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Aggiungi al carrelloPaperback. Condizione: New. In her art, Gaëlle Choisne (*1985, lives and works in Paris and Berlin) addresses the world's complexity with its numerous political and cultural crises - such as the overexploitation of nature and natural resources or the consequences of colonialism and the scars it has left. Her works are often designed as collaborative projects that evolve over years and are continuously redefined at changing locations and with varying participants.Choisne's long-term project Temple of love - To hide is based on the idea of self-healing through sharing our experience with others, through our connection with our ancestors, respect for our historical heritage, and an inner physical balance. In a number of interviews, she asked female and transfeminine people about their situation as racialised women in contemporary society, including several women who have developed the ability to "heal" through various methods and techniques: for example, by creating communities or through family care, music, or "alternative" medicine.Her installation, composed of video projections and objects, presents itself as a safe space which highlights self-care and caring for others. Visitors are invited to participate in an energetic healing process or to drink soothing concoctions.
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Aggiungi al carrelloCondizione: As New. Unread book in perfect condition.
Lingua: Inglese
Editore: DruckVerlag Kettler, Bonen, 2023
ISBN 10: 3987410361 ISBN 13: 9783987410369
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. In her art, Gaelle Choisne (*1985, lives and works in Paris and Berlin) addresses the world's complexity with its numerous political and cultural crises such as the overexploitation of nature and natural resources or the consequences of colonialism and the scars it has left. Her works are often designed as collaborative projects that evolve over years and are continuously redefined at changing locations and with varying participants. Choisne's long-term project Temple of love To hide is based on the idea of self-healing through sharing our experience with others, through our connection with our ancestors, respect for our historical heritage, and an inner physical balance. In a number of interviews, she asked female and transfeminine people about their situation as racialised women in contemporary society, including several women who have developed the ability to heal through various methods and techniques: for example, by creating communities or through family care, music, or alternative medicine. Her installation, composed of video projections and objects, presents itself as a safe space which highlights self-care and caring for others. Visitors are invited to participate in an energetic healing process or to drink soothing concoctions. SELLING POINTS: . An effort to self-heal through connecting with our ancestors and our historical heritage . Focusing on female and transfeminine perspectives . Installation art as safe spaces 73 colour illustrations An effort to self-heal through connecting with our ancestors and our historical heritage, focusing on female and transfeminine perspectives. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Condizione: As New. Unread book in perfect condition.
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Aggiungi al carrelloPaperback. Condizione: New. Gladys Kalichini (born 1989 in Chingola, Zambia) is a contemporary visual artist and academic who investigates how women have been portrayed in relation to a dominant, colonial past. For example, the artist sheds light on instances in which women have been deleted from historical narratives and the collective memory of society. As a result of her extensive research, Kalichini has demonstrated that women were intentionally marginalised in the official representations of Zambia's and Zimbabwe's struggles for independence.In her elaborate multimedia installations and video art, which she often develops on the basis of research material and photos from archives, Kalichini highlights the omissions in the dominant representations of the two countries' fight for freedom. She thus expands the history of their liberation struggle by drawing attention to the deletion and invisibility of female freedom fighters. By reminding the public of several of these women, Kalichini creates a diverse and complex alternative narrative of national independence.
Lingua: Inglese
Editore: DruckVerlag Kettler, Bonen, 2021
ISBN 10: 3862068544 ISBN 13: 9783862068548
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. Gladys Kalichini (born 1989 in Chingola, Zambia) is a contemporary visual artist and academic who investigates how women have been portrayed in relation to a dominant, colonial past. For example, the artist sheds light on instances in which women have been deleted from historical narratives and the collective memory of society. As a result of her extensive research, Kalichini has demonstrated that women were intentionally marginalised in the official representations of Zambia's and Zimbabwe's struggles for independence. In her elaborate multimedia installations and video art, which she often develops on the basis of research material and photos from archives, Kalichini highlights the omissions in the dominant representations of the two countries' fight for freedom. She thus expands the history of their liberation struggle by drawing attention to the deletion and invisibility of female freedom fighters. By reminding the public of several of these women, Kalichini creates a diverse and complex alternative narrative of national independence. 36 colour, 20 b/w illustrations Gladys Kalichini is a contemporary visual artist and academic who investigates how women have been portrayed in relation to a dominant, colonial past. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Condizione: As New. Unread book in perfect condition.
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Aggiungi al carrelloHardcover. Condizione: New. A master of German Expressionism, Ludwig Meidner (1884-1966) created artwork that reflected the social upheavals of his time. Focusing on the often overlooked images he produced while in exile in London, from 1939-53, this well-illustrated catalogue explores his continued preoccupation with portraiture and themes including war, apocalypse, city life and religion; his use of grotesque humour; and the wider impact of his art. Text in German and English.
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Aggiungi al carrelloPaperback. Condizione: New. A central pillar of Daniel Lie's artistic practice is time - ranging from age-old memories to the beginning of the world, from the life span of a human being to the geological time of the elements. Lie's art explores concepts such as life, death, and decay, as well as biographical relationships and heritage, with an approach that centres around personal memories, family stories, cultural objects, and natural products that survive for a long time and are linked to memories of the past. Taking a lifetime as a comparative measure, the works are inspired by developmental processes and the transition from one state to another. Installations, sculptures, and a combination of different media reveal the performative qualities of the referential objects - time, transience, and presence. Lie turns a spotlight on these three aspects by creating complex installations and giving pride of place to organic elements that grow and age and have life cycles of their own, such as plants and fungi. Engaging in an interdisciplinary exchange with mycologists, archaeologists, and environmental specialists, Lie addresses the fault lines in binary thought patterns such as science and religion, past origins and present existence, life and death, while attempting to subvert them.
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Aggiungi al carrellopaperback. Condizione: New. **PAPERBACK**.
Lingua: Inglese
Editore: DruckVerlag Kettler, Bonen, 2022
ISBN 10: 386206946X ISBN 13: 9783862069460
Da: Grand Eagle Retail, Bensenville, IL, U.S.A.
Paperback. Condizione: new. Paperback. A central pillar of Daniel Lie's artistic practice is time ranging from age-old memories to the beginning of the world, from the life span of a human being to the geological time of the elements. Lie's art explores concepts such as life, death, and decay, as well as biographical relationships and heritage, with an approach that centres around personal memories, family stories, cultural objects, and natural products that survive for a long time and are linked to memories of the past. Taking a lifetime as a comparative measure, the works are inspired by developmental processes and the transition from one state to another. Installations, sculptures, and a combination of different media reveal the performative qualities of the referential objects time, transience, and presence. Lie turns a spotlight on these three aspects by creating complex installations and giving pride of place to organic elements that grow and age and have life cycles of their own, such as plants and fungi. Engaging in an interdisciplinary exchange with mycologists, archaeologists, and environmental specialists, Lie addresses the fault lines in binary thought patterns such as science and religion, past origins and present existence, life and death, while attempting to subvert them. 25 colour illustrations Lies art explores concepts such as life, death, and decay, as well as biographical relationships and heritage, with an approach that centres around personal memories. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 64 pages. 9.88x8.25x0.28 inches. In Stock.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 67 pages. 9.88x8.25x0.32 inches. In Stock.
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Aggiungi al carrelloPaperback. Condizione: Brand New. 64 pages. 9.50x7.75x0.25 inches. In Stock.
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Da: Romtrade Corp., STERLING HEIGHTS, MI, U.S.A.
Condizione: New. This is a Brand-new US Edition. This Item may be shipped from US or any other country as we have multiple locations worldwide.
Da: Basi6 International, Irving, TX, U.S.A.
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