caroline patey (51 risultati)

Softcover. Condizione: Sehr gut. Ohne Schutzumschlag. 1. Auflage. (Quaderni di Acme, 86); 399 pages.

Paperback. Condizione: New. Paperback in like new condition. New shop stock with minor shelf-wear, no faults. TA. Used.

Paperback. Condizione: New.

Paperback. Condizione: New. Paperback in like new condition. New shop stock with minor shelf-wear and slight bump to spine head. No other faults. TA. Used.

Paperback. Condizione: New. Paperback in like new condition. Unused shopstock with minor shelfwear, no faults. AD. Used.

Paperback. Condizione: New.

Cisalpino Istituto Editoriale Universitario, Milano, 2006. 399p. Paperback. Series: Quaderni di Acme, 86. Nice copy. The essays collected in this volume were first presented as papers at the conference 'Anglo-American Modernity and the Mediterranean' held at the University of Milan in September 2005. A.o.: J.B. BULLEN: W.B. Yeats, Byzantium and the Mediterranean (pp.17-31); 'Forth on the godly sea': The Mediterranean in Pound, Yeats and Stevens (pp.31-51); M. AFFI: Untender is the Night in the Garden of Eden: Fitzgerald, Hemingway, and the Mediterranean (pp.99-121); G. RESTIVO: From 'Exiles' to 'Ulysses': The Influence of Three Italian Autors on Joyce - Giacosa, Praga, Oriani (pp.133-153); R. GEFTER WONDRICH: 'All the Seas of the World': Joycean Thresholds of the Unknown. A Reading of the Marine and Watery Elements from 'Dubliners' to 'Ulysses' (pp.227-247); G. CANCI: The Primitives are Upon Us: Jane Harrison's Dionysian Mediterranean (pp.247-263); P. MARCHETTI: 'The Pallid Children': Auden and the Mediterranean (pp.295-313).

Condizione: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone.

Condizione: NEW.

Softcover. Condizione: Sehr gut. 1. Auflage. (Quaderni di Acme, 97), 581 pages with some b/w-illustrations.

Softcover. Condizione: Sehr gut. 332 p. Sehr guter Zustand / In very good condition. - Long after his death in 1764. William Hogarth is still our contemporary. Lar from leading a secluded existence in museums and academies, his legacy of vibrant images and provocative ideas remains a powerful source of inventiveness and inspiration for the artists of today, as once for those of vesterday, be it on page, stage, canvas or digital formats. After approaching the artist by way of his challenging aesthetic philosophy and his resistance to normative categories, this two-book set considers Hogarth's pioneering sense of performativity, which has long made him lilt* treasured interlocutor of actors and plavwrights, from David Carrick to Bertolt Brecht or Nick Beat. His work has permeated film, television, the graphic novel, art and narrative, which all bear witness to his versatile and powerful use of images and its resonance in the modern and contemporary age. Brimming as it is with energy, plenty, affliction, entropy and empathy, Hogarth's contradictorv universe of chaos and beauty is in tune with ours and resonates vividly w ith contemporary passions and struggles. The twenty-eight essays in this collection chart the teeming legacies of William Hogarth and explore the ways in which his works and ideas were and are revisited and appropriated in the UK and across Europe. For the eighteenth-century artist lives on as an unforgotten presence, w hose invigorating and challenging memory energizes multiple expressive forms, including drama, visual arts, literature, film, graphic novels and TV serials. ISBN 9781789974744 Sprache: Englisch Gewicht in Gramm: 506.

