David newman robert benton (15 risultati)

Couverture souple. Condizione: Tres bon. J'Ai Lu, 2001. 1 volume broché(s) format In-12 très bon.

Hardcover. Condizione: Very Good. Condizione sovraccoperta: Very Good. First Edition First Printing. Contains the complete screenplay for the 1967 film starring Warren Beatty & Faye Dunaway, along with extensive interviews, essays, & commentaries that take you behind the scenes into the making of the movie. In 223 pages with black-and-white photo stills from the movie throughout. A FIRST EDITION, First Printing, this hardcover is in VG condition: very clean, binding straight & strong, pages modestly tanned, commensurate with age. Light foxing/soiling to external page edges, most notable some small red dots to outside top edges & a black remainder mark to bottom edges. Interior completely clean. The unclipped DJ is downgraded to only Good due to a large chip missing from head of spine & lighter edgewear all around. Nicely protected in new mylar cover Free Our photos depict the Exact book you will receive, never "stock" images of books we don't actually have! Same day shipping on all orders received Weekdays by 2 pm (Pacific time); later orders, weekends, & holidays ship very next business day.…

Trade Paperback. Condizione: Very Good. Condizione sovraccoperta: Good. 1st Edition. Prior owner name in ink in top corner of front flyleaf. Price-clipped dust jacket has a one inch tear and a 3" crease at bottom corner of front panel. Lamination is finely bubbling on jacket. No jacket chips. Paper is darkening as expected. Remainder mark on bottom of page edges.…

Trade Paperback. Condizione: Very Good. Condizione sovraccoperta: Very Good. 1st Edition. Some darkening to paper and endsheets, otherwise very good in good or better dust jacket with some edgewear, lifting to lamination, creasing, short tears. No jacket chips other than slight paper loss to extremities. Not price-clipped. No remainder marks.…

Hardcover. Condizione: Good. Hardcover, no jacket, in Good condition, there are no stamps writing or marks, some scuffing on the glossy covers, straight spine, good binding, clean unmarked pages, a nice reading copy.

Hardcover. Condizione: Near Fine. Condizione sovraccoperta: Fine. First Edition; First Printing. First edition. Near fine in fine dust jacket. (Off-setting to end-papers from silver foil jacket flaps. Paper in text somewhat age toned. ) Features the entire David Newman & Robert Benton screenplay.

Vintage film still photograph of Warren Beatty and Faye Dunaway from the 1967 film, with layout annotations in the margins, and layout annotations on the verso. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex and humor, and a glamourous take on disaffected youth. Its portrayal of violence and ambiguity in regard to moral values, and 'shock' ending, divided critics. One critic, Pauline Kael, came to its rescue, stating that "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Winner of two Academy Awards for Best Cinematography and Best Supporting Actress, nominated for eight others including Best Picture, Best Director, Best Screenplay, Best Actor, Best Actress, and Best Supporting Actor. Selected for the National Film Registry in 1992. Shot on location in Texas and California. 10 x 8 inches. Very Good plus. National Film Registry. Ebert I. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Spicer US.…

Vintage borderless reference photograph showing director Richard Donner on the set. Stamps specific to the French release on the versos. The origin story of Jerry Siegel and Joe Shuster's famed superhero, an alien sent as a baby from his crumbling home planet to Earth. The wildly popular film foreshadowed the later success of Hollywood superhero franchises, and firmly established Christopher Reeve as the ultimate Superman. Shot on location in Canada, New York, California, New Mexico, Arizona, and England. 9.5 x 7 inches. Near Fine. National Film Registry. Ebert IV.…

Script Format, reprint. Condizione: As New. / 1966 FINAL DRAFT / THE SCRIPT IS PRINTED ON THREE-HOLE PUNCHED PAPER AND BOUND WITH 2 BRASS BRADS/.

