catherine b burroughs (37 risultati)

Condizione: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

Softcover. Condizione: Very Good+. Condizione sovraccoperta: No Dust Jacket. First Edition. Crisp clean and tight w 14 pps of brackets/marginalia, underlining or highlighting of 273 total pages. A VERY NICE COPY overall otherwise showing light edge and corner wear only.

Trade Paperback. Condizione: Very Good.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. First Edition. 256pgs. Purple Cloth. 5 pages have highlighting, pencil parentheses, otherwise as new. Pictorial jacket as new. This book examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage Size: Octavo. Book.

Condizione: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,750grams, ISBN:9781603290838.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Softcover. First Edition, First Printing. Book condition is Very Good, bound in glossy wraps. Some rubbing and edgewear to exterior. Text is clean and unmarked. ; 4to. 11"h x 8 1/2"w. Contents: "Perceptions of Risk and the Buffering Hypothesis: The Role of Just World Beliefs and Right-Wing Authoritarianism" by Alan J. Lambert, Thomas Burroughs, and Tina Nguyen "Social Value Orientations and Strategy Choices in Competitive Negotiations" by Mara Olekalns and Philip L. Smith "The Role of Conversational Involvement in Deceptive Interpersonal Interactions" by Judee K. Burgoon, David B. Buller, Cindy H. White, Walid Afifi, and Aileen L. S. Buslig "Mapping Perfect and Imperfect Duties Onto Hierarchically and Partially Restrictive Trait Dimensions" by David Trafimow and Sabine Trafimow "Engaging the Self in the Field: Testing the Triangle Model of Responsibility" by Thomas W. Britt "Strategic Behaviors in Romantic Relationship Initiation" by Catherine L. Clark, Phillip R. Shaver, and Matthew F. Abrahams "Does the Temporal Stability of Behavioral Intentions Moderate Intention-Behavior and Past Behavior-Future Behavior Relations?" by Paschal Sheeran, Sheina Orbell, and David Trafimow "The Impact of Personal Metering in the Management of a Natural Resource Crisis: A Social Dilemma Analysis" by Mark Van Vugt and Charles D. Samuelson "Risk Perceptions and Safer-Sex Intentions: Does a Partner's Physical Attractiveness Undermine the Use of Risk-Relevant Information?" by V. Bede Agocha and M. Lynne Cooper "When Recollective Experiences Matter: Subjective Ease of Retrieval and Stereotyping" by Ap Dijksterhuis, C. Neil Macrae, and Geoffrey Haddock.

First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 238 pages, 23.5 cm. Contents; Frontmatter -- Contents -- Preface -- 1. "The Value of Our Criticism": Constructing Women's Theater Theory -- 2. Representing the Female Actor: Celebrity Narratives, Women's Theories of Acting, and Social Theaters -- 3. Joanna Baillie's Theater of the Closet: Female Romantic Playwrights and Preface Writing -- 4. Conflicted Performance Styles in Baillie's First Volume of Plays on the Passions (1798) -- 5. Private Theatricals and Baillie's The Tryal -- Appendix: Selected List of Texts Containing Women's Theater Theory Published in Great Britain (1790-1850) -- Notes -- Works Cited -- Index. Subjects; Baillie, Joanna 1762-1851 Knowledge Performing arts. English drama 19th century History and criticism Theory, etc. Women and literature Great Britain History 19th century. Women in the theater Great Britain History 19th century. 1 Kg.

Condizione: New.

Hardback. Condizione: New. Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage.".

Paperback. Condizione: Brand New. 1st edition. 273 pages. 9.25x6.00x1.00 inches. In Stock.

First Edition. Fine cloth copy in a near-fine, very slightly edge-dulled dust wrapper. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 238 pages, 23.5 cm. Contents; Frontmatter -- Contents -- Preface -- 1. "The Value of Our Criticism": Constructing Women's Theater Theory -- 2. Representing the Female Actor: Celebrity Narratives, Women's Theories of Acting, and Social Theaters -- 3. Joanna Baillie's Theater of the Closet: Female Romantic Playwrights and Preface Writing -- 4. Conflicted Performance Styles in Baillie's First Volume of Plays on the Passions (1798) -- 5. Private Theatricals and Baillie's The Tryal -- Appendix: Selected List of Texts Containing Women's Theater Theory Published in Great Britain (1790-1850) -- Notes -- Works Cited -- Index. Subjects; Baillie, Joanna 1762-1851 Knowledge Performing arts. English drama 19th century History and criticism Theory, etc. Women and literature Great Britain History 19th century. Women in the theater Great Britain History 19th century. 1 Kg.

