d 1612 (31 risultati)

Paperback. Condizione: New.

Condizione: New.

Condizione: New.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Paperback or Softback. Condizione: New. Dell'imprese. Book.

Condizione: As New. Unread book in perfect condition.

No Binding. Condizione: Very Good. An original, delicate, finely engraved portrait. Mounted and ready to frame. Mounted size 7 X 7.5 ins. This is an excellent opportunity to purchase a portrait of this eminent personage.

No Binding. Condizione: Very Good. Engraved By Freeman (illustratore). A fine original engraving. Mounted and ready to frame, this is a wonderful opportunity to purchase this splendid portrait. Decorative and attractive.

Condizione: As New. Unread book in perfect condition.

Condizione: New.

Condizione: New.

No Binding. Condizione: Very Good. A splendid antique portrait, circa 1860. Mounted/matted and ready to frame. Attractive and decorative.

No Binding. Condizione: Very Good. A splendid antique portrait, circa 1860. Mounted/matted and ready to frame. Attractive and decorative.

No Binding. Condizione: Very Good. A splendid antique engraved portrait, circa 1870. Mounted/matted and ready to frame. Attractive and decorative.

Condizione: As New. Unread book in perfect condition.

Condizione: Good. Contemporary calf, gilt spine. 11 x 19 cm.36 plates, some folding including a map of Alexander the Great's route. Manuscirpt annotatations in an ancient hand with added engraving.Manuscript notation in Getty Research Institute copy attributes the engravings to Adriaan Schoonebeeck.Illustrated with an added engraved title-page, frontispiece, and plates.Signatures: *?(-*1) 2* (-2* ) A-3E? 3F a-h? i (-i2) k?.QUINTII CURTII D. REBUS GESTIS ALEXANDRI MAGNI. Commentarris. Lug. Batavorrum. P. Vander Aa. 1696. 36 planches hors texte, rel. de l'époque, veau moucheté, dos ornéExpertise by Roger ROQUES - 06.12.15.30.68 - - 2 rue du Périgord - 31000 TOULOUSE.

Couverture rigide. Condizione: Bon. Paris . Chez l'Autheur , Rue Ste Anne près St Roch , au bout de la Rue du Hasard . Sans Date . 1689 . Un volume in-4 oblong , 30 x 22,8 cm , en reliure contemporaine de l'époque , plein veau marbré , dos à nerfs orné de caissons . VIII , 128 pages . Ouvrage composé d'un Frontispice & d'un portrait d'ANGLEBERT , gravés par C. VERMEULEN , d'après Pierre MIGNARD , une page de titre , texte de la dédicace à la Princesse de CONTI , une préface , Une partition de Marques des Agréments , Privilège , suivi de 128 pages de partitions gravées . Pages 25 à 29 morceaux extraits d'oeuvres de LULLY , transcrits pour CLAVECIN par d'ANGLEBERT . Cuir vieilli , mors en partie fissurés mais reliure trés solide , texte & partitions en EXCELLENT ETAT .

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1863 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 176 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 176 Language: tur.

