Cardarelli monica (26 risultati)

Condizione: NUOVO. Firenze, Polistampa cm.21x30, pp.144, illustrazioni a colori, tavole a colori. brossura copertina figurata a colori. Il catalogo della mostra allestita a Firenze, nei locali della Galleria Marletta, dal 16 settembre al 2 ottobre 2019, riproduce una selezione di dipinti, disegni, pastelli, bronzi, terracotta o ceramica, di artisti italiani del XX secolo che hanno rappresentato altrettante figure femminili.Da Libero Andreotti a Umberto Brunelleschi, da Enrico Sacchetti a Plinio Nomellini, nel volume trovano spazio mogli e amanti, vergini e cortigiane, madri sante come la Madonna o mangiatrici d'uomini, adolescenti caste o mature Maddalene, ma anche dee, ninfe, personificazioni leggiadre della Primavera o dell'Italia, giunonica e turrita. Gallleria del Laoconte. A cura di Monica Cardarelli. Presentazione di Cecilia del Re. …

Condizione: NEW.

Encuadernación de tapa blanda. Condizione: Muy Bien.

Soft cover. Condizione: Near Fine. 1st. Dust Jacket: N/A. External Condition: Excellent. Minimal wear. Clean. Internal Condition: Excellent. Clean. Author/Editor: Cardarelli, Monica. ISBN: 9791259750815. Publisher: D'Arte. Year: 2021. Edition: 1st. Binding: Softcover. Illustrated: Yes, colour. Language: English. Page Count: 250. Keywords: art, art fauna, paintings, drawings, sculpture, ceramics, exhibition. The book for sale is the one in the photo. …

Condizione: good. Las participaciones de la pobreza. - Cardarelli, Graciela; Rosenfeld, Monica / Paidos, Buenos Aires, 1998 (165p) -- ensayo, Buen estado --.

Brossura. Condizione: molto buono. edizione illustrata. pp. 123; ill. a color; brossura.

Softcover. Condizione: VG+. Softcover with color reproduction on front with white titles. 141 pp, generously illustrated with color reproductions. Text is in Italian. Catalog of an exhibition held at the Galleria Laocoonte, Rome, Italy, May 30-July 12, 2015./ Includes bibliographical references (pages 139-140) and index.…

Softcover. Condizione: VG+. Softcover with color reproduction on front and reverse. 133 pp, generously illustrated with color reproductions. "In ancient iconographic treatises, the personification of painting often wears a mask hanging from its neck, because it imitates nature just as the masked actor imitates the character he plays. The Galleria del Laocoonte dedicates an exhibition of 20th-century paintings, drawings and sculptures to the mask, as a symbol of painting, where it is the subject represented: both the enigmatic mask object, inanimate subject of futurist or metaphysical still lifes, and the mask worn by the actor who gives life and voice to the characters of the traditional Italian commedia dell'arte , so often celebrated by modern art, not only in Italy. Bearing in mind the figurative memories of the Tiepolos, it is precisely Venice, with its ancient carnivals where both the actors on stage and the audience in the theater wore masks , the ideal capital of masks . A large painting by Ugo Rossi (1906-1990), almost 4 meters long, represents Piazza San Marco in Venice packed with people in carnival costumes, colorful and of every shape. Created to brighten up the bar of one of those luxury transatlantic liners that embodied the enthusiastic optimism of the post-war era, this work aims to represent Italy as a country in constant celebration precisely to forget the horrors and destruction of the conflict that had just ended. Venetian scenes with carnival masks were one of the favorite subjects of the artist Umberto Brunelleschi (1879-1949), a Tuscan who had great success in Paris as a costume designer, set designer and fashion illustrator. We have two of his typical pochoirs with amorous courtships of couples and a study for a poster dedicated to a Venetian-themed masked party held at the Cercle de l'Union Interalliées in Paris. In another watercolour he paints a self-portrait with a mask, a study for a poster for the Paris premiere of the comedy La maschera e il volto, a now almost forgotten work by Luigi Chiarelli, which had great international success, following the influential example of Pirandello. Directly inspired by Pirandello himself was the painter Giovanni Marchig. His most important work, Death of an Author (1924), depicts a dead playwright on his desk surrounded by all the characters of the Commedia dell'Arte. in mourning, is now in the Pitti Palace. He was a charming painter, little known because he gave up painting towards the end of his life to become a renowned restorer of old master paintings, Bernard Berenson's right-hand man. Today he is famous mainly for having been the owner of Leonardo's controversial drawing The Beautiful Princess. The Galleria del Laocoonte is proud to present a recently rediscovered work by Marchig from 1933, the portrait of a young actor dressed as Harlequin. He has his multicolored costume but is not wearing a mask, he is not on stage and is resting with his arms folded. This time the emphasis is on the face, on the real person of the actor when he is not "possessed" by the role of his character. Venice, the eighteenth century, Casanova. The famous Venetian seducer became very fashionable during the "années folles". Here he is depicted masked, with a puppet in each hand. It is in fact the elegant preparatory drawing for the cover of the play Il matrimonio di Casanova (1910), where the hero of the title becomes the puppeteer who manipulates all the characters in the plot. It was designed by Oscar Ghiglia (1876-1945), the favourite painter of Ugo Ojetti, the most important Italian art critic of his time, also the author of the comedy together with Renato Simoni, a critic and playwright, who translated Ojetti's prose into Goldonian vernacular. Venice and its masked ladies are also the subject of two enchanting and singular paintings under glass by Vittorio Petrella from Bologna (1886-1951), decorative and hypnotizing like the ancient marbled papers of the bindings of ancient books. There are metaphysical masks at the centre of the enigmatic still lifes in the paintings of Marisa Mori (1900-1985), a student of Casorati, there are others in one of the first works of Aligi Sassu (1929), a promising futurist when very young, still far from the tiring red seahorses that made him famous" -- gallery website viewed June 14, 2024. Text is in Italian.…