Condizione: As New. Unread book in perfect condition.

Paperback / softback. Condizione: New. New copy - Usually dispatched within 4 working days.

Condizione: New. Satisfaction Guaranteed or your money back.

Hardback. Condizione: New. New copy - Usually dispatched within 4 working days.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. 1st Edition. Cloth hardcover, xii + 238 pages, NOT ex-library. Book is clean and bright throughout, with unmarked text, free of inscriptions and stamps, firmly bound. Bright untorn dust jacket with a crease on the rear flap. -- This study re-evaluates the concept of "closet drama" as practiced by British Romantic women writers, with a central focus on Joanna Baillie. The author argues that these texts, intended primarily for reading, represent a sophisticated and deliberate theatrical theory, not a failure to write for the public stage. The work analyzes how the private, domestic sphere became a "closet stage" for exploring psychological interiority and Baillie's influential concept of "sympathetic curiosity." It positions these writers as key theorists of a "theater of the passions" who redefined the boundaries between page and stage.

paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. First edition, first impression with full number line. SIGNED AND INSCRIBED BY THE AUTHOR 'To Geoffrey, Rose, Sophie & Lucy, With gratitude for all the many wonderful times together - and with a toast to many many more! Love Catherine December 1997'. Some very slight edge wear to top and bottom of jacket and spine, corners very slightly bruised, not price clipped (no published price), no other inscriptions, internally clean tight and square, overall a vg++ copy. 238pp, illustrated. Inscribed by Author(s).

Hardcover. Condizione: Brand New. 256 pages. 9.50x6.50x1.00 inches. In Stock.

Hardcover. Condizione: Very Good. 1997 Hardcover with Brodart Mylar over dustjacket. B & W frontispiece portrait. Ex-Library with neat library markings. Text is clean, Binding is strong. Very nice marron cloth cover. Very nice B & W illustrated DJ. *DJ is taped to the cover.

Hardback. Condizione: New. Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between "closet" and "stage.".

Condizione: New. Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between closet and stage. &Uumlber de.

Burroughs, Catherine B., 1958-, ed. Women in British romantic theatre: drama, performance, and society, 1790-1840. Cambridge University Press, 2000, xvi, 344pp., very good dust-jacket, very good black cloth. 9780521662246 ISBN 0521662249.

Paperback. Condizione: New. In shrink wrap. Looks like an interesting title!

Buch. Condizione: Neu. Neuware - Closet Stages examines theater theory produced by middle- and upper-class British women-playwrights, actresses, and spectators-between 1790 and 1840. Shifting the focus away from the Romantic male writers to the journals, letters, and play prefaces in which women framed their relationship to the theater arts, Catherine Burroughs reveals how a concern with the performative aspects of daily life and the movement between public and private spheres produced a notion of theater that complicates the Romantic opposition between 'closet' and 'stage.'.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - First published in 2000, this collection of essays examine the extraordinary contribution of women playwrights, actors, translators, critics and managers who worked in British theatre during the romantic period. Focusing on women well known during their day but neglected for some 150 years, the volume provides a crucial perspective that revises historical narratives and reflects the rapidly changing terrain of scholarship in the complex field of romantic theatre and drama. Eleven specially commissioned essays by a distinguished team of scholars explore the role of numerous theatrical women including the eminent actress Sarah Siddons and two of the period's most prolific playwrights Elizabeth Inchbald and Joanna Baillie. The book strikes a balance between literary and theatrical approaches, showing how the period's preoccupation with categories such as text and performance, closet drama and stage, provide a key to 'uncloseting' an important group of female theatre artists.

Condizione: New. Print on Demand pp. xii + 238 Illus.