colo papo (42 risultati)

paperback. Condizione: Good.

paperback. Condizione: Very Good. Paperback is scuffed, edge wear, interior is clean and nice. The politics of homelessness and photography are melded in this unique project. All orders packed with care, most dust jackets protected by Brodart sleeve, independent bookseller since 2011.

Soft cover. Condizione: Near Fine. No Jacket. Large 4to volume with 108 pages in near fine condition.

Softcover staple bound, 14 pages, very good condition, slight wave to pages; no internal marks. Includes the work of : Xavier Villaverde, Raul Rodriguez, Jose Ramon da Cruz, Antonio Cano, Gerardo Armesto, Isabel Herguera, Joan Pueyo, and many others.

Paperback. Condizione: Near Fine. First Edition. 4to., ill. in bw & color plates. Touch of rubbing along edges of wraps, else Fine. ; Well packaged in a box, ships with tracking.

First Edition. First edition. Softcover. Exhibition catalog for a show that ran September 23 through October 28, 1989 at Exit Art and then traveled to four other locations for additional dates. Features text contributions by Papo Colo, Neil Smith, Wodiczko, David Lurie, Rosalyn Deutsche, and Julie Courtney. Includes numerous black and white illustrations. A near fine copy in stapled wrappers.

Softcover. Condizione: Very Good+. Condizione sovraccoperta: No Dust Jacket. Cover has a few small dings. Not bad. ; Signed by author; B/w photos'; 48 pages; Signed by Author.

Condizione: New.

Condizione: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Exhibition invite, 4 x 6 inches; very good condition; an unmailed copy.

Softcover, 48 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condizione: As New. Unread book in perfect condition.

Exhibition invite, 5 x 7 inches; very good condition; a mailed copy to Richard Serra with address and postal marks on rear.

Soft Cover. Condizione: Near Fine. This is a near fine softcover copy with almost no wear. Completely clean. This catalog was prepared to accompany the exhibition at the Rosa Esman Gallery and at Exit Art, both in New York in the Soho district from November 20 to December 31, 1986. Essays by Lucy Lippard, John Yau, Rosa Esman, Martha Wilson, and Jeannette Ingberman. Illustrated in color and black & white with images on every page. Papo Colo (1946- ) is a Puerto Rican artist who works both in New York and Puerto Rico, where he has a studio in El Junque rainforest. In 1982 Papo Colo, with Jeanette Ingberman, founded Exit Art. Limited edition of 1000 copies. 11" high X 8" wide, about 40 pages. This book will be securely packed and shipped with tracking.

Softcover staple bound, 48 pages, very good condition, light rubbing to covers with tiny creases around spine edge, no internal marks.

Condizione: new.

Soft cover. Condizione: Near Fine. Cardboard portfolio, sealed with diagonal green tape (seal broken) containing 24pp catalogue (stapled green card wraps) and glossy white envelope holding 40 loose colour plates by Moscow artists.

Softcover. Condizione: Very good. 36 p. 28 cm. B&w photos. Stapled. Bottom corner of front cover and first pages a bit worn.

Exhibition invite, 3 stapled pages with hair on drawing at top edge; 6 x 9 inches; very good condition; an unmailed copy.

Condizione: New.

Soft Cover. Condizione: Very Good. First Edition. staple-bound wrappers., some soft creasing to several pages. no other flaws, clean, no markings, sturdy binding.; no isbn.; 48pp., b/w photos throughout. several essays. focuses on the tompkins square struggle pitting homeless new yorkers against the city, the police, the forces of gentrification during the 1980s primarily. Size: 4to - over 9¾" - 12" tall. Exhibition Catalogue.

Soft cover. Condizione: Very Good. Published on the occasion of an exhibition held at Exit Art New York in 1989. Well-bound in staple wraps, sharp corners, clean and bright interior pages. Covers show some light, faint foxing - mostly concentrated at the top of the front panel. Overall excellent.

Condizione: As New. Unread book in perfect condition.

Hardcover. Condizione: New.

Hardcover. Condizione: Brand New. 01 edition. 438 pages. French language. 11.50x9.50x1.50 inches. In Stock.

