cleene michiel (28 risultati)

Paperback. Condizione: new. Paperback. And then, as if out of nowhere, everything built be-came HERITAGE. The regulation would be confirmed in writing shortly, but on the telephone the office clerk left no room for doubt. Every brick, every beam and pipe, every tile, faucet and roofline had to be preserved. THE SITUATION AS IT IS, WILL BE THE SITUATION AS IT IS. The administration chose a new approach: a radical shift from ambiguousat times obscuredecisions, procedures and decrees to an era of HYPER-REGULATION. Startled, THE ARCHITECT hung up. He looked at the list of construction sites he planned on visiting that day, grabbed his car keys and camera, and left. He wondered if, later on, his wife and kids would still be in the living room where he heard them playing now. THE SITUATION AS IT IS** is the story of an architects ring binders, an archive filled with negatives and scattered subjects. THE PHOTOGRAPHS try to tell a story of an existing condition*: this is the state things are in. Within these binders buildings are perpetually unfinished. The dog keeps barking. Its our third birthday, again. Decades after they were exposed, these photographs appear to reveal the first traces of THE IMPASSE. **** Documenting the existing condition (de bestaande toestand) is a legally required aspect of a building application within the context of architecture and urban development: photographs describe a building, a landscape, infrastructure. in order for it to be demolished, adjusted, built. The existence of the image, the document that presents THE SITUATION AS IT IS, usually implies and initiates change. ** THE SITUATION AS IT IS unfolded in 15 episodes of three frames that revolved rhythmically on a billboard mounted onto 019s facade. *** Part of the research project Documenting Objects, conducted by Arnout and Michiel De Cleene at KASK, the school of arts of HOGENT and Howest. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condizione: new. Paperback. 019 was never going to remain the only place we worked in. From the start, its been a laboratory that swings us into unknown directions, constantly sharpening our sense of improvisation and reinvention on the spot. For three years, from 2013 onwards, we made that old welding factory at Dok Noord in Ghent the focal point of our activities. People even started to identify the entirety of our collective, Smoke & Dust, with what was basically only the name of its nineteenth project. We became 019. The whole project turned us upside down. But in doing so, we became aware as well. We understood that the act of occupying and taking possession of the site was not the goal of our work at all. From the inside out, starting with a wooden construction in its interior and up to the billboard at an outside wall and a series of flagpoles on the roof, we gradually developed the place into an assembly of undergrounds for public and artistic encounter, an emerging space for collaboration that was grounded on the premise that all media at our disposal were common grounds to be rediscovered. Thats when the work began. Thats when things began to move, for real. Thats when we realizedartists, architects, designers and the likewe had all turned into scenographers, regardless of our discipline: co-authors of a scene that was constructed out of margins and constraints, participants in a game of give and take that we endlessly play around a display we like to recycle. In the end, thats how 019, our handling of its space through appropriation and dispossession, became the site of a moving practice, a collaborative way of working ready to be moved, reproduced and reinvented elsewhere. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condizione: New. 019 was never going to remain the only place we worked in. From the start, it's been a laboratory that swings us into unknown directions, constantly sharpening our sense of improvisation and reinvention on the spot. For three years, from 2013 onwards, we made that old welding factory at Dok Noord in Ghent the focal point of our activities. People even started to identify the entirety of our collective, Smoke and Dust, with what was basically only the name of its nineteenth project. We became 019. The whole project turned us upside down. But in doing so, we became aware as well. We understood that the act of occupying and taking possession of the site was not the goal of our work at all. From the inside out, starting with a wooden construction in its interior and up to the billboard at an outside wall and a series of flagpoles on the roof, we gradually developed the place into an assembly of undergrounds for public and artistic encounter, an emerging space for collaboration that was grounded on the premise that all media at our disposal were common grounds to be rediscovered. That's when the work began. That's when things began to move, for real. That's when we realized-artists, architects, designers and the like-we had all turned into scenographers, regardless of our discipline: co-authors of a scene that was constructed out of margins and constraints, participants in a game of give and take that we endlessly play around a display we like to recycle. In the end, that's how 019, our handling of its space through appropriation and dispossession, became the site of a moving practice, a collaborative way of working ready to be moved, reproduced and reinvented elsewhere.

Paperback. Condizione: Brand New. 01 edition. 304 pages. 11.77x8.31x0.67 inches. In Stock.

