Charles durning starring (29 risultati)

Soft cover. Condizione: VG. A VG or better folded original release 27 x 41 one sheet. Book.

Soft cover. Condizione: VG+. A VG or better 4-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Book.

Soft cover. Condizione: VG+. A VG of better 6-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Book.

Soft cover. Condizione: VG+. A VGF or better 2-page screening program. Screening programs were distributed to attendees of special, often pre-release screenings and contain film credits as well as assorted other information. They can often be harder to find than other paper from the same film. Book.

Soft cover. Condizione: VG. A VG or better 16-page pressbook with no cuts or missing pages. Book.

Soft cover. Condizione: VG+. An original 9" x 12" presskit that contains six supplements as well as eleven 8 x 10 stills. Book.

Soft cover. Condizione: VG. A VG or better 16-page pressbook with no cuts or missing pages. Size: 8 1/2" x 11 3/4". Book.

Soft cover. Condizione: VG. A VG folded one sheet from the film "North Dallas Forty". Size: 27" x 41". Poster.

No Binding. Condizione: VG+. 10331-5. A VGF or better original release 8 x 10 still. Size: 8" x 10". Photographic Image.

Soft cover. Condizione: VG+. A VGF or better unfolded 20-page pressbook with no cuts or missing pages. Book.

Soft cover. Condizione: VG. A VG folded one sheet from the film "North Dallas Forty". Size: 27" x 41". Poster.

Soft cover. Condizione: VG+. An original 9" x 12" presskit that contains a 31-page supplement as well as three 8 x 10 stills. Book.

No Binding. Condizione: VG. A VGF unfolded 14-page pressbook with no cuts or missing pages. Book.

No Binding. Condizione: VGF. A lot of five VGF or better original release 8 x 10 stills. Photographic Image.

Soft cover. Condizione: VG. A VGF or better folded 27 x 41 one sheet. Size: 27" x 41". Poster.

No Binding. Condizione: VG+. A VGF or better original release folded 27 x 41 one sheet. Poster.

No Binding. Condizione: VGF. A VG or better original release 27 x 41 one sheet. Poster.

No Binding. Condizione: Very Good. A lot of nine VGF or better original release 8 x 10 stills with snipes on back. Photographic Image.

Vintage studio still photograph from the 1979 film. Based on the 1973 novel by Peter Gent. A satire of American pro football loosely based on the Dallas Cowboys in the 1970s, following an aging wide receiver for a Texas team who refuses to conform to the wishes of his coaches and fellow team members. Set in Dallas, shot on location in Los Angeles. 8 x 10 inches. Near Fine.…

Vintage one sheet poster for the 1977 film. Based on the 1975 novel by Joseph Wambaugh. An ensemble piece under the direction of Robert Aldrich, featuring Charles Durning, Louis Gossett Jr., Randy Quaid, and James Woods as Los Angeles police officers who meet up for evenings of drunken revelry in MacArthur Park, often going too far. Set in Los Angeles, California, shot on location at Bronson Canyon, Griffith Park, Los Angeles, California. 27 x 41 inches. Folded as issued. Near Fine. Spicer Neo-Noir US.…

Two vintage black-and-white still photographs from the 1973 US film. De Palma does "Rear Window" (sort of) in the breakthrough film that would signal his move toward both Hollywood and the psycho-sexual thrillers that would come to be his signature as much as his virtuosic visual style. Set and shot on location in New York City. 8 x 10 inches. Near Fine with some light toning. Arrow 919. Criterion Collection 89. Grant US. Spicer US.…

Three vintage reference photographs from the 1980 re-release of the 1979 film. An expanded remake of "The Sitter" (1977), a short film developed by screenwriters Fred Walton and Steve Feke. An unseen killer terrorizes a teenage baby-sitter over the telephone, returning seven years later to menace her as an adult. Remade in 2006, directed by Simon West and starring Camilla Belle. Set and shot on location throughout Los Angeles. 10 x 8 inches. Fine.…

Vintage US one sheet poster for the 1975 film. Based on the 1974 novel by Patrick Mann, in turn based on a true story published in "Life" magazine. An inexperienced robber and his friend attempt to rob a bank, largely in order for the robber's girlfriend, a preoperative transgender woman, to afford gender confirmation surgery. Director Sidney Lumet's masterpiece, a snapshot of New York invoking queer politics, city politics, police politics, personal politics, and the mood of a city in the heat of the early 1970s-all without being overtly political. AMPAS holdings show two copies. Shot on location in New York. 27 x 41 inches. Very Good plus, folded as issued, with light wear and creasing along the folds. National Film Registry. Ebert III. Grant US. Hardy, The BFI Companion to Crime. Lee, The Heist Film. Spicer US.…

