Cirucci gabriella (8 risultati)

Brossura. Condizione: new. Edited by Gianfranco Adornato, Irene Bald Romano, Gabriella Cirucci and Alessandro Poggio. English Text. Milano, 2018; paperback, pp. 300, b/w ill., cm 21x29,5. (Archeologia e Arte Antica). Libro.

Condizione: NEW.

Hardcover. Condizione: New. Begriffe wie Kunstsammlung und Kunstkabinett und Wunderkammer sind im wissenschaftlichen Diskurs des 19. und 20. Jahrhunderts stark verankert. Sie basieren auf der Annahme, dass ein formgebundenes Kunstverstaendnis einen hoeheren kulturellen Wert hat.

Hardback. Condizione: New. Concepts such as "art collection" and "art cabinet" and "cabinet of curiosities" are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the "taste" and "passion" of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity.…

Buch. Condizione: Neu. Neuware - Concepts such as 'art collection' and 'art cabinet' and 'cabinet of curiosities' are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the 'taste' and 'passion' of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity. ; Begriffe wie 'Kunstsammlung' und 'Kunstkabinett' und 'Wunderkammer' sind im wissenschaftlichen Diskurs des 19. und 20. Jahrhunderts stark verankert. Sie basieren auf der Annahme, dass ein formgebundenes Kunstverständnis einen höheren kulturellen Wert hat, dass Sammlungen den 'Geschmack' und die 'Leidenschaft' ihrer Besitzer widerspiegeln und dass Kunst keinen praktischen Nutzen hat. Diese Begriffe wurden verwendet, um zu beschreiben, wie Objekte lange vor dem 18. Jahrhundert unter sehr unterschiedlichen kulturellen Bedingungen angehäuft wurden. Dieser Band stellt Analogien zu zeitgenössischen Sammlungen, Institutionen und Wissensformen her, um die Anhäufung und Präsentation von Objekten seit der griechischen Antike erklären zu können.…

Buch. Condizione: Neu. Beyond "Art Collections" | Owning and Accumulating Objects from Greek Antiquity to the Early Modern Period | Gianfranco Adornato (u. a.) | Buch | 260 S. | Deutsch | 2020 | De Gruyter | EAN 9783110537918 | Verantwortliche Person für die EU: Walter de Gruyter GmbH, De Gruyter GmbH, Genthiner Str. 13, 10785 Berlin, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu.…

Hardback. Condizione: New. Concepts such as "art collection" and "art cabinet" and "cabinet of curiosities" are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the "taste" and "passion" of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity.…

260 S.,63 s/w u. 7 farb. Abb. Kart. *neuwertig*Texte Italienisch, Englisch, Deutsch - Concepts such as "art collection" and "art cabinet" and "cabinet of curiosities" are strongly embedded in the scholarly discourse of the 19th and 20th centuries. They are based on the assumption that a form-based understanding of art has higher cultural value, that collections portray the "taste" and "passion" of their owners, and that art has no practical use. These terms were used in order to describe how objects were accumulated under very different cultural conditions long before the 18th century. This volume makes analogies with contemporary collections, institutions, and forms of knowledge in order to be able to explain the accumulation and presentation of objects since Greek antiquity. Sprache: Englisch.…