cornell george w (27 risultati)

Paperback. Condizione: Very Good.

Paperback. Condizione: Good. Grade 2 out 5 points. This is a used book. Books has moderate wear on cover and pages. Books with this grade may have any of the following: Personalized notes/names, stickers/labels, markings on pages, bends/creases on cover/spine, ex-library markings. May not include extra materials such as dust jackets, access codes, CDs, accessories, etc. All orders ship by next business day! We are a small company and very thankful for your business!

Condizione: good. A copy that has been read, remains in good condition. All pages are intact, and the cover is intact. The spine and cover show signs of wear. Pages can include notes and highlighting and show signs of wear, and the copy can include "From the library of" labels or previous owner inscriptions. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships via media mail.

Hardcover. Condizione: Good. Ex-library copy with usual markings and attachments. Binding is tight and square. Text is clean. Hardcovers are very good. Dust jacket is scuffed and has light edge wear. Careful packaging and fast shipping. We recommend EXPEDITED MAIL for even faster delivery. Shipped in 100% recyclable material.

Condizione: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condizione: Very Good. No Jacket. B&W drawings, a few B&W photos (illustratore). "First Printing" stated. "Very good" although four (easily removable) manila page dividers have been laid in. This book weighs about 3 lbs. 823 pp. including Index. Reduced from $20.

Hardcover. Condizione: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Paperback. Condizione: Very Good. Text is clean. Pages tanning. Cover shows light wear. ; Mass Market PB; 192 pages.

Hardcover. Condizione: Good. No Jacket. B&W drawings, a few B&W photos (illustratore). See photos for imperfections. Spine will need some glue repair.

Hardcover. Condizione: Acceptable. No markings. Historic Oklahoma Bookstore on Route 66. Packages shipped daily, Mon-Friday.

First Edition; First Printing. Orlando, FL: Samuel B. And Marion Lawrence. Near Fine with No dust jacket as issued. 1987. First Edition; First Printing. 0961582812 . A near fine catalog with light dust soiling as shown. See Photos ; This copy has been inscribed by Samuel B. And Marion Lawrence whose collection the catalog came from " To Skip Our Toughest Competetion Regards Sam & Marion and dated 11/24/87. ; Plates; 4to 11" - 13" tall; Signed by Author . Near Fine with No dust jacket as issued.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Good. clean text.

hardcover. Condizione: Good. Condizione sovraccoperta: DUST JACKET. Pages are crisp and clean, no marking. Cover is good. Binding is tight/good.

Condizione: Good. *Price HAS BEEN REDUCED by 10% until Monday, June 8 (weekend SALE item)* 26 pp., Paperback, library markings, else text clean and binding tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country.

Hardcover. Condizione: Fair. First Edition, First Printing. 152p. Ex-library hardcover book in original binding. Label on spine; dustjacket clippings, stamps, and sticker on endpapers and title page. Binding is slightly cockeyed, but still tight. Text is unmarked. A good reading copy.

Hardcover. Condizione: Fine. Condizione sovraccoperta: Fine. 1st Edition. First Printing. Unread - Fresh and crisp straight from the bookstore shelf. Boards are straight and stiff. Binding is tight and still new. Tips pointed. DJ NOT price clipped - no flaws. Previous owner name and address on the front free endpaper. Looks spectacular in a shiny mylar dust protector.

Trade Paperback. Condizione: Very Good. No Jacket. George Salter (cover) (illustratore). First Edition. Vol 18 # 96 of Ellery Queen's Mystery Magazine, November 1951. Contains stories by Cornell Woolrich (All at Once, No Alice), Stanley Ellin (Fool's Mate), Oliver La Frage (Woman Hunt No Good), W Somerset Maugham (The Point of Honor), Jack Finney (It Wouldn't be Fair), J S Fletcher (Buckmore Deals With the Duchess), Raoul Whitfield (They Got the Wrong Guy), H G Wells (A Deal in Ostriches), and others. Light wear at the edges with rubbing to the spine hinges. Script "e" written in black at the top left of the front cover. Light browning to the pages. A very good copy.

SingleIssueMagazine. Condizione: Very Good-. Vol. 47, no. 1. Pulp magazine. Cover art is uncredited for "Rim of Danger" by George Carousso; "To the Highest Bidder" by Curt Hamlin; "Crimson Harvest" by Lou Nelson; "I Want to Die in Bed!" by Mason Noble; "Mouthpiece" by Roy W. Cliborn; "Siren in the Night" (originally "We Die Tonight!") by John Hawkins; "Dark Flight" (originally "Marihuana") by Cornell Woolrich. Creasing; light cover spots/soiling; a little musty. Book.

Hardcover. Condizione: Very Good. Not dated, but 1907 or 1908 based on library catalogues. Bound in publisher's cloth, with printed boards. Hardcover. Clean, unmarked pages.

Hardcover. Condizione: Good. First Edition with dust jacket - rare and collectable - will send out 1 st class post.

