cornaz marie (39 risultati)

Condizione: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

A fine copy in fine unclipped dust wrapper that has very light storage marking; no significant wear or damage. Contents fine, with no inscriptions.

Condizione: BUONO. Paris, EPEL cm.15,5x22,5, pp.205,(7), alcune ill. in bn.nt., brossura Publ. de l'Ecole Lacanienne de Psychanalyse.

197 S. Kartoniert. Sauberes Exemplar ohne Stempel und Anstreichungen. Name auf Vorsatz. Sehr gut erhalten. Sprache: fra.

Couverture rigide. Condizione: Comme neuf. Relié .266p.CD ROM.Nombreuses Illustrations couleurs et noir et blanc.

Condizione: fine. Livraison rapide, bien emballé, service client soigné.Pour tout renseignement complémentaire, n'hésitez pas à nous contacter.

Hardcover. Condizione: New. Condizione sovraccoperta: New. Qto., 267 pages, illustrated in colour. A New copy in dust jacket.

270 p. Linnen met stofomslag, mooi exemplaar.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Fine. A stunning copy! Still sealed in the original publisher's shrinkwrap! Minty like a box of Altoids. Green Apple Books and Music, Publisher Weekly's Bookstore of the Year 2014, has been San Francisco's favorite independent bookseller since 1967! Shipping costs on oversize / international orders will reflect actual shipping charges and may be more than quoted by ABE. We will need to contact you with true shipping costs and ask for authorization before adjusting cost.

Condizione: Sehr gut. 267 Seiten, bebildert. Buch sehr gut erhalten, nur SU ganz leicht berieben. ISBN: 9782503555577 Sprache: Englisch Gewicht in Gramm: 1600 Gebundene Ausgabe mit Schutzumschlag.

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Comme neuf. grnad in-4, cartonné sous jaquette, un prix indiqué à l'encre sur le coin supérieur de la page de garde sinon état proche du neuf. très nombreuses illustrations in et hors texte. Attention vendu sans le cd qui l'accompagnait initialement.

Couverture souple. Condizione: Très bon. Edition originale. In-8° broché, 81 pages - Articles originaux : L'invention au XXe siècle d'une homologia parrêsia côté femmes pour chaque-une plurielle autant que mille, Générations MLF 1968-2008 - Dupe d'un nom pour Jean-Claude Milner, l'Arrogance du présent. Regards sur la décennie 1965-1975 - Les objets,vous dis-je !, pour Tobie Nathan, à qui j'appartiens ? Écrits sur la psychothérapie, sur la guerre et sur la paix.

Couverture rigide. Condizione: Très bon. Condizione sovraccoperta: Très bon. in-4, caronné toilé sous jaquette illustrée. très nombreuses illustrations nb et couleurs in et hors texte. Bien complet du CD.

Couverture souple. Condizione: Comme neuf. Condizione sovraccoperta: Comme neuf.

Pleine Toile. Condizione: Très bon. Condizione sovraccoperta: Très bon. Photographies de Martial Trouillez (illustratore). 266 p., nbr. ill. n/b et coul. Inv. 31500.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Near Fine. 1st Edition. First English edition. Numerous colour photographic illustrations, translated from the French by Anna J. Davies. 4to. Near fine publisher's cloth, in a similar dustwrapper, this with some light shelf-wear and a sticky abrasion to rear panel.

Condizione: New. Jost, Peter, ed|Schile, Klaus, Fingersatz|Zimmermann, Tabea, Fingersatz_mit bezeichneter und unbezeichneter StreicherstimmeDer unstete Lebensweg des Belgiers Vieuxtemps nahm wie kaum ein anderer im 19. Jahrhunderts den europaeischen Gedanken vorweg. .

hardcover. Condizione: New. 1st.

Taschenbuch. Condizione: Gut. Gebraucht - Gut - ungelesen,als Mängelexemplar gekennzeichnet, mit leichten Mängeln an Schnitt oder Umschlag durch Lager- oder Transportschaden -Cet ouvrage constitue une nouveauté, car il propose pour la première fois un catalogue exhaustif et fouillé des éditions musicales parues à Bruxelles au XVIIIe siècle. Après une introduction, retraçant les lignes de force de l'histoire de ce commerce musical spécifique, le corps du volume détaille toutes les publications, typographiées et gravées, en les présentant successivement par compositeurs, oeuvres anonymes et recueils. Chaque édition est décrite au sein de rubriques dévolues à la page de titre, à la collation, au contenu musical, à la datation, au référencement RISM, aux exemplaires conservés (et à leurs spécificités éventuelles), aux documents liminaires et autres (dédicace, distribution, liste de souscripteurs, privilège, catalogue d'éditeur) et enfin à quelques données techniques. Agrémenté de soixante-dix illustrations, le catalogue est suivi de deux index : le premier recense les oeuvres, tandis que le second s'attache aux personnalités citées, qu'il s'agisse de compositeurs, d'interprètes, de dédicataires ou encore de souscripteurs. Outil de référence inédit, ce volume apporte sa contribution à l'histoire de l'édition musicale, tout en répertoriant avec précision un corpus musical jusqu'ici insoupçonné. 321 pp. Französisch.

