Colombo duccio (19 risultati)

Condizione: NUOVO. Pisa, Pacini Editore cm.14,5x22,5, pp.254, brossura con copertina figurata a colori con bandelle Coll:Strumenti di Filologia e Critica,4. Il funzionamento concreto della letteratura del realismo socialista rimane un campo poco frequentato da una critica che tende a limitarsi, se e quando va oltre la semplice condanna morale, alla discussione degli assunti teorici, alla ricostruzione del processo di sottomissione della letteratura al sistema di controllo statale. Attraverso una ricognizione della nascita e dello sviluppo di una delle correnti più caratteristiche del realismo socialista il romanzo di fabbrica questo studio tenta invece di indagare la letteratura sovietica a partire dai testi, mettendo a confronto i primi esperimenti dell'inizio degli anni Trenta (Erenburg, Kataev, aginjan.) con romanzi dell'immediato dopoguerra, il periodo del Massimo rigore ideologico. Ne risulta un'analisi del concreto realizzarsi in letteratura del mandato politico che offre la possibilità di affrontare l'argomento guardando oltre le abusate categorie di verità e menzogna.…

Condizione: NEW.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condizione: New. New Book. Shipped from UK. Established seller since 2000.

Condizione: New.

Buch. Condizione: Neu. Druck auf Anfrage Neuware - Printed after ordering - It is commonly held among scholars that there was no mass literature in the Soviet Union during the Stalin years. What should we do, then, with Lev Ovalov's Major Pronin or with the stories of Lev Sheinin, which began to appear in the mid-1930s And what about Nikolai Shpanov's post-war best-sellers As The Soviet Spy Thriller demonstrates, the Soviet authorities did not like to admit that they published low-quality literature aimed at the uncultured masses, but they greatly valued its propaganda value. These works represented a break with the 'Red Pinkerton' tradition of the 1920s: the genre was being reinvented along new lines, with a new seriousness, and documentary pretensions. The building of a new kind of spy thriller also required a new enemy. Between the late 1930s and the early 1950s, the Soviet spy thriller reflects the shift from an obsession with class to a new preoccupation with nationality, as the Soviet Union constructed a new identity for itself in a rapidly changing world. The same identity discourse underwent another transformation in the post-Stalin years, when the Soviet agent, underground in the enemy camp, became a metaphor for double life of the 'Soviet man'. A landmark new survey of a genre little known in the West, The Soviet Spy Thriller shines new light on cultural politics in the Soviet Union, and offers a fascinating counterpoint to the Western spy thrillers that will be so familiar to most readers.…

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Soft cover. Condizione: New. UNiversita di Salerno, 2012/, pp.400, color plates. Essays in Russian, Italian, French English by leading speciailsts: Symbolism in RUssia in 1910. ISBN 9788862350334.

Condizione: As New. Unread book in perfect condition.

Brossura. Condizione: come nuovo. Foto su richiesta.

Brossura editoriale. Condizione: Near Fine. Un volume di 30 cm, pagine 189. Scritti di Felicia Bottino et al. Catalogo della Mostra tenuta a Bologna nel 1993-1994. Collana: Immagini e documenti. Istituto per i Beni Artistici, Culturali e Naturali della Regione Emilia-Romagna.

bross. ed. ill. Condizione: In ottimo stato. pp. XVIII-604 8° gr.

Pisa, Pacini, 2008, 8vo brossura con copertina illustrata a colori, pp. 255, alcune sottolineature a lapis nel testo e a margine (Strumenti di filologia e critica, 4).

Bologna, Grafis, 1993, 4to brossura editoriale con copertina illustrata a colori, pp. 189 interamente illustrate in nero e a colori. Testi di Ezio Raimondi, Concetto Pozzati, Vittorio Strada e altri. Ottimo.

Buch. Condizione: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -It is commonly held among scholars that there was no mass literature in the Soviet Union during the Stalin years. What should we do, then, with Lev Ovalov's Major Pronin or with the stories of Lev Sheinin, which began to appear in the mid-1930s And what about Nikolai Shpanov's post-war best-sellers As The Soviet Spy Thriller demonstrates, the Soviet authorities did not like to admit that they published low-quality literature aimed at the uncultured masses, but they greatly valued its propaganda value. These works represented a break with the 'Red Pinkerton' tradition of the 1920s: the genre was being reinvented along new lines, with a new seriousness, and documentary pretensions. The building of a new kind of spy thriller also required a new enemy. Between the late 1930s and the early 1950s, the Soviet spy thriller reflects the shift from an obsession with class to a new preoccupation with nationality, as the Soviet Union constructed a new identity for itself in a rapidly changing world. The same identity discourse underwent another transformation in the post-Stalin years, when the Soviet agent, underground in the enemy camp, became a metaphor for double life of the 'Soviet man'. A landmark new survey of a genre little known in the West, The Soviet Spy Thriller shines new light on cultural politics in the Soviet Union, and offers a fascinating counterpoint to the Western spy thrillers that will be so familiar to most readers. 308 pp. Englisch. …

Condizione: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. It is commonly held among scholars that in the Stalin years no specific mass literature existed in the Soviet Union what do we do, then, with Lev Ovalov s Major Pronin or with Lev Sheinin s stories, which began to appear since the mid-Thirties? What about .…

Buch. Condizione: Neu. This item is printed on demand - Print on Demand Titel. Neuware -It is commonly held among scholars that there was no mass literature in the Soviet Union during the Stalin years. What should we do, then, with Lev Ovalov¿s Major Pronin or with the stories of Lev Sheinin, which began to appear in the mid-1930s And what about Nikolai Shpanov¿s post-war best-sellers As The Soviet Spy Thriller demonstrates, the Soviet authorities did not like to admit that they published low-quality literature aimed at the uncultured masses, but they greatly valued its propaganda value. These works represented a break with the ¿Red Pinkerton¿ tradition of the 1920s: the genre was being reinvented along new lines, with a new seriousness, and documentary pretensions.The building of a new kind of spy thriller also required a new enemy. Between the late 1930s and the early 1950s, the Soviet spy thriller reflects the shift from an obsession with class to a new preoccupation with nationality, as the Soviet Union constructed a new identity for itself in a rapidly changing world. The same identity discourse underwent another transformation in the post-Stalin years, when the Soviet agent, underground in the enemy camp, became a metaphor for double life of the ¿Soviet man¿.A landmark new survey of a genre little known in the West, The Soviet Spy Thriller shines new light on cultural politics in the Soviet Union, and offers a fascinating counterpoint to the Western spy thrillers that will be so familiar to most readers.Books on Demand GmbH, Überseering 33, 22297 Hamburg 308 pp. Englisch.…

Buch. Condizione: Neu. The Soviet Spy Thriller | Writers, Power, and the Masses, 1938-2002 | Duccio Colombo | Buch | 308 S. | Englisch | 2022 | Peter Lang | EAN 9781433191909 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu Print on Demand.…