1st Edition. First edition in German, after the Latin edition published in 1601. With frontispiece engraved portrait of Archduke Ferdinand II (privilege on verso, title page, two preliminary leaves, and 121 [of 125] elaborate engraved portraits, each with facing biographical notice printed within woodcut border. Lacking 4 leaves (portraits 3, 24, 64, 71). Two preliminary leaves printed for William Sterling Maxwell (his extensive bibliographical note and index of portraits); a facsimile folding view of Innsbruck inserted after title. The celebrated portrait gallery of the Archduke Ferdinand II of Austria, with portraits of emperors, kings, nobles, and war heroes, in historic suits of armor in the Archduke's collection at Schloß Ambras. Compiled by the Archduke's secretary Schrenck von Notzing and translated into German by J.E. Noyse van Campenhouten. With an interesting full page printed bibliographical notice by Sterling Maxwell dated 1870, printed within facimile borders matching the text pages of the portraits. Colas 2691; Brunet V, 224; Vinet 2046; Grässe VI 317; Lipperheide 499 Full dark brown morocco, spine titled in gilt, upper board with Sterling Maxwell arms in gilt, a.e.g. by XXXX. Sterling Maxwell?s largest bookplate on front pastedown. A few portraits possibly in old facsimile or restrike. 11 leaves loose or slightly sprung, a few marginal paper flaws, one portrait poorly inked With frontispiece engraved portrait of Archduke Ferdinand II (privilege on verso, title page, two preliminary leaves, and 121 [of 125] elaborate engraved portraits, each with facing biographical notice printed within woodcut border. Lacking 4 leaves (portraits 3, 24, 64, 71). Two preliminary leaves printed for William Sterling Maxwell (his extensive bibliographical note and index of portraits); a facsimile folding view of Innsbruck inserted after title First edition in German, after the Latin edition published in 1601.

Engraved portrait, oval with surrounding legend and text beneath, on laid paper (6 7/8 x 4 1/4 inches). Cut to just within platemark and inlaid into later wove paper sheet. Later ink inscription on verso reading "from Holland / 1809." Minor wear and soiling. Very good. A very early engraved portrait of Sir Francis Drake. A clean impression of the second state of this famous portrait of Sir Francis Drake at age forty-three, shortly after he returned from circumnavigating the globe, the basis for most of the later images of him. The image is taken from a portrait purportedly painted from life by Jean Rabel the Elder and is said to be a credible likeness of the famed navigator. The legend beneath the portrait indicates the dates of Drake's circumnavigation, listing Rabel as the painter and Thomas de Leu as the engraver. Thomas de Leu (1560-1612), a pupil of Rabel's, moved to Paris around 1576 and became one of the most noted portrait engravers of his time. This engraving of Drake was the basis for many later images of him, including the well-known engravings by Jodocus Hondius and Crispin van de Passe. The earliest graphic image of one of the greatest figures in maritime history. Marianne Grivel, "Au Sieur Rabel, Parangon du la 'pourtraicture'." in H. Zerner and M. Bayard's RENAISSANCE EN FRANCE (Paris, 2009), pp. 227-92 (2d state).

Condizione: Buono (Good). PHILIPP II'S TITLES AND HIS EUROPEAN AND OVERSEAS TERRITORIES 4to (209x150 mm). 120, [4] leaves. Collation: A-Z4 AA-HH4. With the printer's device on the title page and the woodcut coats-of-arms of Philipp II for each one of his many titles. Later stiff vellum vellum, manuscript title on spine. Marginal foxing and staining, but a good copy.   First edition. ?Giacomo Mainoldi Gallarati, a member of a patrician family of Cremona, had a distinguished career as a jurist and office-holder in the Milanese dominion of Philip II, and at the end of his life was president of the senate of Milan. He was the author of De titulis Philippi Austrii liber, a survey of the medieval history of the imperial title and the modern domains of his sovereign. It was published in 1573 in Bologna, where Mainoldi was a student and where he resided in the home of Carlo Sigonio [?] Sigonio mentions both father [Giovanni Battista] and son amongst those to whom thanks were due for the assistance in the preparation of De regno Italiae (1576). De titulis Philippi Austrii bears a certain resemblance in both the nature of contents and their organization to the anonymous Historiae tractatus composed circa 1570 by a student and boarder of Sigonio, the identification of whom with Giacomo Mainoldi Gallarati is here offered as a possibility? (W. McCuaig, Carlo Sigonio: the Changing World of the Late Renaissance, Princeton, NJ, 1989, p. 69; see also G.C. Ruginelli, Tractatus de senatoribus, Milan, 1697, pp. 37-38). At leaf 84 begins the chronological table with the succession of all the titles associated to the crown of Spain up to Philipp II. Leaves 26v-37v are dedicated to the discovery and conquest of the overseas territories (Peru, Nicaragua, Panama, Moluccas Islands, etc.) carried on by Columbus, Pizarro, Cortés, and Magellan from 1492 to 1541.   Edit 16, CNCE26061; Universal STC, 839686.

