darly mary (26 risultati)

Loose Leaf. Condizione: New. Reproduction. None. No.

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Loose Leaf. Condizione: New. Reproduction. Original title: The Antiquarian German: Das Antiquariat French: L'antiquaire Spanish: El Anticuario High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 18th century (1773). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. Original title: A Connoiseur Admiring a Dark Nigh Piece German: Ein Connoiseur, der ein dunkles Stück bewundert French: Un connaisseur admirant une pièce de voisinage sombre Spanish: Un connoiseur admirando una pieza oscura cercana High-quality fine-art reproduction based on an original work from the Ycba. Creation period: 18th century (1771). Professionally printed on premium fine-art paper (Photo Matt Fibre) in size A5. The motif is printed with a white border (museum-style presentation). No.

Loose Leaf. Condizione: New. Reproduction. None. No.

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Loose Leaf. Condizione: New. Reproduction. None. No.

Loose Leaf. Condizione: New. Reproduction. None. No.

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Loose Leaf. Condizione: New. Reproduction. None. No.

Loose Leaf. Condizione: New. Reproduction. None. No.

No Binding. Condizione: Very Good. Small 4to. [269 x 176 mm]. Hand-coloured etching. A satirical print on fashion, an elderly woman gestures in surprise at an elegantly dressed younger woman walking towards her. (Very good condition). One of a pair of satirical prints on fashion produced by Matthias and Mary Darly, the other being 'What's! This my boy Tom', a similar caricature of an elderly man with a look of surprise at his well dressed young son.

First Edition. Ninety-Six Hand Colored Etched Plates Lampooning Contemporary Fashion and Manners Scarce Ladies and Macaronies depicted by Mary Darly, the Mother of Pictorial Satire DARLY, Mary, and Matthew. 24 Caricatures by Several Ladies, Gentlemen, Artists &c. 1771. [&] Vol II of Caricatures, Macaronies & Characters by Sundry Ladies, Gentle[men], Artists & c., 1772. [&] Vol III of Macaronies, Characters, Caricatures &c Design'd by the Greatest Personages Artists & c. 1772. [&] Vol IV of Macaronies Characters Caricatures & c. by M. Darly. [1773]. First edition. Four octavo volumes bound in two (8 3/4 x 5 1/2 inches; 222 x 140 mm.). Four hand-colored decorative titles, one leaf of engraved text in volume 1, and ninety-six vividly hand-colored etched plates. All plates mounted on stubs and interleaved. Some very occasional and mainly marginal spots, lower blank margin of plate 12 in volume I with light stain, plates 2 & 3 in volume II and plate 8 in volume III with expertly repaired marginal tear. Still the finest and most complete example of this great rarity that we have ever seen. Early twentieth-century dark brown morocco by Rivière. Covers elaborately paneled in gilt with a gilt center lozenge, spines with five raised bands elaborately decorated and lettered in gilt in compartments, gilt board edges and turn-ins, all edges gilt, marbled endpapers. With the armorial bookplate of The Duke of Gloucester on front paste-downs. First edition complete of this 18th century collection of caricatures satirizing the fashionable manners of contemporary London society, particularly its dandies, known as "macaronis." Created by the husband-and-wife team Matthew (fl. 1741-1778) and Mary Darly (fl. 1756-1779), these prints pioneered a new British genre of caricature. Each features a single figure set against a plain background, with identity conveyed through dress, pose, and a few well-chosen props. The term macaroni prints aptly reflects their inspiration-caricature drawings by Pier Leone Ghezzi, which Grand Tourists brought back from Rome. This substantial collection includes contributions from several notable London artists, such as James Sayer, Matthias Darly, H. W. Bunbury, Sir Edward Newenham, Elizabeth Bridgetta Gulston, J. Williams, and Edward Topham. The "macaroni" was a prominent social archetype in 18th-century England, representing a flamboyant, effeminate, and fashion-obsessed young man. Noted for their extravagant adoption of Italian and French styles, macaronis were distinguished by their elaborate clothing, meticulous grooming, and ostentatious mannerisms - often seen as lacking in substance or seriousness. By the 1770s, "macaroni" had become a popular slang term for a dandy or fashion victim. Matthew Darly was a respected designer and printseller, known for his involvement in publishing Robert Manwaring's The Chair-Maker's Guide (1766) and Chippendale's The Gentleman's and Cabinet-Maker's Director (1754). He also collaborated with ornithologist George Edwards on A New Book of Chinese Designs (1754). In 1749, Matthew was questioned by the government regarding the sale of satirical prints mocking the Duke of Cumberland. He admitted to acquiring a hundred, many of which had been sold by his wife in exchange for a book of ornament-likely his own recently published New Book of Ornament (1749) (ODNB). By 1762, Mary Darly had taken on the role of publisher for satirical prints, though the exact date of their marriage remains uncertain. It is possible she was the same wife referenced in 1749, as she earlier described herself as a "Fun Merchant, at the Acorn in Ryder's Court, Fleet Street." However, there is reason to believe she may have been Matthews' second wife. By 1766, the couple had firmly established their business at 39 Strand. As political tensions escalated in the early 1770s, caricaturists shifted their focus from attacking political and aristocratic figures to ridiculing the exaggerated fashions and mannerisms of the macaronis. Thi.