Condizione: New.

Hardcover. Condizione: new. Hardcover. This publication is the revised, expanded, and updated version of the book in French that appeared in 2010 from the same publisher: Les ducs d'Arenberg et la musique au xviiie siecle. Histoire d'une collection musicale. The study explores in depth the development of a music collection created by one of the most influential noble European families under the Ancien Regime - a family resident in the Spanish and then the Austrian Netherlands, the territory of the future state of Belgium. Today forming an integral part of the private family archives kept at Enghien (in the Hainaut region of Belgium), this exceptional collection of manuscripts and prints from all over Europe began to expand in the last years of the seventeenth century, and grew gradually and continually throughout the eighteenth century. Analysing this collection has afforded a rare opportunity to discover and identify musical sources entirely unknown to us until now; these include works by the Italians Alessandro Scarlatti, Pietro Torri, and Antonio Vivaldi. With the aid of unpublished archival material, it has proved possible also to relate and explain how this important music collection was amassed, and, through the prism of the musical affinities of an aristocratic family, to illustrate the evolution of taste in eighteenth-century Europe. The introduction to the book sets out key milestones in the history of the Arenbergs and their music library. The three chapters that follow trace the development of this collection under Dukes Leopold-Philippe (1690-1754), Charles-Marie-Raymond (1721-1778), and Louis-Engelbert (1750-1820) d'Arenberg, while an Epilogue sheds light on the era of the Prince and composer Paul d'Arenberg (1788-1844). Via music lessons, private and public concerts, operatic performances (not only in Brussels but also in Paris, London, Vienna, and Rome), and contacts with such musicians as Mozart, Paisiello, and Haydn, the Dukes acquired in the region of 1500 music manuscripts and prints, where the above names, as well as those of Lully, Handel, Pergolesi, Gretry, and Salieri, appear alongside those of musical personalities long since fallen into obscurity. Finally, the book tells a hitherto largely untold story of musical life in the former Southern Netherlands and Europe under the Ancien Regime, the family archives shedding particular light on the role played in this by the Dukes of Arenberg as patrons of the Arts. Towards this end, the book makes detailed reference to and reproduces the most significant sources and documents. This publication is the revised, expanded, and updated version of the book in French that appeared in 2010 from the same publisher: Les ducs d'Arenberg et la musique au xviiie siecle. Histoire d'une collection musicale. The study explores in depth the development of a music collection created by one of the most influential noble Euro Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condizione: As New. Unread book in perfect condition.

Condizione: New. 2015. Hardcover. . . . . .

Rilegato. Condizione: nuovo. Condizione sovraccoperta: nuovo. prima edizione. The Dukes of Arenberg and Music in the Eighteenth Century. The Story of a Music Collection Marie Cornaz Pages: 267 p. Size:220 x 280 mm Illustrations:184 col. Language(s):English Publication Year:2015 Buy print version ? 135,00 EXCL. VAT RETAIL PRICE ISBN: 978-2-503-55557-7 Hardback Available SUBJECT(S) Musicology: Baroque period (c. 1600-1750) Catalogues of manuscripts for an institution REVIEW(S) "The book is beautifully produced and consists of everything a critical reader wishes to find: a fine structure, excellent prose, many full colour reproductions of highest quality, and, above all, a lot of information (?) All in all, this is a lovely book which will easily serve as an adornment on the bookshelves of readers with an interest in western music of the eighteenth century." (Albert Clement in BMGN, 20/11/2017) SUMMARY This publication is the revised, expanded, and updated version of the book in French that appeared in 2010 from the same publisher: Les ducs d'Arenberg et la musique au XVIIIe siècle. Histoire d'une collection musicale. The study explores in depth the development of a music collection created by one of the most influential noble European families under the Ancien Régime - a family resident in the Spanish and then the Austrian Netherlands, the territory of the future state of Belgium. Today forming an integral part of the private family archives kept at Enghien (in the Hainaut region of Belgium), this exceptional collection of manuscripts and prints from all over Europe began to expand in the last years of the seventeenth century, and grew gradually and continually throughout the eighteenth century. Analysing this collection has afforded a rare opportunity to discover and identify musical sources entirely unknown to us until now; these include works by the Italians Alessandro Scarlatti, Pietro Torri, and Antonio Vivaldi. With the aid of unpublished archival material, it has proved possible also to relate and explain how this important music collection was amassed, and, through the prism of the musical affinities of an aristocratic family, to illustrate the evolution of taste in eighteenth-century Europe. The introduction to the book sets out key milestones in the history of the Arenbergs and their music library. The three chapters that follow trace the development of this collection under Dukes Léopold-Philippe (1690-1754), Charles-Marie-Raymond (1721-1778), and Louis-Engelbert (1750-1820) d'Arenberg, while an Epilogue sheds light on the era of the Prince and composer Paul d'Arenberg (1788-1844). Via music lessons, private and public concerts, operatic performances (not only in Brussels but also in Paris, London, Vienna, and Rome), and contacts with such musicians as Mozart, Paisiello, and Haydn, the Dukes acquired in the region of 1500 music manuscripts and prints, where the above names, as well as those of Lully, Handel, Pergolesi, Grétry, and Salieri, appear alongside those of musical personalities long since fallen into obscurity. Finally, the book tells a hitherto largely untold story of musical life in the former Southern Netherlands and Europe under the Ancien Régime, the family archives shedding particular light on the role played in this by the Dukes of Arenberg as patrons of the Arts. Towards this end, the book makes detailed reference to and reproduces the most significant sources and documents.