Softcover. Condizione: VG+. Softcover, scored and folded with color reproductions on the front and reverse. 143 pp, generously illustrated with color reproductions. "Galleria del Laocoonte"--Cover and page 1./ Catalog of an exhibition of works by Guilio Cambellotti exhibited at the Museo Emilio Greco, Sabaudia, Italy, May 19-July 2, 2017./ Exhibition location and dates from Arte.it website./ Includes bibliographical references. Text is in Italian.…

Softcover. Condizione: VG+. Softcover with color reproductions on front and reverse. 126 pp generously illustrated with color reproductions. Catalog of an exhibition held at the Galleria Pio Fedi, Florence, Italy, September 24-October 11, 2015./ Includes bibliographical references. Text is in Italian.…

Softcover. Condizione: VG+. Softcover scored and folded with color reproduction on the front and reverse. 250 pp, generously illustrated with color reproductions. Text is in Italian. Wonderful account of animals as a subject in art. Catalog of an exhibition held at the Galleria del Laocoonte, Rome, Italy, 2021./ Includes bibliographical references. …

Paperback. Condizione: Very good in wraps. 21 x 30cm 106pp very good paperback featuring the works of the Italian painter, engraver, illustrator and graphic designer. Critics have described Martini's range of work from "elegant and epic" to "grotesque and macabre" and consider him one of the precursors of Surrealism.…

Condizione: Nuovo. Bross., cm 24 x 17, pp 175, 32 tacc. a col. - ISBN: 9791281262072.

Brossura. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. La Commedia dell'Arte. Maschere e Carnevale nell'Arte italiana del Novecento. A cura: Cardarelli Monica Editore: D'Arte - Tau Todi 2022, 2022 ISBN 13: 9791259751096 Nuovo - Brossura EUR 28,00 Quantità: 1 Bross., cm 20,5x20.5, pp 133, 46 tavv, a col.e 28 ill. in b/n. - ISBN: 9791259751096 Language : Italian text.…

Condizione: Nuovo. Bross., cm 30x21, pp 140, moltissime tavv. e ill. a col. e b/n. - ISBN: 9788859620198.

Condizione: Nuovo. Bross., cm 29,5x21, pp 105, tavv. a col. e b/n. - ISBN: 9791259750594.

Rilegato. Condizione: new. Testo Italiano e Inglese.Roma, 2024; ril., pp. 268, ill., cm 24x30. Eugene Berman, ha lasciato una straordinaria collezione di tremila pezzi di antichità egizie ed etrusche, africane e precolombiane allo Stato italiano, da quasi cinquant'anni immagazzinata in attesa di un allestimento aperto al pubblico ancora al di là da venire. Ciò che non si sapeva è che tra sarcofagi di terracotta, maschere funerarie egizie e vasetti aztechi, l'intera opera di Eugene Berman artista, rimasta nelle sue mani fino alla morte, giace nelle segrete dell'antico carcere pontificio di Civita Castellana, mai vista e finora mai fotografata. Quasi sessanta dipinti, centinaia e centinaia di disegni sciolti e migliaia di fogli d'album sono qui per la prima volta riprodotti. Libro.…

Paperback. Condizione: New.

Condizione: Nuovo. Bross., cm 29,5x20.5, pp 133, 46 tavv, a col.e 28 ill. in b/n. - ISBN: 9791259751096.

Hardcover. Condizione: VG+/VG+. Hardcover with grey cloth and printed paper dustjacket. Text is in Italian with large type and is profusely illustrated with color reproductions of paintings and drawings. Catalog of an exhibition held at the Galleria W. Apolloni, at the Spazio Babuino, and at the Galleria del Laocoonte, Rome, Italy, October 29, 2018-February 29, 2019./ Includes bibliographical references (page 159).…

Softcover. Condizione: VG+. Softcover, scored and foldedwith color reproductions on front and reverse. 87 pp gerously illustrated with mostly color reproductions. Text in Italian with parallel English translation. Catalog of an exhibition held at the Galleria del Laocoonte, Rome, Italy, December 13, 2019-March 12, 2020./ Publio Morbiducci (1889-1963)./ Includes bibliographical references. …

Condizione: Nuovo. Bross., cm 29,5x21, pp 249, moltissime tavv. a col. - ISBN: 9791259750815.

Condizione: new.

Condizione: Nuovo. Ril. in cart. con sovr., cm 30,5 x 24,55, pp 266, moltissime tavv. e ill. a col.e alcune in b/n. Artista nato a S. Pietroburgo e morto a Roma a 73 anni. Circa sessanta dipinti centinaia e centinaia di disegni e migliaia di fogli d'album. - ISBN: 9791281262065.

Condizione: Hervorragend. Zustand: Hervorragend | Sprache: Italienisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Paperback. Condizione: New.