Taschenbuch. Condizione: Neu. Neuware -Long after his death in 1764, William Hogarth is still our contemporary. Far from leading a secluded existence in museums and academies, his legacy of vibrant images and provocative ideas remains a powerful source of inventiveness and inspiration for the artists of today, as once for those of yesterday, be it on page, stage, canvas or digital formats.After approaching the artist by way of his challenging aesthetic philosophy and his resistance to normative categories, this two-book set considers Hogarth¿s pioneering sense of performativity, which has long made him the treasured interlocutor of actors and playwrights, from David Garrick to Bertolt Brecht or Nick Dear. His work has permeated film, television, the graphic novel, art and narrative, which all bear witness to his versatile and powerful use of images and its resonance in the modern and contemporary age. Brimming as it is with energy, plenty, affliction, entropy and empathy, Hogarth¿s contradictory universe of chaos and beauty is in tune with ours and resonates vividly with contemporary passions and struggles.The twenty-eight essays in this collection chart the teeming legacies of William Hogarth and explore the ways in which his works and ideas were and are revisited and appropriated in the UK and across Europe. For the eighteenth-century artist lives on as an unforgotten presence, whose invigorating and challenging memory energizes multiple expressive forms, including drama, visual arts, literature, film, graphic novels and TV serials. 360 pp. Englisch.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. Why was the Bard of Avon so frequently on the agenda of avant-garde writers in Britain, France, Italy, Portugal, Germany and Ireland? This volume explores the rich and diverse landscape of Shakespearean encounters in the tormented aesthetics of pre- and post-World War I Europe. However manipulated, deformed or transfigured, the Renaissance dramatist was revived in infinite guises: verbal, philosophical, visual and linguistic. Was he an icon to be demolished ruthlessly as the expression of a stale past or, on the contrary, did his works offer the foundation for new and provocative artistic explorations? Was he an enemy, a foil, a mirror? As they cross the borders of European countries and languages, the essays of this book interrogate Shakespeare's living presence and chart the multiple facets of his vibrant and chameleonic afterlives as no single volume has done before. The exploration of territories situated beyond Anglophone boundaries partly displaces the Bard from his given niche in English culture and retrieves lost or marginalized Shakespearean voices. The annotated bibliographies which complete the volume greatly extend the territory of scholarship and offer a precious map of orientation in the maze of critical works.

Condizione: New. In.

Condizione: new.

Broschur. Condizione: Wie neu. xxiv, 331 Seiten : Ill. Good as new. - Contents -- List of illustrations -- FRÉDÉRIC OGÉE Foreword -- Acknowledgements -- CAROLINE PATEY -- Introduction -- PART I The Politics of Taste -- EMILIO MAZZA -- Ships, hunters and anatomists. Hogarth and Hume -- ELIO FRANZINI -- Aesthetic variations on the line of beauty -- CYNTHIA E. ROMAN -- James Gillray's Hogarthian ridicule' The contest of graphic satire and the Academy -- LAURA ROSSI -- From Pavel Fedotov to Viktor Shklovsky. The turbulent fortunes of William Hogarth in Russia and the USSR -- STEFANIA CONSONNI -- A note on Hogarth's serpentine beauty. Geometry and hermeneutics, intelligence and eroticism -- PART II Hogarth's Stages -- MARIAGABRIELLA CAMBIAGHI -- Hogarth and Garrick. Or, the British model for the nineteenth-century actor in Italy -- MARCO CASTELLARI -- A threepenny Hogarth. Brecht, Benjamin, and a friendship, with Hogarthian traces between Weimar and exile -- SARA SONCINI -- Hogarth in drag. Acts of transvestism in The Grace of Mary Traverse and Mother Clap's Molly House -- MARIACRISTINA CAVECCHI -- Hogarth's progress in Nick Dear's The Art of Success -- PART ill In Other Media -- MARIE GUEDEN -- 'The knight of the organic line of beauty' and film. -- Or, William Hogarth and Sergei M. Eisenstein -- SYLVIA GREENUP -- An even lower Before and After. Homage, presentism and strategy in two TV adaptations of A Harlot's Progress -- Riccardo CAPOFERRO -- Hogarth and the history of graphic novels -- Daniele CROCI -- Ripping Yarns. William Hogarth in Alan Moore and Eddie -- Campbells From Hell -- MARIA LAUDANDO -- Hogarth between London and Johannesburg. A serpentine progress through the metropolis of past and present. ISBN 9781789974706 Sprache: Englisch Gewicht in Gramm: 481.