Seven vintage studio still photographs from a television re-release of the 1991 film, including three compilation photographs. Based on characters created by Sara Paretsky, with a plot loosely drawn from her 1984 novel "Deadlock," starring Victoria Iphigenia "V.I." Warshawski, a tough but softhearted private eye. Set and shot on location in Chicago. 8 x 10 inches. Near Fine.…

Revised First Draft script for the 1985 film. Copy belonging to hair stylist Philip Leto, with his name in manuscript ink on the front wrapper. Based on the 1983 novel by Elmore Leonard. One of only a few screenplays adapted by Leonard from one of his own novels, made memorable in that it layered a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. Shot on location in California and Florida. Green titled Universal wrappers, dated August 5, 1983, noted as REVISED FIRST DRAFT and production No. 02162 on the front wrapper. Title page present, noted as Revised First Draft, with credit for author and screenwriter Elmore Leonard. 109 leaves, with last page of text numbered 106. Xerographic duplication on blue stock, rectos only. Pages Fine, wrapper Near Fine, bound with three gold brads.…

Revised First Draft for the 1985 film. Costume designer Norman Salling's copy, with his name in manuscript ink at the top of the front wrapper. SIGNED by novelist-screenwriter Elmore Leonard on the title page. An ex-car thief trying to turn his life around ends up witness to his friend's murder. While he wants to find love and spend more time with his daughter, the men who killed his friend kidnap his daughter sending him on a mission to save his daughter and avenge his friend. One of only a few screenplays adapted by Leonard from one of his own novels, made memorable in that it layers a surprisingly complex plot onto what by 1985 had become a pretty standard sub-genre: the Burt Reynolds revenge thriller. Shot on location in California and Florida. Green titled wrappers, noted as Revised First Draft on the front wrapper, production No. 02162, dated August 5, 1983. Title page present, dated August 5, 1983, noted as Revised First Draft, with credits for author and screenwriter Elmore Leonard. 109 leaves, with last page of text numbered 106. Xerographic duplication on blue stock, rectos only, with blue revision pages throughout, dated 9/15/1983. Pages Near Fine, wrapper Very Good plus with some wear to the corners, bound with three gold brads. Signed. …

Final Draft script for the 1983 film. A remake of the classic 1942 Ernst Lubitsch film starring Carole Lombard and Jack Benny, about a troupe of actors in Nazi-occupied Warsaw who use their costumes to aid the resistance effort. Nominated for an Academy Award for Best Supporting Actor for Charles Durning. Red titled Twentieth Century-Fox wrappers, dated October, 1982. Title page present, dated October, 1982, noted as FINAL DRAFT, with credits for screenwriters Thomas Meehan and Ronny Graham. 152 leaves, with last page of text numbered 147. Xerographic duplication on eye-rest green stock, rectos only, with blue revision pages throughout, dated 11/5/82. Pages Near Fine, wrapper Near Fine, bound internally with two gold brads.…

Draft script for the 1979 film. A teenage pinball prodigy joins forces with an aspiring country music singer in order to raise money for a demo tape. Set and shot on location in West Hollywood, Santa Cruz, and Los Angeles, California, and in Corpus Christi, Texas. Green titled wrappers. Title page present, undated, with credits for director Rudy Durand and uncredited screenwriters James Creech and Martin Zweiback. 140 leaves, with last page of text numbered 151. Mimeograph duplication, rectos only, with undated blue revision pages throughout. Pages Near Fine, wrapper Near Fine, bound with two gold brads.…

Third Draft script for the 1981 film, with rainbow revisions. Laid in with the script are two additional yellow revision pages, dated 3/28/80. Based on the 1977 novel by John Gregory Dunne, who with his wife Joan Didion wrote the screenplay for the film. Loosely based on the notorious 1947 Black Dahlia murder, about a homicide detective investigating the brutal murder of a young woman in Los Angeles. Set and shot on location in Los Angeles. Blue titled wrappers. Title page present, dated November 29, 1979, noted as Third Draft, with credits for screenwriters John Gregory Dunne and Joan Didion. 136 leaves, with last page of text numbered 121. Xerographic duplication, rectos only, with rainbow revision pages throughout, dated between 1/9/80 and 3/24/80. Pages Fine, wrapper Near Fine, bound with two gold brads. Housed in a custom beige clamshell box.…