Pocket Book. Condizione: New.

Pocket Book. Condizione: Brand New. 1st edition. 128 pages. 11.85x8.54x1.54 inches. In Stock.

Paperback. Condizione: new. Paperback. 019 was never going to remain the only place we worked in. From the start, its been a laboratory that swings us into unknown directions, constantly sharpening our sense of improvisation and reinvention on the spot. For three years, from 2013 onwards, we made that old welding factory at Dok Noord in Ghent the focal point of our activities. People even started to identify the entirety of our collective, Smoke & Dust, with what was basically only the name of its nineteenth project. We became 019. The whole project turned us upside down. But in doing so, we became aware as well. We understood that the act of occupying and taking possession of the site was not the goal of our work at all. From the inside out, starting with a wooden construction in its interior and up to the billboard at an outside wall and a series of flagpoles on the roof, we gradually developed the place into an assembly of undergrounds for public and artistic encounter, an emerging space for collaboration that was grounded on the premise that all media at our disposal were common grounds to be rediscovered. Thats when the work began. Thats when things began to move, for real. Thats when we realizedartists, architects, designers and the likewe had all turned into scenographers, regardless of our discipline: co-authors of a scene that was constructed out of margins and constraints, participants in a game of give and take that we endlessly play around a display we like to recycle. In the end, thats how 019, our handling of its space through appropriation and dispossession, became the site of a moving practice, a collaborative way of working ready to be moved, reproduced and reinvented elsewhere. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condizione: new. Paperback. And then, as if out of nowhere, everything built be-came HERITAGE. The regulation would be confirmed in writing shortly, but on the telephone the office clerk left no room for doubt. Every brick, every beam and pipe, every tile, faucet and roofline had to be preserved. THE SITUATION AS IT IS, WILL BE THE SITUATION AS IT IS. The administration chose a new approach: a radical shift from ambiguousat times obscuredecisions, procedures and decrees to an era of HYPER-REGULATION. Startled, THE ARCHITECT hung up. He looked at the list of construction sites he planned on visiting that day, grabbed his car keys and camera, and left. He wondered if, later on, his wife and kids would still be in the living room where he heard them playing now. THE SITUATION AS IT IS** is the story of an architects ring binders, an archive filled with negatives and scattered subjects. THE PHOTOGRAPHS try to tell a story of an existing condition*: this is the state things are in. Within these binders buildings are perpetually unfinished. The dog keeps barking. Its our third birthday, again. Decades after they were exposed, these photographs appear to reveal the first traces of THE IMPASSE. **** Documenting the existing condition (de bestaande toestand) is a legally required aspect of a building application within the context of architecture and urban development: photographs describe a building, a landscape, infrastructure. in order for it to be demolished, adjusted, built. The existence of the image, the document that presents THE SITUATION AS IT IS, usually implies and initiates change. ** THE SITUATION AS IT IS unfolded in 15 episodes of three frames that revolved rhythmically on a billboard mounted onto 019s facade. *** Part of the research project Documenting Objects, conducted by Arnout and Michiel De Cleene at KASK, the school of arts of HOGENT and Howest. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

paperback. Condizione: New. **PAPERBACK**.

paperback. Condizione: Nuovo (New). Prima edizione (First Edition). Ricerca e fotografie di Michiel De Cleene e Arnout De Cleene. Realizzato con il supporto di HOGENT Arts Research Fund, Ghent . Cm 30,5x24. pp. 160. . Nuovo (New). . Prima edizione (First Edition). . Nell'aprile del 1872 il Vesuvio eruttò con un violento cataclisma. È considerata la prima eruzione vulcanica mai fotografata. Da allora si sono susseguite grandi eruzioni, con la prossima che incombe pericolosamente. Ogni eruzione porta al cataclisma successivo, ogni periodo di quiescenza all'oblio e al compiacimento. Amidst the fire, I am not burnt (In mezzo al fuoco, non sono bruciato) è una lettura superficiale del paesaggio iconico plasmato dal Vesuvio. Il libro indaga le diverse temporalità, gli approcci scientifici e popolari, le rappresentazioni fotografiche storiche e attuali e le storie inscritte in questo paesaggio ciclico. Book.

Condizione: New.

