Editore: E.P. Dutton and Company, Inc, New York, 1969
Da: Second Story Books, ABAA, Rockville, MD, U.S.A.
Prima edizione
Hardcover. First US Edition. Octavo, 159 pages. In Very Good condition with a Very Good minus dust jacket. Spine black, red, orange and blue with off-white, red and black lettering. Exterior has moderate wear including slight sunning to the spine, few chips to the head/tail edges and mild soiling. Slight age toning to jacket interior. Boards show very slight wear including faint sunning. Text block has mild wear including slight age toning to the edges. Frontispiece. First US edition. NOTE: Shelved in Netdesk Column Q, ND-Q. 1397331. FP New Rockville Stock.
Editore: Inter-Language Literary, New York, 1966
Da: Ground Zero Books, Ltd., Silver Spring, MD, U.S.A.
Condizione: fair. 166, wraps, frontis illus., ink notations inside front cover, covers quite worn, soiled, stained, & creased: large tear at spine. Bookplate on frontis. Text is in Russian. A collection of four short stories by Yuli Markovich Daniel (1925-1988), a Soviet dissident writer, poet, translator, and political prisoner. He was jailed for publishing abroad.
Editore: Munich, I.Baschkirzew for Washington, D.C., B[oris] Filippoff, 1962., 1962
Da: Bernard Quaritch Ltd ABA ILAB, London, Regno Unito
Prima edizione
EUR 178,38
Quantità: 1 disponibili
Aggiungi al carrelloFirst Edition. 8vo, pp.61, [1 (blank)], [2 (publisher's advertisements)]; a very good copy in the original printed wrappers; small bookseller's ticket of Parkers of Oxford to inner front cover.First edition, smuggled out of the Soviet Union and published pseudonymously, of this dystopian work in which the government 'declares a "Day of Public Murders" and permits random murder' (Terras), one of the books which led directly to Daniel's arrest and show trial in 1966 for 'anti-Soviet activity'. 'Daniel first attracted attention to himself in the 1960s when he used the pseudonym of Nikolai Arzhak to publish four satirical stories abroad without the permission of the authorities: "Hands", "This is Moscow Speaking", "The Man from MINAP", and "The Atonement"' (Terras). Daniel and his fellow writer Andrey Sinyavsky smuggled their writing out of the Soviet Union as samizdat and published their work in the West under pseudonyms, as here. The people of This is Moscow Speaking view the 'Day of Public Murders' as 'nothing special. There's "Artillery Day", "Soviet Press Day", "Day of Public Murders" the police cannot be touched. Transport is working, so there will be order. The following day, a long editorial article appeared in Izvestia. It said very little about the event, but repeated the usual: "prosperity by leaps and bounds genuine democracy only in our country all thoughts are made visible for the first time in history the bourgeois press"' (p.4,trans.). The preface by the Washington publisher Boris Filippoff (19051991), critiquing the actions of Communist leaders and of the injustice of Soviet show trials, eerily anticipates the DanielSinyavsky trial four years later, in which both defendants pleaded not guilty but were sentenced to five and seven years in labour camps: 'The premise of the story is only an artistic device that allows one to imagine the behaviour and psychology of the people, its reaction to a new decree of the Soviet party elite. And is [the decree of] a 'Day of Public Murders' really so unrealistic?' The trial would garner international attention and outspoken criticism from Auden, Arendt, Grass, Boll, Mailer, Greene, and others. Language: Russian.