Paperback. Condizione: Good.
Da: Redux Books, Grand Rapids, MI, U.S.A.
Paperback. Condizione: Very Good. Paperback. Pages are clean and unmarked. Covers show very minor shelving wear.; 100% Satisfaction Guaranteed! Ships same or next business day!
Da: Redux Books, Grand Rapids, MI, U.S.A.
Paperback. Condizione: As New. Paperback. Cover shows very minor shelving wear, otherwise an unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day!
Da: Redux Books, Grand Rapids, MI, U.S.A.
Paperback. Condizione: Very Good. Paperback. Pages are clean and unmarked. Covers show very minor shelving wear.; 100% Satisfaction Guaranteed! Ships same or next business day!
Da: Redux Books, Grand Rapids, MI, U.S.A.
Paperback. Condizione: New. Paperback. An unused, unmarked and unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day!
Da: Redux Books, Grand Rapids, MI, U.S.A.
Paperback. Condizione: New. Paperback. An unused, unmarked and unblemished copy.; 100% Satisfaction Guaranteed! Ships same or next business day!
paperback. Condizione: New. In shrink wrap. Looks like an interesting title!
Editore: Performance Programme Dated 13th March . 1993., 1993
Da: Little Stour Books PBFA Member, Canterbury, Regno Unito
Membro dell'associazione: PBFA
EUR 23,78
Quantità: 1 disponibili
Aggiungi al carrelloOriginal stapled illustrated souvenir theatre programme. 8½'' x 6''. As a television producer, he was responsible for the early popular music shows Six-Five Special, Oh Boy!, Boy Meets Girls and Wham!!, the first UK teenage music programmes. Good managed some of the UK's first rock and roll stars, including Tommy Steele, Marty Wilde, Billy Fury, Jess Conrad and Cliff Richard. 28 printed pages with monochrome photographs of the leading participating characters. In Very Good condition with small mark to the fore edge. Last night tickets (13th March 1993) stapled inside the front cover. Member of the P.B.F.A. THEATRE PROGRAMMES.
Editore: Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1960
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Manoscritto / Collezionismo cartaceo
Collection of six full-color vintage lobby cards from the 1960 film. From one perspective, a fairly one-dimensional representation-perhaps even a caricature-of Beat culture, but culturally fascinating in that it was made at the height of the Beat era, with A-list talent by a top studio, and, until Walter Salles' 2012 adaptation of "On the Road," was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15,000 by MGM for the rights to the book, and bought his first home with the proceeds, on Long Island. A film that rarely screened today, and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted, it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. Shot on location in San Francisco, California. 17 x 13 inches. Very Good, with pin holes and a manuscript ink notation to the recto of one lobby card.
Editore: Québec: Rencontre Internationale Jack Kérouac, 1987
Da: Wittenborn Art Books, San Francisco, CA, U.S.A.
Arte / Stampa / Poster
Condizione: Good. Poster. 43x28 cm (17x11"). Rencontre Internationale Jack Kérouac. Vieux - Québec 1-2-3-4 Octobre 1987. Just a bit of faint spotting.
Editore: Metro-Goldwyn-Mayer [MGM], Beverly Hills, CA, 1960
Da: Royal Books, Inc., ABAA, Baltimore, MD, U.S.A.
Vintage Italian Locandina poster for the 1960 US film. From one perspective, a fairly one-dimensional representation-perhaps even a caricature-of Beat culture, but culturally fascinating in that it was made at the height of the Beat era, with A-list talent by a top studio, and, until Walter Salles' 2012 adaptation of "On the Road," was the only feature-length film ever made from a Kerouac novel. Kerouac was paid $15,000 by MGM for the rights to the book, and bought his first home with the proceeds, on Long Island. A film that rarely screened today, and has never been available on any kind of home viewing format. While its perspective on the actual Beat scene may be skewed or wildly misinterpreted, it is nonetheless important as an interpretation of Kerouac's world from the outside looking in. Shot on location in San Francisco, California. 13 x 27 inches, folded. Near Fine with light wrinkling.