Estimating Script for the 1970 film, seen here under the working title "The Prison Story." Included is a vintage reference photograph from the film. The leader of a band of outlaws steals $500,000, but not before many in the gang are shot dead. Before he is arrested, he hides the loot in women's underwear and drops it into a pit, using the promised loot to bribe his fellow inmates into helping him escape from prison. Screenwriting duo David Newman and Robert Benton shared many of their first films together as cowriters, including "Bonnie and Clyde" (1967), "What's Up Doc" (1972), and "Superman" (1978). Set in Arizona, shot on location in California and New Mexico. Tan titled wrappers, noted as ESTIMATING SCRIPT on the front wrapper, rubber-stamped copy No. 166, dated July 23, 1968. Distribution page present, with receipt intact. Title page present, dated July 23, 1968, with credits for screenwriters Newman and Benton. 167 leaves, with last page of text numbered 162. Mimeograph duplication on yellow stock, rectos only. Pages and wrapper Near Fine, bound internally with three gold brads. In a custom green quarter-leather clamshell box. Pitts 4330.…

Vintage oversize borderless double weight reference photograph of Faye Dunaway, Warren Beatty, and Michael J. Pollard from the 1967 film. With a German address stamp to the verso. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex, and humor, and a glamourous take on disaffected youth. Its moral ambiguity and bloody ending divided audiences, leading critic Pauline Kael to come to its rescue: "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Nominated for eight Academy Awards, winning two for Best Cinematography and Best Supporting Actress for Estelle Parsons. Shot on location in Texas and California. 11.75 x 9.25 inches. Very Good plus, with lightly bumped corners and faint soil to the verso. Rosenbaum 1000. Ebert I. Scorsese, A Personal Journey Through American Movies. Penzler 101. Spicer US. Grant US. …

Vintage reference photograph from the 1967 film, showing Faye Dunaway shooting through a hanging tire swing, with a smiling Warren Beatty looking on. Warner-Pathe stamp on the verso, along with annotations in manuscript ink and pencil. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex and humor, and a glamourous take on disaffected youth. Its portrayal of violence and ambiguity in regard to moral values, and 'shock' ending, divided critics. One critic, Pauline Kael, came to its rescue, stating that "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Winner of two Academy Awards for Best Cinematography and Best Supporting Actress, nominated for eight others. Shot on location in Texas and California. 8 x 10 inches. Very Good plus. National Film Registry. Ebert I. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Spicer US.…

Vintage double weight reference photograph from the 1967 film, showing director Arthur Penn with a camera crew, capturing an outdoor scene with Faye Dunaway and Warren Beatty. Perhaps the most significant film for the New Hollywood generation, with its mix of graphic violence, sex and humor, and a glamourous take on disaffected youth. Its portrayal of violence and ambiguity in regard to moral values, and 'shock' ending, divided critics. One critic, Pauline Kael, came to its rescue, stating that "in a sense, it is the absence of sadism. it is the violence without sadism. that throws the audience off balance at Bonnie and Clyde. The brutality that comes out of this innocence is far more shocking than the calculated brutalities of mean killers." Winner of two Academy Awards for Best Cinematography and Best Supporting Actress, nominated for eight others. Shot on location in Texas and California. 10 x 8 inches. Near Fine. National Film Registry. Ebert I. Grant US. Penzler, 101 Greatest Films of Mystery and Suspense. Rosenbaum 1000. Scorsese, A Personal Journey Through American Movies. Spicer US.…

Vintage borderless reference photograph of Peter Bogdanovich directing actor Ryan O'Neal between takes on the set of the 1971 film. Manuscript ink and pencil annotations to the verso. From the archive of film historian and author Joel Finler. Howard Bannister (O'Neal) is in San Francisco at a musicologist convention, competing for a research grant. He meets a screwy but intellectual student, Judy Maxwell (Barbra Streisand), and the two strike a connection, and for Judy it's love at first sight. Add to the plot a case of mistaken and stolen goods, and what remains is a wildly successful screwball sendup, the highest grossing film ever directed by Peter Bogdanovich. Its success lay largely in a rather esteemed crew of screenwriters, which included Buck Henry and Robert Benton. Set and shot on location in San Francisco. 10 x 8 inches. About Near Fine.…

Post-production continuity script of the landmark and controversial neo-noir film that helped define the "New Hollywood" era. The film has been selected for preservation in the U.S. National Film Registry by the Library of Congress as being "culturally, historically or aesthetically significant". The film premiered in Montreal on 4 August 1967. This script is dated over a month later. The biographical film depicts the story of Bonnie Parker (1910-1934) and Clyde Barrow (1909-1934), the American outlaws of the Great Depression. The film's glorification of murderers and graphic depiction of violence heralded a new style in film making. Xerographic typescript, 127 leaves (355 x 216 mm) printed on rectos only. Original blue front wrapper lettered in black comprising title, prong binding. Housed in a custom blue cloth folding box. Ownership signature to front wrapper and additional pen mark. Some foxing, minor chips to front wrapper, adhesive tape repairs to front wrapper, occasional creases: a very good copy. …