Condizione: New. Why was the Bard of Avon so frequently on the agenda of avant-garde writers in Britain, France, Italy, Portugal, Germany and Ireland? This volume explores the rich and diverse landscape of Shakespearean encounters in the tormented aesthetics of pre- and post-World War I Europe. Editor(s): Cianci, Giovanni; Patey, Caroline. Series: Cultural Interactions: Studies in the Relationship Between the Arts. Num Pages: 290 pages, 6, Illustrations, black-white. BIC Classification: AB; DSB. Category: (P) Professional & Vocational. Dimension: 228 x 151 x 18. Weight in Grams: 534. . 2014. New edition. Paperback. . . . .

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: new. Paperback. Why was the Bard of Avon so frequently on the agenda of avant-garde writers in Britain, France, Italy, Portugal, Germany and Ireland? This volume explores the rich and diverse landscape of Shakespearean encounters in the tormented aesthetics of pre- and post-World War I Europe. However manipulated, deformed or transfigured, the Renaissance dramatist was revived in infinite guises: verbal, philosophical, visual and linguistic. Was he an icon to be demolished ruthlessly as the expression of a stale past or, on the contrary, did his works offer the foundation for new and provocative artistic explorations? Was he an enemy, a foil, a mirror? As they cross the borders of European countries and languages, the essays of this book interrogate Shakespeares living presence and chart the multiple facets of his vibrant and chameleonic afterlives as no single volume has done before. The exploration of territories situated beyond Anglophone boundaries partly displaces the Bard from his given niche in English culture and retrieves lost or marginalized Shakespearean voices. The annotated bibliographies which complete the volume greatly extend the territory of scholarship and offer a precious map of orientation in the maze of critical works. Why was the Bard of Avon so frequently on the agenda of avant-garde writers in Britain, France, Italy, Portugal, Germany and Ireland? The essays of this book interrogate Shakespeares living presence and chart the multiple facets of his vibrant and chameleonic afterlives as no single volume has done before. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: Very Good. Used. Paperback. Very Good condition. 18x11cm 93pp.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Long after his death in 1764, William Hogarth is still our contemporary. Far from leading a secluded existence in museums and academies, his legacy of vibrant images and provocative ideas remains a powerful source of inventiveness and inspiration for the artists of today, as once for those of yesterday, be it on page, stage, canvas or digital formats.After approaching the artist by way of his challenging aesthetic philosophy and his resistance to normative categories, this two-book set considers Hogarth¿s pioneering sense of performativity, which has long made him the treasured interlocutor of actors and playwrights, from David Garrick to Bertolt Brecht or Nick Dear. His work has permeated film, television, the graphic novel, art and narrative, which all bear witness to his versatile and powerful use of images and its resonance in the modern and contemporary age. Brimming as it is with energy, plenty, affliction, entropy and empathy, Hogarth¿s contradictory universe of chaos and beauty is in tune with ours and resonates vividly with contemporary passions and struggles.The twenty-eight essays in this collection chart the teeming legacies of William Hogarth and explore the ways in which his works and ideas were and are revisited and appropriated in the UK and across Europe. For the eighteenth-century artist lives on as an unforgotten presence, whose invigorating and challenging memory energizes multiple expressive forms, including drama, visual arts, literature, film, graphic novels and TV serials.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Long after his death in 1764, William Hogarth is still our contemporary. Far from leading a secluded existence in museums and academies, his legacy of vibrant images and provocative ideas remains a powerful source of inventiveness and inspiration for the artists of today, as once for those of yesterday, be it on page, stage, canvas or digital formats.After approaching the artist by way of his challenging aesthetic philosophy and his resistance to normative categories, this two-book set considers Hogarth¿s pioneering sense of performativity, which has long made him the treasured interlocutor of actors and playwrights, from David Garrick to Bertolt Brecht or Nick Dear. His work has permeated film, television, the graphic novel, art and narrative, which all bear witness to his versatile and powerful use of images and its resonance in the modern and contemporary age. Brimming as it is with energy, plenty, affliction, entropy and empathy, Hogarth¿s contradictory universe of chaos and beauty is in tune with ours and resonates vividly with contemporary passions and struggles.The twenty-eight essays in this collection chart the teeming legacies of William Hogarth and explore the ways in which his works and ideas were and are revisited and appropriated in the UK and across Europe. For the eighteenth-century artist lives on as an unforgotten presence, whose invigorating and challenging memory energizes multiple expressive forms, including drama, visual arts, literature, film, graphic novels and TV serials.