Taschenbuch. Condizione: Neu. Neuware - And then, as if out of nowhere, everything built be-came HERITAGE. The regulation would be confirmed in writing shortly, but on the telephone the office clerk left no room for doubt. Every brick, every beam and pipe, every tile, faucet and roofline had to be preserved. THE SITUATION AS IT IS, WILL BE THE SITUATION AS IT IS. The administration chose a new approach: a radical shift from ambiguous-at times obscure-decisions, procedures and decrees to an era of HYPER-REGULATION. Startled, THE ARCHITECT hung up. He looked at the list of construction sites he planned on visiting that day, grabbed his car keys and camera, and left. He wondered if, later on, his wife and kids would still be in the living room where he heard them playing now. THE SITUATION AS IT IS\*\* is the story of an architect's ring binders, an archive filled with negatives and scattered subjects. THE PHOTOGRAPHS try to tell a story of an existing condition\*: this is the state things are in. Within these binders buildings are perpetually unfinished. The dog keeps barking. It's our third birthday, again. Decades after they were exposed, these photographs appear to reveal the first traces of THE IMPASSE. \*\*\*\* Documenting the existing condition (de bestaande toestand) is a legally required aspect of a building application within the context of architecture and urban development: photographs describe a building, a landscape, infrastructure. in order for it to be demolished, adjusted, built. The existence of the image, the document that presents THE SITUATION AS IT IS, usually implies and initiates change. \*\* THE SITUATION AS IT IS unfolded in 15 episodes of three frames that revolved rhythmically on a billboard mounted onto 019's facade. \*\*\* Part of the research project Documenting Objects, conducted by Arnout and Michiel De Cleene at KASK, the school of arts of HOGENT and Howest.

Condizione: New. In.

Taschenbuch. Condizione: Neu. The Situation As It Is | Michiel Cleene (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | APE | EAN 9789493146983 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.

Paperback. Condizione: New.

Paperback. Condizione: New.

Paperback. Condizione: New. 019 was never going to remain the only place we worked in. From the start, it's been a laboratory that swings us into unknown directions, constantly sharpening our sense of improvisation and reinvention on the spot. For three years, from 2013 onwards, we made that old welding factory at Dok Noord in Ghent the focal point of our activities. People even started to identify the entirety of our collective, Smoke and Dust, with what was basically only the name of its nineteenth project. We became 019. The whole project turned us upside down. But in doing so, we became aware as well. We understood that the act of occupying and taking possession of the site was not the goal of our work at all. From the inside out, starting with a wooden construction in its interior and up to the billboard at an outside wall and a series of flagpoles on the roof, we gradually developed the place into an assembly of undergrounds for public and artistic encounter, an emerging space for collaboration that was grounded on the premise that all media at our disposal were common grounds to be rediscovered. That's when the work began. That's when things began to move, for real. That's when we realized-artists, architects, designers and the like-we had all turned into scenographers, regardless of our discipline: co-authors of a scene that was constructed out of margins and constraints, participants in a game of give and take that we endlessly play around a display we like to recycle. In the end, that's how 019, our handling of its space through appropriation and dispossession, became the site of a moving practice, a collaborative way of working ready to be moved, reproduced and reinvented elsewhere.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback, 255x200mm, 208p, English / Dutch (NL) edition .*nieuw ISBN 9789492567024. Voor veel inwoners van de stad Antwerpen is Linkeroever onbekend terrein. Vanaf de oevers van de Schelde ziet de overkant van de rivier eruit als een verzameling hoge gebouwen, zwevend boven een groene strook. Hoewel herinneringen aan zomeravonden op het Sint-Annastrand deel uitmaken van het collectieve geheugen van de stad, wordt Linkeroever vaak over het hoofd gezien en vergeten. Het is 'aan de andere kant van de rivier' - een deel van de stad, maar toch ver weg. In 2016 lanceerde de Antwerpse stadsbouwmeester Christian Rapp een internationale ideeenwedstrijd met de expliciete ambitie om Linkeroever tot het voorwerp van ontwerpend onderzoek te maken en om het debat over het belang van dit deel van de stad voor heel Antwerpen aan te zwengelen. De wedstrijd was een zoektocht naar Leitbilder ? visies die een beeld geven van wat de toekomst van de stad zou kunnen zijn. Linkeroever. Sprong over de Schelde is bedoeld als meer dan louter het verzamelen van de inzendingen. In het boek vormt dit initiatief het uitgangspunt voor het opnieuw aan de orde stellen van de bredere vragen over de huidige stand van zaken in stedenbouw en ontwerp. Als Linkeroever een stad is die op het punt staat plaats te vinden, dan markeren dit boek en deze wedstrijd het begin van die ontwikkeling. For many of the city's inhabitants, the Antwerp Linkeroever is unknown territory. From the banks of the Scheldt, the opposite side of the river appears as a series of high-rise buildings hovering over a green strip. Although recollections of summer evenings on the beach of Sint-Anna are part of the collective memory of the city, the Linkeroever is often overlooked and forgotten. It is 'across the river' - a part of the city, yet also something separate. In 2016, Antwerp City Architect Christian Rapp launched an international ideas competition, with an explicit ambition to address the Linkeroever as an object of design research and to start the debate on the importance of this part of the city for the whole of Antwerp. The competition looked for Leitbilder - images that offer a vision on what the future of the city might be. Linkeroever. Across the River intends to extend beyond merely collecting the results of the competition. Instead, it takes this initiative as the starting point for readdressing larger questions about the state of urban development and design today. If the Linkeroever is a city about to happen, this book and the competition wish to mark the start of this journey. 0 g.

