Catherine enggass (35 risultati)

Condizione: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Hardcover. Condizione: Good. Condizione sovraccoperta: Good. Would be very good in dust jacket except that top right tip of book front cover and dust jacket is slightly chewed. Otherwise a clean, tight copy in jacket with a few mild smudges and rub marks.

Condizione: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Hardcover. Condizione: New. Condizione sovraccoperta: Fine. New book with dust jacket that has a 1/4" tear.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very good. Hardcover. Octavo. 150pp. Translated with an introduction by Catherine Enggass and Robert Enggass Biography of this interesting Baroque artist. No illustrations. Toning and light soiling to dust jacket. "Guido Reni was an Italian painter of the Baroque period, although his works showed a classical manner, similar to Simon Vouet, Nicolas Poussin, and Philippe de Champaigne. He painted primarily religious works, but also mythological and allegorical subjects."-wikipedia.…

Hardcover. Condizione: Near Fine. Near Fine. First Thus. 6 X 0.47 X 9 inches; 150 pages.

Condizione: Poor. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. Book contains pencil markings. In poor condition, suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:0271002646.…

Condizione: As New. Unread book in perfect condition.

Binding sound, text unmarked. Condizione: Good+. Condizione sovraccoperta: Good. Faint marks to page edges. Dustwrapper rubbed and edgeworn but unclipped and protected in a removable clear plastic sleeve. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. 1st edition. Size: 150pp, 8 illustrations, 23.5 x 16 cm.…

Hardcover. Condizione: As New. Hardcover and dust jacket. Good binding and cover. Light edge wear. Clean, unmarked pages.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. Clean tight copy. First edition as no other editions noted. Grey boards with silver lettering. Translated and with an introduction by Catherine and Robert Enggass. Light grey jacket in mylar has black lithograph of Reni with black lettering. This Malvasia rendition of Reni lets us see a major artist of the Italian Baroque through the eyes of his own age--driven by compulsions, beset by phobias, and isolated by pride. Eight b/w reproductions of his paintings 150 pp.…

Paperback. Condizione: Brand New. 117 pages. 8.75x6.00x0.50 inches. In Stock.

Paperback. Condizione: Brand New. 117 pages. 8.75x6.00x0.50 inches. In Stock.

Condizione: New.

Hardcover. Condizione: Fine. Near Fine. First Edition. Red cloth titled in gilt. Translated from the Italian. Hint of shelfwear else fine condition. The DJ is near fine with slight handling.; 5.5 X 0.28 X 8.5 inches; 114 pages.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. Book is in fine condition, unread. Dust jacket is in very good condition with a small mark on cover. 150pp with b/w illustrations throughout.

Hardcover. Condizione: Near Fine. Octavo with red cloth boards in white and red jacket; 103 pages: portraits; index; 23 cm. Near fine in near fine jacket, now in archival mylar. First Edition (presumed; no prior editions or printings cited).

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. Octavo, vii, 150 pages. A clean, Near Fine copy in a Near Fine dust jacket.

Paperback. Condizione: Good. Vatican, 1977; Italian text; gray paper covers; edge and corner wear; edges and back strip faded; 4to,9 3/4" to 12" tall; front end paper missing; Interior is clean and unmarked; 468 pages; From the library of Thomas Willette, University of Michigan professor.

Condizione: Fair. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1700grams, ISBN.

Condizione: New. A biography of Bernini, that offers important insights into contemporary perceptions of the artist, the motivations of its author, and the nature of literary biography in seventeenth-century Italy.&Uumlber den AutorCatherine Enggass.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Very Good. xix, 122 pages : facsimiles, portraits ; 23 cm. Complete version originally published, Il Success. al Mascardi : 1672.

Hardcover. Condizione: As New.

Hardcover. Condizione: As New. Condizione sovraccoperta: As New. T-MALVASIA; ARTISTS ITALY ART HISTORY EUROPEAN.

Paperback. [Cod. ms. Capponi 257.] Vatican: Biblioteca Apostolica Vaticana, 1977. 468pp. Very good, with red ink underlining on about 4 pages. Presentation copy from R.E.

Hardcover. Condizione: g+ to vg. First American edition. Quarto. [8], 150pp. Original illustrated dust-jacket over grey cloth, with silver lettering on spine. Frontispiece portrait of Guido Reni*. Decorative initials. The main source of what we know about Guido Reni is The Life of Guido Reni by Malvasia. It lets us see a major artist of the Italian Baroque through the eyes of his own age. The text contains considerable detail on what Guido painted, as well as his commissions and patrons. As Reni's close friend, Malvasia took much of his material from first-hand knowledge; documentary evidence from the artist's recently discovered account book attests to the reliability of his biographer's text. But Malvasia's biography is far more than a chronicle of facts about Reni's art. Through a wealth of illustrative incidents based on eyewitness accounts we come to know Reni as an individual, driven by compulsions, beset by phobias, and isolated by pride. He appears as a man alone in a crowd, desperately anxious to defend his position as a major artist, enormously vulnerable to what were often imagined insults. We see him as an individual obsessed with sorcery and witchcraft and having an overwhelming compulsion for gambling that eventually brought about his ruin and hastened his death. No earlier biography provides so much material about an artist's inner life. The editors have added a substantial introductory essay to their translation of Reni's biography along with an analysis of the text and a section on Malvasia and his writings. Malvasia wrote the best early guidebook to the paintings of Bologna, and his vast compendium on the Bolognese School of painters is the most important regional "Lives of the Artists" that appeared in Italy during the 17th century. As this is the first book on Reni in English, the editors have added a section intended as an introduction to his rather complex stylistic development. Eight b/w photographic reproductions are included to show some of Reni's most important works (The Coronation of the Virgin; The Crucifixion of St. Peter; The Virgin Sewing, flanked by Angels; The Massacre of the Innocents; The Massacre of the Innocents (detail); Samson Victorious; Madonna and Child with Patron Saints of Bologna; Girl with a Wreath). Moderate sunning and shelf wear along edges of dust-jacket. DJ in overall good to good+, binding and interior in very good condition. * Guido Reni (1575-1642) was an Italian painter of high-Baroque style. Born in Bologna into a family of musicians, Guido Reni was the son of Daniele Reni and Ginevra de' Pozzi. As a child of nine, he was apprenticed under the Bolognese studio of Denis Calvaert. Soon after, he was joined in that studio by Albani and Domenichino. He may also have trained with a painter by the name of Ferrantini. When Reni was about twenty years old, the three Calvaert pupils migrated to the rising rival studio, named Accademia degli Incamminati (Academy of the "newly embarked", or progressives), led by Lodovico Carracci. They went on to form the nucleus of a prolific and successful school of Bolognese painters who followed Annibale Carracci to Rome. Like many other Bolognese painters, Reni's painting was thematic and eclectic in style.…

469pp., 25cm., in the series "Studi e Testi" volume 278, pages still uncut, original softcover, text and interior are clean and bright, good condition, S119319.

hardcover. Condizione: Used-Very Good. dj. First Edition. Cloth, dj. Minor wear and chipping to edges of dj; sunning to dj spine and along edges of panels. Minor shelf wear to boards; top corners lightly bumped. Trace of age-toning to text block, but text and images remain clean and bright.