Condizione: New. Why was the Bard of Avon so frequently on the agenda of avant-garde writers in Britain, France, Italy, Portugal, Germany and Ireland? This volume explores the rich and diverse landscape of Shakespearean encounters in the tormented aesthetics of pre- and post-World War I Europe. Editor(s): Cianci, Giovanni; Patey, Caroline. Series: Cultural Interactions: Studies in the Relationship Between the Arts. Num Pages: 290 pages, 6, Illustrations, black-white. BIC Classification: AB; DSB. Category: (P) Professional & Vocational. Dimension: 228 x 151 x 18. Weight in Grams: 534. . 2014. New edition. Paperback. . . . . Books ship from the US and Ireland.

Taschenbuch. Condizione: Neu. Enduring Presence: William Hogarth's British and European Afterlives | Book 2: Image into Word | Caroline Patey (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Peter Lang | EAN 9781789974744 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

Taschenbuch. Condizione: Neu. Enduring Presence: William Hogarth's British and European Afterlives | Book 1: Aesthetic, Visual and Performative Cultures | Caroline Patey (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2021 | Peter Lang | EAN 9781789974706 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.

Paperback. Condizione: New.

Paperback. Condizione: New.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Interest in collecting and museology has increased exponentially over recent years, both in academic circles and the broader cultural arena, but the relationship between museums, collections and literature has not yet been fully investigated. This book examines some crucial phases of this interaction from the nineteenth and twentieth centuries. Moving from a time of endless enthusiasm for exhibiting and classifying to the modern period, dominated by turbulence and loss, the essays in this collection investigate changing modes of museology and literary texts that articulate the concepts of display and taxonomy. The writers in this volume move beyond the world of art to address cultural practices at large and demonstrate that the 'museum fever' of the past 150 years has been a powerful agent of textuality. The focus of the book moves from the Victorian authors John Clare, Thomas De Quincey and George Eliot, via Henry James's precociously modernist concerns, to the twentieth-century crisis of representation and memory embodied in the works of James Joyce, Vladimir Nabokov and Samuel Beckett. The essays testify to the thematic and theoretical importance of the encounter between museum and text, which makes a lively comeback in post-modern narrative through the works of A.S. Byatt, Julian Barnes and J.G. Farrell among others.

Taschenbuch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - Why was the Bard of Avon so frequently on the agenda of avant-garde writers in Britain, France, Italy, Portugal, Germany and Ireland This volume explores the rich and diverse landscape of Shakespearean encounters in the tormented aesthetics of pre- and post-World War I Europe. However manipulated, deformed or transfigured, the Renaissance dramatist was revived in infinite guises: verbal, philosophical, visual and linguistic. Was he an icon to be demolished ruthlessly as the expression of a stale past or, on the contrary, did his works offer the foundation for new and provocative artistic explorations Was he an enemy, a foil, a mirror As they cross the borders of European countries and languages, the essays of this book interrogate Shakespeare's living presence and chart the multiple facets of his vibrant and chameleonic afterlives as no single volume has done before. The exploration of territories situated beyond Anglophone boundaries partly displaces the Bard from his given niche in English culture and retrieves lost or marginalized Shakespearean voices. The annotated bibliographies which complete the volume greatly extend the territory of scholarship and offer a precious map of orientation in the maze of critical works.