Chlo reddaway (4 risultati)
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Da: ISD LLC, Bristol, U.S.A.ISD LLC
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hardcover. Condizione: New. 1st.
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Da: ISD LLC, Bristol, U.S.A.ISD LLC
Contatta il venditoreVenditore con 5 stelleCondizione: Nuovo
EUR 166,67
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hardcover. Condizione: New.
Editore: , Brepols, 2019 2019
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Da: BOOKSELLER - ERIK TONEN BOOKS, antwerpen, BelgioBOOKSELLER - ERIK TONEN BOOKS
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
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Aggiungi al carrelloHardback, 230 pages, Size:216 x 280 mm, Illustrations:69 col., Language: English. ISBN 9782503581200. Summary How do you paint a figure who is fully human and fully divine? How do you paint Christ? Strangeness and Recognition takes a fresh look at well-known Renaissance paintings of Christ and shows how surprising and deeply 'st…range' they can be. This book brings an imaginative and affective theological perspective to the viewing experience as it explores the twin roles played by 'strangeness' and 'recognition' in responding to the challenge of creating and relating to images of Christ. By confounding expectations and defamiliarising subject matter, the ambiguity and mystery of these paintings disturbs viewers' expectations and reconnects them with the extraordinary mystery of the Incarnation. While neither words nor images can fully describe God, through a questioning, challenging dialogue with paintings, whose visual language disrupts itself, viewers can be brought to the limits of their own understanding and can enter into transformative and personlike relationships with paintings. These personal exchanges lead through estrangement to the rediscovery of the familiar within the strange and the renewed within the familiar, and to the ultimately unspeakable, unpaintable, mystery of the Incarnation. Drawing on a diverse range of theologians, philosophers, art historians and art theorists, and building on her own earlier work, Chlo Reddaway shows the theological potential of Christian images, even when they are far removed from their original contexts. A major contribution to the emerging field of visual theology, this book will appeal to scholars of theology and art history alike, as well as to the museum-going public. TABLE OF CONTENTS Introduction Part 1: Strangeness and Recognition Chapter 1: The problem and potential of religious language and art Chapter 2: Naming Strangeness Chapter 3: Recognising Christ Part 2: Making Strange Chapter 4: Strangeness in Renaissance Painting Chapter 5: Unexpected Iconography Chapter 6: Time and Place Chapter 7: Always and Nowhere Chapter 8: Revelation Chapter 9: Open Images Conclusions: Attending 0 g.
Editore: , Brepols, 2024 2024
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Da: BOOKSELLER - ERIK TONEN BOOKS, antwerpen, BelgioBOOKSELLER - ERIK TONEN BOOKS
Contatta il venditoreVenditore con 5 stelleCondizione: Usato
EUR 125,00
EUR 39,50 spedizioneSpedito da Belgio a U.S.A.Quantità: 1 disponibili
Aggiungi al carrelloHardback, 330 pages, Size:225 x 300 mm, Illustrations:78 col., Language: English. ISBN 9782503607122. Summary In an increasingly visual age, images are the new lingua franca and Christian theology must ask how it can be 'spoken' with nuance and integrity. This book brings together theologians, biblical scholars, art historians,…and curators to consider what questions about Christ and modernity might be posed by the visual arts, and what truths about Christ and modernity they might ask us to face. Its authors explore modern and contemporary artists from Pablo Picasso to Kent Monkman and Paul C zanne to Cornelia Parker, addressing questions of theory, practice, and interpretation. Their contributions are orientated by an enquiring and critical focus on how modern and contemporary visual art coexists with, counters, illuminates, and serves Christianity. TABLE OF CONTENTS Introduction Art with Christianity Thinking with Christianity: A Grammar of Doubt and Belief in Contemporary Art (Jonathan Anderson) The Right Eyes: Curating a Theology of Modernist Painting (Daniel A. Siedell) Making Pain Incarnate: An Iconophilic Interpretation of Pablo Picasso's Guernica (Christina Carnes Ananias) Secularization as Realization? (Johann H. Claussen) Art instead of Christianity Missionary Position: Kent Monkman and Christianity (Matthew J. Milliner) Monochromes and Monotheisms: An Apophatic Dialogue with Ad Reinhardt (Aaron Rosen) Lines of the Sacred: Toward a Heterology of Drawing (Jeremy Biles) Squinting at the Invisible: Spiritual Seeing and the Art of Michael Simpson (Jennifer Sliwka) Inheriting the Mantle: Modern and Contemporary Art as the Inheritor of the Prophetic and Apocalyptic Tradition (C.A. Strine) Art about Christianity How About.? R.G. Collingwood, T.J. Clark, and the Conditions of a Haveable World (Ben Quash) Scandalous Particularity: Visual Depictions of Jesus in Modern Art (Rebekah Eklund) Optical Allusions? Exploring the Ambiguity of Biblical Texts in Modern and Contemporary Art (Christine E. Joynes) A Search for Symbols and Images Adequate to Our Predicament (Neil MacGregor) Strange Flesh: The Body of the Risen Jesus in the Art of Edward Knippers (W. David O. Taylor) Art for Christianity Showing People Jesus: Sight and the Visual Arts at Canterbury (Felicity Harley-McGowan) Vision and Mission: Making Art for a World in Danger (Frances Spalding) Re-Visiting Creation (Chlo Reddaway) Bibliography Index 0 g.
