Cox david 1783 1859 (11 risultati)

PF. Condizione: New. This item is printed on demand. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

First Edition. Very good paperback copy; edges somewhat slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 19p : lxxii pl. (part col., mounted) ; 30cm. Subjects; Landscape painting. Watercolor painting. 1 Kg.

First Edition. Very good paperback copy; edges somewhat slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, clean and strong. Physical description; 19p : lxxii pl. (part col., mounted) ; 30cm. Subjects; Landscape painting. Watercolor painting. 1 Kg.

Hardcover. Condizione: Very Good. 1st Edition. One of the best of the early drawing books. 1st ed, 2nd issue, in modern red half red morocco over marbled boards. Spine, raised bands, gilt tooling & titles. Internally, title leaf, followed by 9-32 pp, 16 coloured aquatints, 16 uncoloured aquatints (illustrating 31 views), & twelve uncoloured soft-ground etchings (a number illustrating an assortment of views), mostly with tissue guards (a few tears), plates dated 1813, watermarked Ruse & Turner 1813, J Whatman 1811 & 1810, text leaves watermarked 1812, occasional minor stain & spot. Has the Haymaking rather than the Hulk plate. VG+. (465*292 mm). (Abbey, Life, 115. Tooley, p.148, 'the best and most important of the early drawing books'). COX David (illustratore).…

Engraving and etching some foxing, particularly below title.

Engraving and etching foxing in sky.

Paperback / softback. Condizione: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condizione: Good. [23] leaves of text and 20 colour engravings each with tissue guard. (4to) 32.5x24 cm (12¾ x 9½") period three-quarter blue morocco and marbled boards, spine gilt, raised bands, all edges gilt. Edges worn, front hinge open; paper a bit toned but overall internally near fine.Henry Vizetelly, Printer and engraver, Gough Square, Fleet Street"Plates engraved by Louis Marvy; after Sir Augustus Wall Callcott, J.M.W. Turner, J. Holland, Francis Danby, Thomas Creswick, William Collins, Richard Redgrave, Frederick Richard Lee, George Cattermole, William James Mu?ller, James Duffield Harding, Peter Nasmyth, Richard Wilson, Edward William Cooke, John Constable, Peter De Wint, David Cox, Thomas Gainsborough, David Roberts, and Clarkson Stanfield. Each plate is followed by a short critique by Thackeray. Thackeray was an old friend of Marvy, a French artist, who took refuge in London after the chaos of 1848. Theodore Taylor's 1864 biography of Thackeray mentions the history of the book: "A fine and skillful landscape painter himself, M. Marvy, while here, as a means of earning a living, made a series of engravings after the works of our English landscape painters. The publishers, however, would not undertake the work without a series of letter-press notices of each picture from Thackeray; and the latter accordingly added some criticisms which are interesting as developing his theory of this kind of art" (p.32). An interesting and quite scarce Thackeray item, very rarely found colored.Abbey, Life in England, no 207 : "The majority of the copies issued were uncoloured.".…

Engraving and etching.

Condizione: ACEPTABLE. Dibujo original atribuido al artista David Cox, pintor y paisajista inglés. Cox se convirtió en una de las figuras más importantes del arte británico durante la llamada Edad dorada de la pintura a la acuarela. Fue considerado por sus contemporáneos como rival sólo de John Constable en su retrato de los estados de ánimo de la naturaleza. Representa una casa campestre realizada en tinta sepia. Formato (cm): 22x33.…

On the Lancaster Sands. Bildmaß ca. 30 x 52 cm ( Höhe x Breite ), alt aufwendig gerahmt ( Rahmenmaß ca: 57 x 78 cm ). An der unteren vorderen Innenleiste des Rahmens von alter Hand mit Tinte ( wohl durch den Künstler selbst ) bezeichnet und signiert *On the Lancaster Sands ( sowie hierunter ): - D.Cox -*. Auf dem Bild selbst habe ich keine Signatur entdecken können ( links unten könnte sich eine unleserliche Signatur im Bild verbergen ), sowie weiter unten mit altem Metall-Klebeschildchen *45 On the Lancaster Sands D. Cox* . Ferner verso oben auf dem Rahmen ein altes montiertes Firmenetikett der Firma *G.W.Knight, Carver, Gilder, Mount Cutter & Picture Frame Manufacturer, Dealer in Works of Art, 121 London Wall, City E.C., Two doors from Coleman Street*. Gezeigt wird ein gestrandetes Schiff auf einer Sandbank, links der Anker, rechterhand ein Pferdegespann wohl zum Entladen des Schiffs, des weiteren allerlei Personenstaffage. Der Himmel rechts sehr dunkel gewittrig bewölkt entweder steht ein Unwetter (bzw. einer der berüchtigten Sandstürme sandstorm - auf der Sandbank ) kurz bevor oder das Unwetter zieht gerade ab. Das Bild undatiert, etwas craquelliert, insgesamt von recht guter Erhaltung. Der Rahmen etwas bestoßen. ( Provenienz: Aus altem Hamburger Bankiers-Sammlerhaushalt - eine Expertise zu dem Bild liegt nicht vor ). Literatur: Thieme-Becker: Künstlerlexikon: Band VIII, Seite 18-20 u.a. ( Bitte beachten: Hier ist leider kein Versand möglich - hier bitte nur Selbstabholung oder selbst organisierter Abtransport nach Absprache // please notice: No shipment possible ) ( weitere Bilder auf Anfrage - further pics on request ) ( Lagerort KG 2 )( Bitte beachten: Hier ist leider kein Versand möglich - ich bitte um Selbstabholung nach Absprache I)( Weitere Bilder auf Anfrage ) / Artikel 14224 /// On the Lancaster Sands. Image dimensions approx. 30 x 52 cm ( height x width ), elaborately framed ( frame dimensions approx. 57 x 78 cm ). Inscribed and signed *On the Lancaster Sands ( and below ) in ink by an old hand ( probably by the artist himself ) on the lower front inner strip of the frame: - D.Cox -*. I have not been able to discover a signature on the painting itself ( an illegible signature could be hidden in the painting at the bottom left ), and further down with an old metal label *45 On the Lancaster Sands D. Cox* . Furthermore, on the verso at the top of the frame an old mounted company label of the firm *G.W.Knight, Carver, Gilder, Mount Cutter & Picture Frame Manufacturer, Dealer in Works of Art, 121 London Wall, City E.C., Two doors from Coleman Street*. The picture shows a stranded ship on a sandbank, with the anchor on the left and a team of horses on the right, probably unloading the ship, as well as all kinds of people. The sky on the right is very dark and overcast with thunderstorms - either a storm (or one of the infamous sandstorms on the sandbank) is imminent or the storm is just moving away. The picture undated, somewhat craquelured, overall in quite good condition. The frame somewhat bumped. ( Provenance: From an old Hamburg banker's collector's household - there is no expertise on the picture ). Literature: Thieme-Becker: Künstlerlexikon: Band VIII, page 18-20 a.o. ( Please note: Here is unfortunately no shipping possible - here please only self-collection or self-organized transport by arrangement // please notice: No shipment possible ) ( further pictures on request - further pics on request ) ( storage location KG 2 )( Please note: Here is unfortunately no shipping possible - I ask for self-collection by arrangement I) ( further pictures on request ) / Article 14224. …