Condizione: New. 2015. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condizione: new. Hardcover. This publication is the revised, expanded, and updated version of the book in French that appeared in 2010 from the same publisher: Les ducs d'Arenberg et la musique au xviiie siecle. Histoire d'une collection musicale. The study explores in depth the development of a music collection created by one of the most influential noble European families under the Ancien Regime - a family resident in the Spanish and then the Austrian Netherlands, the territory of the future state of Belgium. Today forming an integral part of the private family archives kept at Enghien (in the Hainaut region of Belgium), this exceptional collection of manuscripts and prints from all over Europe began to expand in the last years of the seventeenth century, and grew gradually and continually throughout the eighteenth century. Analysing this collection has afforded a rare opportunity to discover and identify musical sources entirely unknown to us until now; these include works by the Italians Alessandro Scarlatti, Pietro Torri, and Antonio Vivaldi. With the aid of unpublished archival material, it has proved possible also to relate and explain how this important music collection was amassed, and, through the prism of the musical affinities of an aristocratic family, to illustrate the evolution of taste in eighteenth-century Europe. The introduction to the book sets out key milestones in the history of the Arenbergs and their music library. The three chapters that follow trace the development of this collection under Dukes Leopold-Philippe (1690-1754), Charles-Marie-Raymond (1721-1778), and Louis-Engelbert (1750-1820) d'Arenberg, while an Epilogue sheds light on the era of the Prince and composer Paul d'Arenberg (1788-1844). Via music lessons, private and public concerts, operatic performances (not only in Brussels but also in Paris, London, Vienna, and Rome), and contacts with such musicians as Mozart, Paisiello, and Haydn, the Dukes acquired in the region of 1500 music manuscripts and prints, where the above names, as well as those of Lully, Handel, Pergolesi, Gretry, and Salieri, appear alongside those of musical personalities long since fallen into obscurity. Finally, the book tells a hitherto largely untold story of musical life in the former Southern Netherlands and Europe under the Ancien Regime, the family archives shedding particular light on the role played in this by the Dukes of Arenberg as patrons of the Arts. Towards this end, the book makes detailed reference to and reproduces the most significant sources and documents. This publication is the revised, expanded, and updated version of the book in French that appeared in 2010 from the same publisher: Les ducs d'Arenberg et la musique au xviiie siecle. Histoire d'une collection musicale. The study explores in depth the development of a music collection created by one of the most influential noble Euro Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condizione: Comme neuf. Merci, votre achat aide à financer des programmes de lutte contre l'illettrisme.

Kartoniert / Broschiert. Condizione: New.

Couverture rigide. Condizione: Bon. Condizione sovraccoperta: Bon. In4 relié sous jaquette bon état à très bon état, 270 pages, 2002 (légères marques ou traces sur la jaquette, un CD en fin d'ouvrage). Envoi soigné.

Hardcover. Condizione: As New. Condizione sovraccoperta: Very Good. 1st Edition. 267 pp. 184 illustr. Brepols Publishers, Turnhout 2010. Couvertures en lin blue foncé avec dorures au dos. Intérieur propre, sans soulignements ni annotations. Ex Libr de la Bibliothèque de l'Université de Gand: une seule étampe sur la feuille de garde. Sinon comme neuf.