SingleIssueMagazine. Condizione: Good+ to Very Good-. Vol. 288, No. 2. [Edited by Chandler H. Whipple.] Cover art by Rudolph Belarski for "Help! Murder! Police!" (pt. 1 of 3) by Cleve F. Adams. Includes "Seven Came by Sea" (novelet) by Robert Carse; "Legends of the Legionaries: Lexicon of the Fighting Men" (picture feature) by W. A. Windas; "Flame-Thrower" by Eustace L. Adams; "Steamboat Gold" (pt. 2 of 6) by George W. Ogden; "Men of Daring: Commander Wiley - indestructible Airman" (true story in picture) by Stookie Allen; "In Case of Accident" by Donald Barr Chidsey; "The Synthetic Men of Mars" (pt. 5 of 6) by Edgar Rice Burroughs; "The Eye of Doom - IV: The Episode of the Golden Cat's Pae - India, 1939" by Cornell Woolrich; "Noise, Please" (short feature) by J. Wentworth Tilden. Uncredited illustrations. Tanned; glue mends to both hinges; stress with a few tears; standard wear and tear at edges. Book.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

12 pp.; 28 x 21.6 cm; loose leaves; black-and-white; edition size unknwon; unsigned and unnumbered; photocopy / xeroxed Exhibition brochure / checklist published in conjunction with show held May 1 - July 23, 1993. Curated by Jean-Noël Herlin, with research by Karen Bubb and Sarah Wagner. Selected artists include Jean-Noël Herlin, Karen Bubb, Sarah Wagner, Wolfgang Paalen, Tom E. Lewis, Joseph Cornell, Laurence Vail, A. Raymond Katz, Irving Kriesberg, Yves Tanguy, Piet Mondrian, Fernand Léger, Claude Bentley, David Smith, Matta, Jean Follett, Pablo Picasso, Marcel Duchamp, Robert Brownjohn, Ivan Chermayeff, Thomas Geismar, George Brecht, Jim Dine, Claes Oldenburg, Jim Davis, Elaine de Kooning, William T. Wiley, Frank Stella, Man Ray, Red Grooms, Michael Todd, Ay-o, George Ortman, Nam June Paik, Harry Soviak, Arni Hendin, Thomas Downing, Gerald Oster, Reginald Neal, Dakota Daley, Nicholas Quennell, Bela Julesz, Michael Noll, Dan Flavin, Louise Nevelson, Peter Saul, Lila Katzen, Elaine Sturtevant, Kim MacConnel, Liliana Porter, Mel Bochner, Lawrence Weiner, Eleanor Antin, Jean Dubuffet, Yoko Ono, Larry Bell, Marilyn Levine, Larry Rivers, Susan Weil, Arman, Dorothea Rockburne, Robert Rauschenberg, Robert Kushner, Lynda Benglis, Marcia Hafif, Joan Miró, Karole Armitage, Beverly Naidus, Meret Oppenheim, Ronnie Cutrone, Keith Haring, Michael Graves, Judith Shea, Gordon Matta Clark, James Lee Byars, Louise Lawler, and Izhar Patkin, and many others. Materials presented drawn largely from the Jean-Noël Herli Archive. "Exhibition invitations? I've seen a few. Any working art critic inevitably acquires an extensive knowledge of this genre of printed ephemera. Heralding gallery and museum shows, invitations flood the mailbox, crowd the desk and all too often accumulate so intractably on the kitchen counter as to seem part of the decor. You can't live with them, and until the show is over, you can't throw them out. Still, life without such art-world byproducts would be a lot more difficult. Not only do they convey the important facts -- the who, when and where -- of shows that need to be seen. They're also advertisements bent on seducing us into attendance by being clever, eye-catching or provocative -- although sometimes they nip interest in the bud. (There's probably no art lover with mailing-list credentials who hasn't held up some gallery announcement and said, "Forget it!") Invitations are style statements in a minor key, ancillary artworks of a collective sort. Designed by artists, by graphic designers, by art dealers and museum curators -- usually a combination of the above -- they are the advance guard for the real thing. Their merit is judged in the very act of reading one's mail." -- Roberta Smith, "Art Invitations As Small Scraps Of History," New York Times, May 16, 1993. Very Good. Light edge wear. Contents clean and unmarked.

Condizione: Good. 4to. 20 x 26.5 Half contemporary red morocco. Waterstain in upper right corners.Light foxing. [2], 119, [1] p., [22] leaves of plates : ill., Sabin 51149, 74169; Library of Congress Control Number11030527.OCLC Number / Unique Identifier:476398487:Added engraved title page: Mount Auburn illustrated in a series of views from drawings by James Smillie. Letter press description by Cornelia W. Walter. . Entered according to act of Congress in the year 1847 by Robert Martin .Added series title page: The rural cemeteries of America. Mount Auburn.Engravings by James Smillie, J.A. Rolph, E.G. Dunnel, O.G. Hanks, Alfred Jones, R. Hinshelwood, and Rice & Buttre. The last five plates are architectural details of railings at Mount Auburn and Greenwood Cemeteries designed and executed by the architects, T. Voelckers, George W. Stilwell, and Cornell & Jackson.From the Rural Cemeteries of America series. Extensive foxing.Mount Auburn Cemetery was established in 1831 with a most ambitious vision. Within a forested landscape nestled between Cambridge and Watertown, our founders created an extraordinary place, one where the living mourner would come to find solace and the public would come to find inspiration.The founders envisioned the Cemetery as the place where the great and the good of Boston ? without restrictions on religion or race ? would be remembered and celebrated for all of time in a setting of exceptional beauty. Nearly 190 years and more than 100,000 burials later, we continue to honor that founding vision, offering burial space and end-of-life services to families in their time of need and preserving this landscape of memory for 200,000 annual visitors.Mount Auburn Cemetery is a singular treasure, a place where history and beauty meet memory and nature. Whether you come to bird watch, enjoy the ever-changing landscape, admire the monuments, or enjoy a contemplative moment in this urban oasis, Mount Auburn is here for you. And it's here for everyone: Mount Auburn is a National Historic Landmark that is open to the public at no cost, 365 days a year.