Paperback. Condizione: Brand New. 01 edition. 324 pages. French language. 9.92x7.80x0.94 inches. In Stock.

Paperback, 324 pages,200 x 255 mm, English text. ISBN 9789492567178. The key concept for the selection of these projects is encapsulated in the title: When Attitudes Take Form. The editors chose architecture that demonstrates a convincing social commitment while also challenging and questioning its own discipline. These fifty projects display the multifaceted nature of the resulting architecture. Each of the twelve essays examines a current topic. The authors scrutinise the conditions for the production of contemporary architecture, such as the large-scale urban expansion project, the (post-) reconstruction landscape of the south-west corner of Flanders, and school building within the region. But they also explore the various positions adopted by architects: that of designer and also of researcher or committed citizen in the civil sector. With essays by Luce Beeckmans, Isabelle Blancke & J rgen Vandewalle, Sofie De Caigny, Michiel De Cleene, Arnaud Hendrickx, Petrus Kemme, Katrien Laenen, Maarten Liefooghe, Petra Pferdmenges, Eireen Schreurs, Stichting Mevrouw Meijer, Helen Thomas and Maarten Van Den Driessche. With projects by 51N4E, ae-architecten, architecten Els Claessens en Tania Vandenbussche, Architectenbureau Bart Dehaene, Areal Architecten, Atelier Kempe Thill, B-ILD, Baeten Hylebos Architecten, Baumschlager Eberle Architekten, BC architects & studies, BLAF Architecten, BOB361, Bourbouze & Graindorge, Bovenbouw Architectuur, BULK architecten, Callebaut Architecten, Carton123 architecten, Compagnie-0, CRIT./Peter Swinnen, De Smet Vermeulen architecten, Dennis Tyfus, Eagles of Architecture, Endeavour, evr-architecten, FELT architecture & design, Francesca Torzo, Frederic Vandoninck Wouter Willems architecten, Gijs Van Vaerenbergh, import.export Architecture, John K rmeling, Korteknie Stuhlmacher Architecten, Lauren Dierickx & Sander Rutgers architecten, META architectuurbureau, murmuur architecten, noAarchitecten, NU architectuuratelier, OFFICE Kersten Geers David Van Severen, OM/AR, ono architectuur, osar, OUEST, Poot Architectuur, Pool is Cool, Puls architecten, Raamwerk, RE-ST, Robbrecht en Daem architecten, Sigert Defrancq, Didier De Roeck, Juri Jansen, Gilles Vanneste & Stef Verhees, Sileghem & Partners, Seasonal Neighbours (Ciel Grommen, Dieter Leyssen & Maximiliaan Royakkers), St phane Beel Architects, Styfhals Architecten, TETRA architecten, TRANS architectuur | stedenbouw, URA Yves Malysse Kiki Verbeeck en Xaveer De Geyter Architects 0 g.

Condizione: New. The Flanders Architectural Review No.14 presents striking architecture from Flanders and Brussels. It assembles a broad range of recently completed architectural projects and situates them in the evolution of the socio-cultural domain in which they arose.

Paperback. Condizione: New.

paperback. Condizione: New. NEW. SHIPS FROM MULTIPLE LOCATIONS. book.