S.l. (Paris) ; s.d. ( after 1602 -before 1612), format oblong in-4°, print size 138 x 180 mm. Paper size 190 x 285 mm. The suite consists of an engraved title + engraved frontispiece + 24 plates (numbered 2 - 25). Bound in modern imitation leather. Some plates with faint waterstains or dust soiling; title page with some minor and marginal soiling. On the whole a good quality copy with large margins. The title page (without date or place of imprint) depicts Saint Francis within an architectural border. On either side of the portrait are two engraved dedications to the widowed princesse Marie de Luxembourg, duchess of Pentheure. Her husband Philip Emanuel de Lorraine died in 1602; therefore the printing date after 1602. The frontispice gives another portrait of St. Francis surrounded by the smaller portraits of the four virtues. All the plates are signed ''Thomas de Leu ex.''. The plates numbered 2 ->25 have a bi-lingual caption (Latin and French) which explains or comments the depicted scene. Some of the plates depict miracles performed by St. Francis. At the end is bound in a similar plate which obviously does not belong to the suite. Thomas de leu was born in Oudenaarde ( actual Flanders, Belgium) and learned engraving in Antwerp. Around 1578 he moved to Paris. The style of the engravings show clearly the Antwerp influence from designers and engravers such as Stradanus, Maarten De Vos etc. This suite is apparently quite rare. OCLC lists only four copies : Nat. Libr. of Schotland and University of Barcelona library, Münster and BN Paris.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 276 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 276 Language: English.

3. Antwerpen, Buschmann, 1872, in-8°, orig. wrapp. (torn) 42 pp + portrait h.t. (Separate off-print from; Annales de L'Académie, tome xxviii, 2-ième série, tome viii. With autograph dedication ;''Den Heere J.Linnig, Plaatsnijder ten bewijze mijner achting, J. vanden Branden''. (cover with small loss of paper).

Condizione: New. Print on Demand pp. 168.

LeatherBound. Condizione: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1614 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 766 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 766 Language: Spanish.

No Binding. Condizione: Very Good. Durer, Willem De Haen, MDH, Johan Goossen, (illustratore). Etching by WDH (Willem De Haen, f.1612-1625) , a copy after Durer, engraved by Johan Goossen. Copper engraving after Durer The Lamentation of Christ . The Copy is engraved by Johan Goosens, after Haen and Durer. Printed on early paper with Latin text on verso, therefore from a book publication, small size, circa 1630, There is a small hole in image, proabaly a worm hole, the paper is discoloured due to age, attached down the left side to card. Sheet/ Image size 122 x 75mm (4.75 x 3 inches).

No Binding. Condizione: Very Good. Durer, Willem De Haen, MDH, Johan Goossen, (illustratore). 1st Edition. Copper engraving after Durer Christ as the Man of Sorrows standing by a column with the Virgin Mary and St.John . The Copy is engraved by Johan Goosens, after Haen and Durer. Printed on early paper with Latin text on verso, therefore from a book publication, small size, circa 1630, The paper is discoloured due to age, attached down the left side to card. Sheet/ Image size 122 x 75mm (4.75 x 3 inches).

Paperback. Condizione: new. Paperback. Dell'imprese, written by Scipione Bargagli and published in 1594, offers a fascinating glimpse into the world of Renaissance business and management. This historical work provides insights into the entrepreneurial spirit and practices of the time. Bargagli's exploration of enterprise provides a valuable perspective on the economic and social structures of the era.Students of business history and Renaissance Italy will find this book to be a rich resource. Though written centuries ago, the themes of innovation, risk, and reward remain relevant to modern-day business practices. Dell'imprese stands as a testament to the enduring principles of enterprise.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.