studies, this volume explores the history of how this process occurred in Czechoslovakia within the period from about the end of the First World War until the 1960s. It focuses specifically on the re-invention of the "national" Middle Ages at the background of the meeting of different linguistic and ethnic groups Czechs, Slovaks, Germans, and Russians where one group would often negate, reshape, and ignore the point of view of the other, within an increasingly fractured political geography of the country. The presented case studies show how research on medieval artworks and objects could become a fertile ground for the creation of ideological tools and narratives. In this way, understanding the historiography of art history also contributes to redefining Central Europe as a place of transcultural encounters and dialogues, beyond historical ruptures. Palladino,Adrien - Foletti,Ivan.…

paperback. Condizione: New. Special order direct from the distributor.

Condizione: New. 2020. Paperback. . . . . .

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: Brand New. 143 pages. 9.25x6.50x0.50 inches. In Stock.

Condizione: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.

Cartonato. Condizione: new. Edited by Foletti I., Rosenbergová S. and Kravcíková K. English Text. Roma, 2019; hardback, pp. 468, b/w and col. ill., cm 19,5x22. (Convivia. 2). Libro.

Brossura. Condizione: new. Edited by S. Romano, Foletti I. and Gianandrea M. English Text. Roma, 2018; paperback, pp. 468, col. ill., cm 17x24. (Études Lausannoises d'Histoire de l'Art. 27). Libro.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: new. Hardcover. Is it possible to reconstruct the feeling of a medieval pilgrim walking towards the sacred? No, it is not. And yet, the experimental project Migrating Art Historians sought to delve into this impossibility. Journeying by foot over more than 1500km, twelve modern pilgrims - students and scholars from Masaryk University - reached some of the most impressive artistic monuments of medieval France. One year later, this book presents their intellectual, human, and art historical theoretical know-how, transformed by the experience of their bodies. In this context, exhausted and activated bodies became instruments asking new questions to medieval artworks and sources. Structured as a walk along pilgrimage routes, this book presents firstly the landscape, followed by liminal zones, before leading the reader inside medieval churches and ultimately towards the sacred. Original scientific art historical research combines with personal engagement. What emerges is the subject confronted with the experience of medieval art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condizione: NEW. Roma: Viella, 2018 9788867289134 Études lausannoises d'histoire de l'art 27 1409 468 p. : indice ; 24 cm. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. If there is one constant in the history of Christianity and especially of the Western Church, it is its deep desire to be connected with its own past. From the perspective of the longue durée, it might even be possible to state that a meditation on Christian origins was a common and widespread response used throughout history in the face of each great moment of crisis within the Church. In those situations, the rhetoric produced by the Church was always aimed at emphasizing a desire to return to these mythical roots, the ideal community, a pure and radical Christianity. The question underlying this book is the way in which this desire for the past provides the occasion to re-live, re-think and re-create Christian origins. More precisely, the crux of our work is to understand how this desire can transform and rewrite the past both in materiality with restorations of ancient monuments and in ideas writing history. In this book, the main focus of attention is dedicated to three key moments, corresponding more or less to three crucial episodes in the history of the Catholic Church in the modern era. The first of these three is the Reformation and subsequent Counter-Reformation, between the sixteenth and seventeenth centuries. Second comes the moment in which the Catholic Church lost its temporal power during the Unification of Italy and the "spiritual" reaction culminating with the First Vatican Council (1869-1870). Lastly is the period before and after the Second. Foletti,Ivan - Gianandrea,Manuela - Romano,Serena.…

Condizione: As New. Unread book in perfect condition.

Paperback. Condizione: new. Paperback. The articles published in this volume aim to contribute to the art historical debates on the role of visual culture within medieval rituals and how the latter were experienced bodily. The studies focus on the essential importance of movement within medieval religious practice and its impact on production, conception, perception, and use of artistic objects and architecture in the Middle Ages. At their core is the moving body, individual or collective, which enters into dialogue with the surrounding architectural or urban space, artefacts, and images, thus awakening their sacred potential with each and every step. Shifting attention to the movement of the worshipers and the objects themselves, this book wishes to instigate further discussion on various medieval visual cultures. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condizione: New. 2018. Hardcover. . . . . .