Staple-bound Wrappers. Condizione: Near Fine. Slim volume, 36 pages. Illustrations throughout. Minor wear to the paper covers, spine and edge. Illustrated wraps. Published on the occasion of the exhibition from Exit Art, New York NY November 1-December 2, 1989. Conversation between Jimmie Durham and Jeanette Ingberman. Book.

hardcover. Condizione: Good. Prima edizione (First Edition). Testi di Papo Colo, Mary Anne Stanieszewski, Marvin J. Taylor, Susan Harris, Charles Kremer et al. 1000 illustrazioni a colori e in bianco e nero. Biografie degli artisti . 8vo (cm 23x28). pp. 442. . Perfetto (Mint). . Prima edizione (First Edition). . Unfinished Memories: 30 Years of Exit Art is an intimate portrait of an institution that from 1982 to 2012 challenged social, political, aesthetic and curatorial norms. Committed to experimenting at the intersection of disciplines, publications and design, the gallery Exit Art remained steadfast in its mission to provide new possibilities and opportunities for artists, curators and viewers through its expansive historical shows, exhibitions of emerging and under-recognized artists, experimental theatre and performance works, as well as national and international film and video programs. Conceived by Exit Art's founders, Jeanette Ingberman and Papo Colo, this volume is a resource on more than 200 exhibitions, events, festivals and programs featuring more than 2,500 artists, presented within the larger context of the art world. More than seventy eyewitness accounts and idiosyncratic recollections from artists, curators, critics and friends create a vivid sense of the exhibitions, performances, screenings, discussions, ideas and people that were part of Exit Art during its three-decade run. Unfinished Memories: 30 Years of Exit Art  è un ritratto intimo di un'istituzione che dal 1982 al 2012 ha sfidato le norme sociali, politiche, estetiche e curatoriali. Impegnata a sperimentare all'intersezione di discipline, pubblicazioni e design, la galleria Exit Art è rimasta ferma nella sua missione di fornire nuove possibilità e opportunità ad artisti, curatori e spettatori attraverso le sue ampie mostre storiche, le esposizioni di artisti emergenti e poco riconosciuti, le opere teatrali e performative sperimentali, nonché i programmi cinematografici e video nazionali e internazionali. Ideato dai fondatori di Exit Art, Jeanette Ingberman e Papo Colo, questo volume è una risorsa su oltre 200 mostre, eventi, festival e programmi con più di 2.500 artisti, presentati nel più ampio contesto del mondo dell'arte. Più di settanta testimonianze e ricordi idiosincratici di artisti, curatori, critici e amici creano un senso vivido delle mostre, delle performance, delle proiezioni, delle discussioni, delle idee e delle persone che hanno fatto parte di Exit Art durante i suoi tre decenni di vita. Book.

Hardcover. Condizione: Brand New. 01 edition. 438 pages. French language. 11.50x9.50x1.50 inches. In Stock.

Hardcover. Condizione: Brand New. 01 edition. 438 pages. French language. 11.50x9.50x1.50 inches. In Stock.

Soft cover. Condizione: Very Good. 9 1/2" x 11 1/2" two-pocket folder with an "Exit Art / The First World" sticker professionally affixed to the front. Contents: "The Garden of Sculptural Delights" bag of seeds (1994); "Comic Power: Independent/Underground Comix USA" promotional (1993); ".It's How You Play the Game" promotional sheet (1994/5); "Let the Artist Live!" promotional sheet (1994); "Terra Bomba" promotional card (1997); "Conspiracies" poster (1994); "The LP Show" promotional flyer (2001); "Spunky" folding promotional card (2001); "The End: An Independent Vision of Contemporary Culture, 1982-2000)" promotional poster cum program (2000); a stapled magazine-sized retrospective/prospective, seemingly from the period of "The End" (2000); 30 or so sheets of xeroxed reviews of Exit Art shows and/or interviews with the founders, ca. 1994 forward (Village Voice, Pform, NY Times, etc.). Unclear when these were assembled and distributed, but early 2000s seems close enough as a guess. VG+: light handling, clean, sound, etc.